{"id":1179,"date":"2020-07-08T16:03:10","date_gmt":"2020-07-08T14:03:10","guid":{"rendered":"https:\/\/radiok7.co\/podcast\/?p=1179"},"modified":"2023-12-25T16:13:53","modified_gmt":"2023-12-25T15:13:53","slug":"lauryn-hill-the-miseducation-of-lauryn-hill-1998","status":"publish","type":"post","link":"https:\/\/radiok7.co\/podcast\/episode\/lauryn-hill-the-miseducation-of-lauryn-hill-1998\/","title":{"rendered":"Lauryn Hill \u201cThe Miseducation of Lauryn Hill\u201d (1998)"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#000000″ bg_image=\u00a0\u00bb1152″ bg_position=\u00a0\u00bbcenter 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Lauryn Hill \u201cThe Miseducation of Lauryn Hill\u201d<\/h1>\n

(1998)<\/h1>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb20″ top_padding_tablet=\u00a0\u00bb20″ top_padding_phone=\u00a0\u00bb20″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb 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EN QUELQUES MOTS<\/strong><\/h5>\n[\/vc_column_text][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbsize18″]Dans cet \u00e9pisode on va vous parler de Ms. Lauryn Hill, l\u2019une des rappeuses les plus adul\u00e9es de l\u2019histoire du hip-hop. Deux ans apr\u00e8s \u2018The Score\u2019, la chanteuse des Fugees revient en 98 avec un album solo \u2018The Miseducation of Lauryn Hill\u2019 qui devient instantan\u00e9ment un classique.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb top_margin_tablet=\u00a0\u00bb27px\u00a0\u00bb left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ left_margin_phone=\u00a0\u00bb0″ right_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbsize18″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]C\u2019est une v\u00e9ritable d\u00e9claration d\u2019intention, loin de la routine gangsta habituelle. 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\u00c9couter \u00b7 \u00c9couter \u00b7 \u00c9couter \u00b7<\/i><\/h2>\n[\/nectar_scrolling_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#3c5963″ scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb120″ bottom_padding=\u00a0\u00bb0″ top_padding_tablet=\u00a0\u00bb120″ bottom_padding_tablet=\u00a0\u00bb0″ top_padding_phone=\u00a0\u00bb80″ bottom_padding_phone=\u00a0\u00bb0″ text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/4″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb offset=\u00a0\u00bbvc_hidden-sm vc_hidden-xs\u00a0\u00bb][\/vc_column][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin=\u00a0\u00bb0″ bottom_margin=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb60″ right_margin_tablet=\u00a0\u00bb60″ left_margin_phone=\u00a0\u00bb30″ right_margin_phone=\u00a0\u00bb30″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text css_animation=\u00a0\u00bbfadeInUp\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1652199217293{margin-top: 0px !important;margin-bottom: 0px !important;}\u00a0\u00bb el_class=\u00a0\u00bbw2″]\n

Disponible sur :<\/h2>\n[\/vc_column_text][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb50″ bottom_padding=\u00a0\u00bb120″ top_padding_tablet=\u00a0\u00bb50″ bottom_padding_tablet=\u00a0\u00bb80″ top_padding_phone=\u00a0\u00bb40″ bottom_padding_phone=\u00a0\u00bb40″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb 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column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][toggles style=\u00a0\u00bbminimal\u00a0\u00bb][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbRetour en 1998″][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Voil\u00e0 pour les 16 titres de The Miseducation, et oui parce qu’il y en 2 titres cach\u00e9s. C\u2019est le 1er \u2014 et dernier \u2014 album solo de Lauryn Hill.<\/p>\n

Il sort pour la rentr\u00e9e scolaire le 25 ao\u00fbt 1998 en Compact disque, Cassette, vinyle et MiniDisc sur le label Ruffhouse (chez Sony).<\/p>\n

Quand Lauryn Hill se lance en solo, c\u2019est l\u2019ann\u00e9e une ann\u00e9e de ouf ! Dans l\u2019ordre : Dr Dre d\u00e9couvre Eminem, Terminator X quitte Public Enemy (dont il \u00e9tait le DJ), Rosa Parks poursuit OutKast en justice et Prince devient scientologue ! Plus largement 1998 c\u2019est aussi l\u2019ann\u00e9e du couple Bill Clinton-Monica Lewinski et des jeux olympiques d\u2019hiver de\u2026 Na-ga-no. En France on va voir Titanic et les Bleus gagnent la Coupe du monde ! Voil\u00e0 pour l\u2019\u00e9ph\u00e9m\u00e9ride :)[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLa story de Lauryn Hill\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]\u201cThe Miseducation of Lauryn Hill\u201d est le premier et le seul album studio de Lauryn Hill sorti le 25 ao\u00fbt 1998 sur le label Ruffhouse. L’album sera nomm\u00e9 dix fois aux Grammy Awards en 1999 et gagnera cinq prix, dont celui du meilleur album de l’ann\u00e9e. C\u2019est d\u2019ailleurs le premier album hip hop \u00e0 recevoir cette r\u00e9compense !<\/p>\n

A l\u2019heure actuelle, l\u2019album s’est vendu \u00e0 plus de 19 millions de copies \u00e0 travers le monde. Il a influenc\u00e9 toute une g\u00e9n\u00e9ration d\u2019artistes de la soul et du hip hop et est devenu une r\u00e9f\u00e9rence absolue. C\u2019est absolument dingue le nombre d\u2019artistes qui continue de citer cet album : Ad\u00e8le dit que cet album a chang\u00e9 sa vie, Mary J. Blige le consid\u00e8re comme l\u2019un des albums les plus incroyables jamais faits, Drake a r\u00e9cemment utilis\u00e9 un extrait d\u2019Ex-Factor dans sa chanson Nice for What\u2026<\/p>\n

INSERT \u2014 Drake
\nIl y aura eu un avant et un apr\u00e8s dans le rap !<\/p>\n

Manu : On entend souvent parler de \u201cl\u2019album de la maturit\