{"id":1148,"date":"2020-08-05T15:45:16","date_gmt":"2020-08-05T13:45:16","guid":{"rendered":"https:\/\/radiok7.co\/podcast\/?p=1148"},"modified":"2026-05-27T18:50:09","modified_gmt":"2026-05-27T16:50:09","slug":"manu-chao-clandestino-1998","status":"publish","type":"post","link":"https:\/\/radiok7.co\/podcast\/episode\/manu-chao-clandestino-1998\/","title":{"rendered":"Manu Chao \u201cClandestino\u201d (1998)"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#000000″ bg_image=\u00a0\u00bb1154″ bg_position=\u00a0\u00bbcenter top\u00a0\u00bb 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Manu Chao \u201cClandestino\u201d<\/h1>\n

(1998)<\/h1>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb20″ top_padding_tablet=\u00a0\u00bb20″ top_padding_phone=\u00a0\u00bb20″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb 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EN QUELQUES MOTS<\/strong><\/h5>\n[\/vc_column_text][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbsize18″]Dans cet \u00e9pisode on ressort \u201cClandestino\u201d de Jos\u00e9 Manuel Tom\u00e1s Arturo Chao, alias Manu Chao. 4 ans apr\u00e8s la fin de la Mano Negra, le chanteur-musicien-voyageur revient en 98 avec un album solo en forme de carnet de voyage. [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb top_margin_tablet=\u00a0\u00bb27px\u00a0\u00bb left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ left_margin_phone=\u00a0\u00bb0″ right_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbsize18″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]C\u2019est un disque malin, d\u00e9pouill\u00e9 et engag\u00e9 \u2014 assez loin musicalement de l\u2019\u00e9nergie punk \u00e0 laquelle il nous avait habitu\u00e9 avec la Mano. Clandestino efface les fronti\u00e8res entre l\u2019Europe et l\u2019Am\u00e9rique du Sud, m\u00e9lange aussi bien le reggae et la rumba que le rock et les musiques latines traditionnelles.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bbleft\u00a0\u00bb top_margin_tablet=\u00a0\u00bb80px\u00a0\u00bb bottom_margin_tablet=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ top_margin_phone=\u00a0\u00bb30″ left_margin_phone=\u00a0\u00bb0″ right_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb column_padding_type=\u00a0\u00bbdefault\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbsize18 marginbot40″]Bonnet p\u00e9ruvien viss\u00e9 sur la t\u00eate et guitare \u00e0 la main, le petit bonhomme va r\u00e9ussir un exploit formidable : celui de faire de \u201cClandestino\u201d l\u2019album le plus vendu en France pendant les nineties, juste derri\u00e8re Francis Cabrel ![\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb 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\u00c9couter \u00b7 \u00c9couter \u00b7 \u00c9couter \u00b7<\/i><\/h2>\n[\/nectar_scrolling_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#3c5963″ scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb120″ bottom_padding=\u00a0\u00bb0″ top_padding_tablet=\u00a0\u00bb120″ bottom_padding_tablet=\u00a0\u00bb0″ top_padding_phone=\u00a0\u00bb80″ bottom_padding_phone=\u00a0\u00bb0″ text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/4″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb offset=\u00a0\u00bbvc_hidden-sm vc_hidden-xs\u00a0\u00bb][\/vc_column][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin=\u00a0\u00bb0″ bottom_margin=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb60″ right_margin_tablet=\u00a0\u00bb60″ left_margin_phone=\u00a0\u00bb30″ right_margin_phone=\u00a0\u00bb30″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text css_animation=\u00a0\u00bbfadeInUp\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1652199217293{margin-top: 0px !important;margin-bottom: 0px !important;}\u00a0\u00bb el_class=\u00a0\u00bbw2″]\n

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\nC\u2019est le 1er album solo de Manu Chao, il sort au printemps, le 17 avril 1998 en CD, Cassette, vinyle et MiniDisc chez Virgin.<\/p>\n

Je ne sais pas si vous vous souvenez, 1998 c\u2019est l\u2019ann\u00e9e o\u00f9 la France remporte la coupe du monde et pendant quelques jours on est tous fran\u00e7ais et on s\u2019aime. On arrive \u00e0 coincer Pinochet, le sous-commandant Marcos est toujours planqu\u00e9 au Chiapas et en France on cr\u00e9\u00e9 l\u2019asso ATTAC ch\u00e8re aux altermondialistes.<\/p>\n

En France on va voir Titanic, le film le plus cher de l\u2019histoire, on d\u00e9couvre Garou dans Notre-Dame de Paris et 200.000 personnes participeront \u00e0 la premi\u00e8re techno Parade.[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLa story de Manu Chao\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu : On va maintenant revenir un peu en arri\u00e8re, et revenir sur le parcours incroyable de Manu Chao.<\/strong><\/p>\n

Olivia : On s\u2019attaque ici \u00e0 monument de mon adolescence r\u00e9volt\u00e9e. Manu Chao est un peu la bande-son de l\u2019ann\u00e9e de mon BAC, quand j\u2019allais manifester dans la rue avec mes copines contre le G7 et le Pr\u00e9sident Bush. Moi \u00e0 l\u2019\u00e9poque, je pensais que c\u2019\u00e9tait mai 68\u2026 merci de ne pas se moquer.<\/p>\n

Clandestino c\u2019est surtout 1,8 million d\u2019exemplaires vendus en France ; plus d\u20191,2 million dans le monde, sans compter les cassettes pirates en Am\u00e9rique du Sud.<\/p>\n

L’album remporte en 1999 une victoire dans la cat\u00e9gorie musiques traditionnelles ou de musiques du monde de l’ann\u00e9e.<\/p>\n

A l\u2019\u00e9poque, voil\u00e0 comment France 3 le pr\u00e9sentait dans le JT d\u2019Elise Lucet<\/p>\n

INSERT \u2014 JT Elise Lucet<\/p>\n

Mais revenons un peu en arri\u00e8re. Nous sommes en 1993.<\/p>\n

Manu est alors encore le chanteur de La Mano Negra, groupe mythique de rock alternatif qu\u2019il a fond\u00e9 dans les ann\u00e9es 80 avec ses potes, son fr\u00e8re Tonio et son cousin, Santi. La Mano Negro, c\u2019est, je cite Manu, \u201cde la musette avec des paroles apaches et l’esprit chorizo\u00a0\u00bb. En gros, un joyeux bordel festif, de la bonne humeur, les copains et la vie comme elle vient.<\/p>\n

INSERT \u2014 Mala Vida<\/p>\n

Je l\u2019ai dit, on est donc en 1993, et ils partent tous ensemble pour plusieurs mois de tourn\u00e9e au fin fond de la Colombie. Ils traversent le pays en train, et s\u2019arr\u00eatent non pas les grandes villes mais dans les tout petits villages de campagne. La plupart du temps sur des possessions de Pablo Escobar ou des Farcs (les Forces arm\u00e9es r\u00e9volutionnaires de Colombie). Ils vont \u00e0 la rencontre des paysans, des ouvriers, d\u2019une populations qui n\u2019a pas l\u2019habitude de voir ce genre de troubadours d\u00e9barquer chez eux. Il sont accompagn\u00e9s par des musiciens mais aussi des acrobates, des tatoueurs, des marginaux et m\u00eame le p\u00e8re de Manu Chao qui suit le p\u00e9riple en tant que journaliste (et le racontera dans l’ouvrage Un train de glace et de feu)\u2026 bref une joyeuse petite bande. Mais au final, pas si joyeuse que \u00e7a.<\/p>\n

Beaucoup de concerts, beaucoup de rencontres, beaucoup de gal\u00e8res. Pour Manu Chao, le p\u00e9riple colombien qui deviendra l\u2019album Casa Babylon (le dernier album de la Mano Negra, sorti en mai 1994) est l\u2019une des plus belles exp\u00e9riences de sa vie. Pour le reste de la Mano Negra, c\u2019est peut-\u00eatre l\u2019une des pires. Certains quittent l\u2019aventure tr\u00e8s vite et finalement c\u2019est tout le groupe qui va dispara\u00eetre.<\/p>\n

Il en parle lors d’une interview accord\u00e9e aux Inrocks en 1998 .<\/p>\n

\u00abLes tensions, devenues in\u00e9vitables vers la fin, \u00e9taient proportionnelles \u00e0 l’amour qu’il y avait entre nous. Nos relations n’ont en tout cas jamais \u00e9t\u00e9 ti\u00e8des. Que ce soit dans les moments d’engueulade ou de bonheur, c’\u00e9tait toujours intense, comme dans un couple. C’est d\u00e9j\u00e0 passablement compliqu\u00e9 de s’entendre \u00e0 deux, alors lorsqu’on est douze, les probl\u00e8mes sont multipli\u00e9s par autant\u00bb<\/em><\/p>\n

Manu va avoir du mal \u00e0 se relever de cette s\u00e9paration d\u2019avec ses amis d’enfance. L\u2019utopie collective de la Mano Negra se termine ici dans la peine et l\u2019amertume. Plusieurs morceaux de l\u2019album Clandestino racontent d\u2019ailleurs cette s\u00e9paration comme une rupture amoureuse.<\/p>\n

La Mano c\u2019\u00e9tait sa vie, il faut en trouver une autre. Quelques mois de d\u00e9prime, une travers\u00e9e du d\u00e9sert comme on dit dans le vocabulaire journalistique.
\nPuis, il d\u00e9cide de reprendre la route. Mais seul cette fois. Il part sans trop savoir o\u00f9 il va, ce qu\u2019il cherche. Il erre.<\/p>\n

Log\u00e9 par des potes ou au gr\u00e9 de ses rencontres, il tra\u00eene son spleen en Am\u00e9rique latine, au S\u00e9n\u00e9gal, au Br\u00e9sil… Il ne le sait pas encore, mais cette errance qui va durer presque 4 ans va constituer le terreau de Clandestino. Il cherche l\u2019inspiration, \u00e9crit des textes et continue \u00e0 enregistrer des morceaux dans un studio mobile. Il devient le \u00ab Desaparecido \u00bb (le disparu) qu\u2019il chantera plus tard. Ce qu’il d\u00e9crit dans les paroles de Clandestino, Manu Chao l’a vu ou v\u00e9cu.<\/p>\n

\u00abLorsque tu voyages beaucoup, les probl\u00e8mes de fronti\u00e8res et de visas apparaissent de fa\u00e7on tr\u00e8s tangible. Moi, si on m’enlevait le droit de circuler, ce serait dramatique. Pendant ces quatre ans, ma situation s’est un peu rapproch\u00e9e de celle des clandestins, m\u00eame si je suis bien s\u00fbr un clandestin de luxe, parce que je peux choisir de partir ou de rester, et parce que je n’ai pas de soucis mat\u00e9riels<\/em>\u00bb,<\/p>\n

…explique-t\u2019il aux Inrockuptibles, toujours en 1998.<\/p>\n

Virgin, sa maison de disque depuis la Mano, veut le faire signer pour un disque et avance 650 000 francs pour qu\u2019il retourne en studio.
\nManu finit donc par rentrer avec dans ses valises 67 chansons compos\u00e9es pendant son p\u00e9riple. Il enregistre ce qu\u2019il pense \u00eatre le tout dernier album de sa carri\u00e8re. Et fait appel \u00e0 Renaud Letang, un jeune producteur, qui a d\u00e9j\u00e0 travaill\u00e9 avec Alain Souchon notamment.<\/p>\n

L\u2019album est quasiment pr\u00eat mais, coup du sort, un bug informatique fait capoter l\u2019enregistrement. Un album tout entier de foutu !
\nIl a un peu la scoumoune, le Manu !<\/p>\n

Greg nous en parlera plus longuement mais on va voir que ce sera finalement peut-\u00eatre une chance. Renaud Letang va en effet remixer l\u2019enti\u00e8ret\u00e9 du disque, ce qui lui donnera cette couleur et sonorit\u00e9 assez unique et nouvelle.<\/p>\n

Manu en est persuad\u00e9, ce disque signe son adieu \u00e0 la musique. En effet, encore quelques jours avant la sortie du disque, en avril 1998, il disait aux gens qu’il croisait que \u00ab Clandestino est juste une maquette \u00bb. Mais \u00e0 sa grande surprise, le disque est un \u00e9norme succ\u00e8s et sa carri\u00e8re prend un nouveau d\u00e9part.<\/p>\n

Avec ce disque, Manu Chao surprend et va \u00e0 la rencontre d’un autre public, plus port\u00e9 vers la musique latine.
\nIl va aussi d\u00e9cevoir certains fans de la Mano Negra, les amoureux du patchanka (m\u00e9lange de punk, de rock, de rap, de reggae, de ska, de ra\u00ef, de soul music, de samba, de ballade, soit le style musical d\u00e9fini par la Mano Negra).
\nMais en ram\u00e8ne de nouveaux : ceux qui trouvent dans la \u00ab Malegria \u00bb, un m\u00e9lange entre la Mala Vida (la \u00ab mauvaise vie \u00bb) et \u00ab l\u2019Alegr\u00eda \u00bb (\u00ab la joie \u00bb), une raison de s\u2019accrocher aux chansons tristes, joyeuses, pleines d\u2019espoir et de d\u00e9tresse.<\/p>\n

Manu chante ceux qui n\u2019ont pas de papiers, les fronti\u00e8res o\u00f9 l\u2019on attend et on joue son destin, la marijuana encore ill\u00e9gale, les guerriers qui combattent la grande Babylone, les racines qu\u2019on ch\u00e9rit mais qu\u2019il faut savoir transcender, les peines de c\u0153ur, les copains, la vie un peu foutraque mais belle \u00e0 laquelle on cherche \u00e0 donner un sens.<\/p>\n

Manu Chao sans la Mano, c\u2019est la pop, reggae, rock, \u00e9lectronique, latino. Le son qui vient de Bogot\u00e1, de La Havane, de Rio de Janeiro, de Mexico, d\u2019Alg\u00e9rie, de Buenos Aires, de Galice, de Barcelone, de la banlieue de Paris, de Tijuana. Manu Chao est de partout. \u201cIl est comme la raie dans la mer, courir est son destin\u201d (ouais, je sais, bilingue espagnol).<\/p>\n

L’album conna\u00eet un \u00e9norme succ\u00e8s en France, en Espagne, en Italie, au Qu\u00e9bec et en Am\u00e9rique du Sud. Le disque devient le deuxi\u00e8me album le plus vendu en France (derri\u00e8re notre ami Francis Cabrel), et ce malgr\u00e9 les refus initiaux de NRJ, de RTL2 et d’Europe 2 de programmer Clandestino, trouvant que \u00ab les chansons ne rentraient pas dans leur format \u00bb. Pour la premi\u00e8re fois depuis des ann\u00e9es, Manu Chao arrive \u00e0 poser ses valises quelque part et se fixe alors \u00e0 Barcelone, r\u00e9p\u00e9tant beaucoup avec son groupe Radio Bemba.<\/p>\n

Pour sa promo, Manu se fait rare, choisit ses m\u00e9dias et adopte une strat\u00e9gie marketing discr\u00e8te. Et \u00e7a lui r\u00e9ussit puisque le disque est num\u00e9ro 1 pendant plus de 180 semaines. Clandestino s’installe durablement parmi les meilleures ventes fran\u00e7aises pendant des ann\u00e9es. Et surtout, il devient un porte-drapeau, le visage de l’altermondialisme et de tous ses combats. Un r\u00f4le qu\u2019il n’aime pas beaucoup.<\/p>\n

Dans Courrier international, il explique :<\/p>\n

\u00ab On m’a coll\u00e9 cette \u00e9tiquette de porte-drapeau du mouvement altermondialiste parce que je suis all\u00e9 manifester \u00e0 G\u00eanes et que les \u00ab alter \u00bb aiment bien mes chansons. La presse avait besoin de trouver une t\u00eate d’affiche et c’est tomb\u00e9 sur moi, mais je ne suis ni un symbole ni un porte-parole. Je suis musicien. \u00bb<\/em><\/p>\n

Et puis, on n\u2019oublie pas que Manu Chao est sign\u00e9 chez Virgin, une maison de disques puissante. Le syst\u00e8me, Manu l\u2019a int\u00e9gr\u00e9 et en fait partie. Il le sait et r\u00e9pond \u00e0 ses d\u00e9tracteurs. On \u00e9coute un extrait d’\u201dEnvoy\u00e9 sp\u00e9cial\u201d qui a suivi Manu Chao en tourn\u00e9e en Russie en 2002<\/p>\n

INSERT \u2014 ITW Envoy\u00e9 Sp\u00e9cial
\n(de 9\u201930 \u00e0 10\u201927)<\/p>\n

Manu : Ouais sauf que quand il enregistre des sons \u00e0 la vol\u00e9e de musiciens crois\u00e9s sur les routes, il ne les cr\u00e9dite pas sur l\u2019album ! C\u2019est un malin Manu !<\/strong>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLe making-of de \u00ab\u00a0Clandestino\u00ab\u00a0\u00ab\u00a0][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu : D\u2019ailleurs Gr\u00e9goire je me tourne vers toi parce que tu vas nous raconter l\u2019enregistrement de Clandestino, une histoire assez dingue qui commence en Am\u00e9rique latine.<\/strong><\/p>\n

Oui on est apr\u00e8s 1994 et la rupture avec la Mano, Manu Chao, guitare sur le dos commence \u00e0 bourlinguer entre Rio, Buenos Aires, La Havane, Mexico ou encore Bogota, une ville qui l\u2019a beaucoup inspir\u00e9. Pendant 4 ans, Manu va se cr\u00e9er une sorte de carnet voyage sonore avec un mini studio portatif, on le rappelle on est dans les ann\u00e9es 90, le home studio se d\u00e9mocratise et Manu Chao qui veut s\u2019\u00e9manciper de l\u2019enregistrement studio classique trouve ici la libert\u00e9 qu\u2019il recherche. Petit point sur son matos (je sais que Manu appr\u00e9cie) : DAT (c\u2019est un format cassette am\u00e9lior\u00e9, un micro, un huit pistes, une bo\u00eete \u00e0 rythme, 1 casque et un radiocassette pour \u00e9couter imm\u00e9diatement ce que l\u2019on vient d\u2019enregistrer) et enfin un ordinateur portable. ET donc c\u2019est avec ce mat\u00e9riel que Manu se balade pour chasser l\u2019instant, enregistrer des musiciens de rue, des \u00e9missions t\u00e9l\u00e9, des conversations dans des bars, il explique d\u2019ailleurs cette mani\u00e8re de travailler \u00e0 Anne Sinclair dans une \u00e9mission qui s\u2019appelait le choc des cultures sur France 3, c\u2019\u00e9tait en en 2002<\/p>\n

INSERT \u2014 ITW Anne Sinclair<\/p>\n

Manu : Et donc Greg, Manu Chao se retrouve avec toute cette mati\u00e8re premi\u00e8re accumul\u00e9e pendant 4 ans, c\u2019est le m\u00e9ga bordel, il va falloir \u2014 faire du tri l\u00e0-dedans !<\/strong><\/p>\n

Oui exactement et cette phase se d\u00e9roule \u00e0 S\u00e8vres, dans sa banlieue natale dans un studio que Manu Chao bricol\u00e9, une petite pi\u00e8ce tapiss\u00e9e de vieux tickets de concerts des Clash et d’affiches de combats de catch au Mexique. La partie mixage elle aura lieu au studio Ferber dans le 20\u00e8me. Pour l\u2019aider \u00e0 faire le tri dans cette masse d\u2019enregistrements, Manu Chao appelle \u00e0 la rescousse le jeune ing\u00e9nieur du son Renaud Letang, \u00e9galement natif de S\u00e8vres et qui s\u2019est fait un nom en travaillant sur l\u2019album \u00ab c\u2019est d\u00e9j\u00e0 \u00e7a \u00bb d\u2019Alain Souchon ou encore sur les concerts de Jean-Michel Jarre. Les deux comp\u00e8res vont extraire 40 morceaux de cette mati\u00e8re premi\u00e8re, des titres qui seront \u00e9galement utilis\u00e9s pour l\u2019album suivant, Proxima estacion.<\/p>\n

A l\u2019\u00e9poque Manu Chao veut faire de cet album un disque d\u2019\u00e9lectro, il est passionn\u00e9 depuis plusieurs ann\u00e9es par la techno hardcore, d\u2019ailleurs apr\u00e8s la fin de la Mano Negra il va \u00e0 Londres pour collaborer avec le groupe LEFTFIELD, un groupe qui fusionne house, dub et reggae, mais l\u2019exp\u00e9rience ne donnera rien :et donc Clandestino aurait d\u00fb ressembler un disque \u00e9lectro un peu sale et \u00e9nerv\u00e9 sauf qu\u2019un bug informatique va en d\u00e9cider autrement. Non pas le bug de l\u2019an 2000 mais le bug Clandestino. Renaud Letang perd tous les beats \u00e9lectroniques qui devaient habiller l\u2019album, ne reste que l\u2019ossature des morceaux, des maquettes dira Manu Chao de mani\u00e8re un peu ironique, ne reste que l\u2019essentiel, de courts morceaux un peu na\u00effs et bricol\u00e9 qui fleurent bon le charango et les cuivres mariachi qui rappellent aussi le c\u00f4t\u00e9 un peu d\u00e9glingu\u00e9 de certains morceaux de la Mano Negra, comme King of the Bongo repris sur Clandestino.<\/p>\n

Manu : Malgr\u00e9 tout Clandestino emprunte des \u00e9l\u00e9ments \u00e0 la culture \u00e9lectro<\/strong><\/p>\n

Oui comme l\u2019utilisation de samples, on peut citer par exemple citer celui du titre \u201cTell me is it true\u201d groupe de reggae britannique UB 40 utilis\u00e9 sur \u201cMentira\u201d.<\/p>\n

INSERT \u2014 UB40 vs Mentira<\/p>\n

Et puis il y a tous ces \u00e9l\u00e9ments sonores qui vont agir comme des gimmicks et que l\u2019on va retrouver sur plusieurs morceaux avec cette impression de voir d\u00e9filer devant nos yeux un seul et m\u00eame film sonore, un grand mix ininterrompu\u2026 Finalement, derri\u00e8re ces allures de disque acoustique, on a en fait affaire \u00e0 disque d\u2019\u00e9lectro, du pur collage explique Renaud Letang, on prend un bout de percussionniste de Rio dont on fait une loop avant de les faire jammer avec des musiciens mexicains, on ajoute des cuivres et des basses avec pro tools et on progresse de cette fa\u00e7on un peu comme du lego. D\u2019ailleurs, c\u2019est comme cela qu\u2019est construit Clandestino, avec cette superposition de voix qui finissent par s\u2019entrem\u00ealer, le tout envelopp\u00e9 avec ce grain sonore tr\u00e8s marqu\u00e9, un peu comme si on \u00e9coutait un vieux 78 tours sur un gramophone.<\/p>\n

Et ce patchwork sonore, il traduit bien aussi l\u2019\u00e9poque dans laquelle est cr\u00e9e Clandestino, Selon V\u00e9ronique Mortaigne dans son livre intitul\u00e9 \u00ab Un nomade contemporain \u00bb Manu Chao illustre avec ce disque l\u2019\u00e9mergence de la soci\u00e9t\u00e9 de l\u2019information, d\u2019une plan\u00e8te bavarde qui sans cesse dig\u00e8re des flux continu de mots, de bruits et de communications.<\/p>\n

INSERT \u2014 Mentira fin<\/p>\n

Manu : Et Greg cet album Manu Chao le d\u00e9crit comme un disque de \u00ab malegria \u00bb, c\u2019est quoi la malegria ?<\/strong><\/p>\n

La malegria c\u2019est un n\u00e9ologisme invent\u00e9 par Manu Chao qui signifie litt\u00e9ralement la \u00ab maljoie \u00bb, une sorte de saudade \u00e0 l\u2019heure de la mondialisation. C\u2019est une mani\u00e8re de d\u00e9crire un son \u00e0 la fois festif et pessimiste car derri\u00e8re ses airs nonchalant, Clandestino met \u00e9videmment au centre de son discours la question des migrants, des villes fronti\u00e8res o\u00f9 les illusions s\u2019envolent comme dans Tijuana. Le disque parle aussi de rupture amoureuse avec le c\u00e9l\u00e8bre \u00ab je ne t\u2019aime plus \u00bb chant\u00e9 en duo avec Anouk Khelifa, son amour de jeunesse, ancienne choriste de la Mano Negra et avec laquelle il renoue \u00e0 cette \u00e9poque.<\/p>\n

Et puis Clandestino on peut dire que c\u2019est aussi un autoportrait de Manu Chao, une s\u00e9rie de cartes postales nostalgiques de la vie de ce nomade insaisissable, une vie qu\u2019il d\u00e9crit dans el desaparecido, le disparu.<\/p>\n

INSERT \u2014 Desaparecido[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbL’univers visuel de Manu Chao\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu : Alors on vient de voir un patchwork d’influences dans la musique de Manu Chao, est-ce qu’on reste sur la m\u00eame tonalit\u00e9 niveau image, Fanny ?<\/strong><\/p>\n

Fanny : Oui je crois qu’on peut dire \u00e7a. Le c\u00f4t\u00e9 nomade de Manu Chao, son c\u00f4t\u00e9 \u00ab voyageur sans fronti\u00e8res \u00bb est plut\u00f4t bien retranscrit d\u00e8s la pochette de Clandestino, qui est d’ailleurs tr\u00e8s bien compos\u00e9e visuellement. Dans la moiti\u00e9 gauche on peut voir un portrait en pied de Manu Chao adoss\u00e9 \u00e0 un vieux mur fissur\u00e9. Il porte un baggy noir, une chemise ray\u00e9e rouge et blanche ouverte jusqu’au nombril et un bonnet p\u00e9ruvien. Derri\u00e8re lui sur le mur on devine une vieille peinture qui semble repr\u00e9senter de grandes feuilles d’arbre vertes, couleur que l’on retrouve dans la moiti\u00e9 droite de la pochette o\u00f9 le nom du chanteur est comme peint au pochoir sur le mur. Sous ce nom, en plus petit on a le titre de l’album et un sous-titre qui dit \u00abEsperando la ultima ola… \u00bb : en attendant la derni\u00e8re vague.<\/p>\n

Quand tu vois cette image, tu te dis que tu es en Am\u00e9rique latine, le vieux mur rappelle Cuba, les couleurs choisies sont celles du drapeau mexicain. Il y a d\u00e9j\u00e0 visuellement une volont\u00e9 de s’ancrer dans l’id\u00e9e du voyage, voire m\u00eame du vagabondage. Il manque plus qu’un petit ballotin avec ses affaires au bout d’un b\u00e2ton ! Gr\u00e2ce \u00e0 cet artwork, on peut citer aussi un gros point commun entre Manu Chao et Rage Against the Machine, est-ce que quelqu’un sait ce que c’est ?<\/p>\n

les autres : (\u2026)<\/p>\n

Et bien figurez-vous qu’on retrouve par-ci par-l\u00e0 des petites \u00e9toiles rouges ou noires, qui sont le symbole de l’arm\u00e9e zapatiste mexicaine de lib\u00e9ration nationale ou EZLN, fameux courant politique anarcho-communiste cher \u00e0 Zach de la Rocha et dont on a parl\u00e9 dans notre \u00e9pisode sur RATM ! Le petit c\u00f4t\u00e9 altermondialiste n’\u00e9tait pas pour d\u00e9plaire non plus \u00e0 Manu Chao, qui nous glisse donc des petites \u00e9toiles rouges partout discr\u00e9tos. Enfin pas tellement discr\u00e9tos puisque dans les remerciements \u00e0 l’int\u00e9rieur du livret, y’a \u00e9crit que l’album est \u00ab dedicado a EZLN (Mexico) \u00bb en premier, puis la Caravane des quartiers (FR), une asso qui va dans les quartiers avec des spectacles de toutes sortes pour recr\u00e9er du lien et de la solidarit\u00e9, puis le mouvement musical galicien Galizia Bravu. Une mani\u00e8re claire et nette de montrer son soutien aux causes qui lui sont ch\u00e8res.<\/p>\n

Manu : 2\u00e8me point commun avec RATM ? Manu Chao a fait leur premi\u00e8re partie \u00e0 Coachella en 2007 avec son groupe Radio Bemba devant plus de 70 000 spectateurs dont quasi aucuns ne le connaissaient ! Pas mal !!<\/strong><\/p>\n

Grave ! Bon refermons la parenth\u00e8se zapatiste pour revenir \u00e0 l’artwork de l’album qui contient aussi plein de collages et dessins fait \u00e0 la main par Manu Chao, dans un style tr\u00e8s folk art facilement reconnaissable aux couleurs vives, jaunes, rouges pur qui semblent sortir tout droit du tube de peinture. \u00c7a pique un peu les yeux mais c’est aussi tr\u00e8s joyeux. Cr\u00e9ditons maintenant ceux qui doivent \u00eatre cr\u00e9dit\u00e9s : au graphisme, je cite Monsieur Frank Loriou, qui a \u00e9t\u00e9 chef du service graphique de Virgin entre 1997 et 2000. Depuis 1999, c’est aussi lui qui g\u00e8re la direction artistique des couv’ du magazine Rock’n’Folk. Un nom connu du graphisme dans l’industrie musicale, et \u00e0 qui l’on doit de tr\u00e8s nombreuses pochettes pour Yann Tiersen, Air, JL Murat, Higelin p\u00e8re et fils, Dominique A, bref beaucoup de beau monde.<\/p>\n

Les photos de la pochette, elles, ont \u00e9t\u00e9 prises par le photographe fran\u00e7ais Youri Lenquette, qui a une tr\u00e8s belle carri\u00e8re dans la photo de rock, les Clash, le Gun Club, Noir D\u00e9sir, Iggy, Pop, Lou Reed, Nick Cave tous les grands sont pass\u00e9s devant son objectif. Quand j’ai vu son nom d’ailleurs j’ai tiqu\u00e9, \u00e7a me disait quelque chose ! Et effectivement, je suis d\u00e9j\u00e0 tomb\u00e9e sur le travail de Lenquette y’a quelques ann\u00e9es parce que c’est lui qui a pris les toutes derni\u00e8res photos pro de Kurt Cobain en f\u00e9vrier 1994, quelques semaines avant son suicide. La fameuse s\u00e9ance pr\u00e9monitoire o\u00f9 il joue avec un flingue. C’est fou !<\/p>\n

Je vous conseille de faire un petit tour sur son site officiel, y’a plein de super portraits \u00e0 d\u00e9couvrir. Youri Lenquette a beaucoup suivi la Mano Negra pendant les ann\u00e9es 90, il est parti avec le groupe lors d’une travers\u00e9e de la Colombie en train o\u00f9 ils faisaient des stops dans plein de petits bleds perdus pour jouer. C’est donc un personnage familier dans l’entourage de Manu Chao, qui naturellement fait appel \u00e0 lui pour son album solo.<\/p>\n

Manu : Il a l’air plut\u00f4t fid\u00e8le dans ses choix de collaborateurs le Manu, et il me semble que \u00e7a se confirme avec le r\u00e9alisateur du clip Clandestino\u2026<\/strong><\/p>\n

Oui tout \u00e0 fait. Le r\u00e9a s’appelle Fran\u00e7ois Bergeron, c’est un cin\u00e9aste ind\u00e9pendant qui a pas mal oeuvr\u00e9 dans le rap, il a boss\u00e9 avec IAM, NTM, Doc Gyn\u00e9co, avec les B\u00e9ruriers noirs aussi dans un autre style. Et surtout, il a boss\u00e9 \u00e0 plusieurs reprises avec Mano Negra d\u00e8s le d\u00e9but des ann\u00e9es 90, c’est lui par exemple qui a fait le documentaire Amerika Perdida en 92 qui suit le groupe en tourn\u00e9e. Il a fait d’autres projets avec la Mano et retrouve donc Manu Chao quelques ann\u00e9es plus tard pour le clip de Clandestino.<\/p>\n

INSERT \u2014 Clandestino<\/p>\n

La vid\u00e9o de Clandestino est une illustration assez litt\u00e9rale des paroles scand\u00e9es par le chanteur, qui font r\u00e9f\u00e9rence \u00e0 la migration des populations pauvres du Sud vers l’h\u00e9misph\u00e8re nord pour trouver du travail. Cette main d’oeuvre ill\u00e9gale, sans papiers, clandestine qui travaille au noir, l’expression mano negra vient d’ailleurs de l\u00e0.<\/p>\n

Dans le clip on peut voir une succession de plans rapproch\u00e9s sur les visages de personnes du monde entier qui semblent marcher dans notre direction, en suivant Manu Chao. Certains brandissent des papiers \u00e0 la cam\u00e9ra, des passeports, des cartes d’embarquement, des photos de famille. Autant de preuves de leurs origines, de leur identit\u00e9. La vid\u00e9o comme la chanson questionnent la libert\u00e9 de circulation, la violence des syst\u00e8mes judiciaires qui d\u00e9cident de ce qui est l\u00e9gal ou non. Mine de rien, en quelques courtes minutes, Chao et Bergeron arrivent \u00e0 faire passer un message politique fort \u00e0 l’Union Europ\u00e9enne d’alors. Quelle politique d’accueil voulez-vous mettre en place ? Voulez-vous \u00eatre dans le rejet ou l’acceptation de l’autre ? C’est un vaste sujet, mais avec cette chanson et ce clip Manu Chao remplit avec brio sa mission d’artiste, qui utilise modestement l’audience qui lui est donn\u00e9e pour faire passer des messages.<\/p>\n

Pour terminer, je fais une mini parenth\u00e8se sur les autres clips extraits de l’album Clandestino, qui sont nombreux puisqu’il y en a 5 en tout mais qui tous parlent \u00e0 leur mani\u00e8re de voyage, de diversit\u00e9, de multiculturalisme et qui c\u00e9l\u00e8brent la beaut\u00e9 du monde. Une mani\u00e8re de dire qu’on est plus forts quand on est ouverts sur les autres, curieux, tol\u00e9rants et qu’on laisse nos pr\u00e9jug\u00e9s au placard. Oups l\u00e0 c’est moi qui en profite pour faire passer un message. Peace everyone, on sera toujours tous le Clandestino de quelqu’un ![\/vc_column_text][\/toggle][\/toggles][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbin_container\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbnone\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb0″ bottom_padding=\u00a0\u00bb0″ left_padding_desktop=\u00a0\u00bb0″ right_padding_desktop=\u00a0\u00bb0″ text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb 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\u00c0 PROPOS DE RADIO K7 PODCAST<\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bb20px\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb0″ bottom_padding=\u00a0\u00bb0″ left_padding_desktop=\u00a0\u00bb100″ right_padding_desktop=\u00a0\u00bb100″ top_padding_tablet=\u00a0\u00bb0″ bottom_padding_tablet=\u00a0\u00bb0″ left_padding_tablet=\u00a0\u00bb0″ right_padding_tablet=\u00a0\u00bb0″ top_padding_phone=\u00a0\u00bb0″ bottom_padding_phone=\u00a0\u00bb0″ left_padding_phone=\u00a0\u00bb0″ right_padding_phone=\u00a0\u00bb0″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb class=\u00a0\u00bbcol-a-propos\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1664972558970{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 1px !important;border-bottom-width: 1px !important;}\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin=\u00a0\u00bb6%\u00a0\u00bb bottom_margin_tablet=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbsmall_desktop\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_color=\u00a0\u00bb#f5fbdc\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_raw_html]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[\/vc_raw_html][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 sep66″ css=\u00a0\u00bb.vc_custom_1663856470951{padding-top: 0px !important;}\u00a0\u00bb]Chaque mois dans Radio K7 on discute d\u2019un album avec mes copains autour d\u2019une table, parfois avec des invit\u00e9s comme P\u00e9n\u00e9lope Bagieu ou Nicolas Berno. Il y a des chroniques et des d\u00e9bats, on s’interroge sur l\u2019histoire du disque : comment il a \u00e9t\u00e9 produit, ce qui a fait son succ\u00e8s, et puis finalement ce qu’on a envie d’en retenir 20 ou 30 ans plus tard.<\/p>\n

Le 5 janvier 2020, Radio K7 est devenu le premier podcast ind\u00e9pendant sur la musique en France au classement Apple Podcast !<\/b>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin_tablet=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ top_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbpaddbot90 img100-foot1″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbsmall_desktop\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb column_padding_type=\u00a0\u00bbdefault\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbGT size50 pod_violet txt28 margintopmob vc_custom_1662370609207″ css=\u00a0\u00bb.vc_custom_1663856419329{margin-bottom: 0px !important;}\u00a0\u00bb]\u00ab On veut red\u00e9couvrir les 90s, apprendre des trucs et se marrer. \u00bb<\/span>[\/vc_column_text][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 marginbottom1mob\u00a0\u00bb]Manu, Fanny, Olivia et Gr\u00e9goire [\/vc_column_text][image_with_animation image_url=\u00a0\u00bb131″ image_size=\u00a0\u00bbfull\u00a0\u00bb animation_type=\u00a0\u00bbentrance\u00a0\u00bb animation=\u00a0\u00bbFade In\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb animation_movement_type=\u00a0\u00bbtransform_y\u00a0\u00bb hover_animation=\u00a0\u00bbnone\u00a0\u00bb alignment=\u00a0\u00bb\u00a0\u00bb border_radius=\u00a0\u00bbnone\u00a0\u00bb box_shadow=\u00a0\u00bbnone\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bbnone\u00a0\u00bb max_width_mobile=\u00a0\u00bbdefault\u00a0\u00bb margin_left=\u00a0\u00bb10%\u00a0\u00bb margin_right=\u00a0\u00bb10%\u00a0\u00bb margin_left_phone=\u00a0\u00bb0″ margin_right_phone=\u00a0\u00bb0″][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 sep66″ css=\u00a0\u00bb.vc_custom_1663856492497{padding-top: 0px !important;}\u00a0\u00bb]\u201c Le but de ce podcast c’est de red\u00e9couvrir la bande-son des nineties. Parce que c’\u00e9tait celle de notre adolescence, qui a marqu\u00e9 toutes nos premi\u00e8res fois. 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AUTRES \u00c9PISODES<\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][recent_posts style=\u00a0\u00bbslider_multiple_visible\u00a0\u00bb columns=\u00a0\u00bb3″ button_color=\u00a0\u00bbAccent-Color\u00a0\u00bb hover_shadow_type=\u00a0\u00bbdefault\u00a0\u00bb category=\u00a0\u00bball\u00a0\u00bb order=\u00a0\u00bbDESC\u00a0\u00bb orderby=\u00a0\u00bbdate\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb posts_per_page=\u00a0\u00bb6″][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

Dans cet \u00e9pisode on parle de \u201cClandestino\u201d de Jos\u00e9 Manuel Tom\u00e1s Arturo Chao, alias Manu Chao. Quatre ans apr\u00e8s la fin de la Mano Negra, le chanteur-musicien-voyageur revient en 1998 avec un album solo en forme de carnet de voyage. C\u2019est un disque mal…<\/p>\n","protected":false},"author":4,"featured_media":1153,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22,26],"tags":[],"class_list":["post-1148","post","type-post","status-publish","format-standard","has-post-thumbnail","category-chanson-francaise","category-world-music"],"yoast_head":"\nManu Chao \u201cClandestino\u201d (1998) - Podcast Radio K7<\/title>\n<meta name=\"description\" content=\"Manu Chao \u201cClandestino\u201d (1998) - Radio K7 d\u00e9crypte l'histoire de cet album culte des ann\u00e9es 90 dans son podcast mensuel.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/radiok7.co\/podcast\/episode\/manu-chao-clandestino-1998\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manu Chao \u201cClandestino\u201d (1998) - 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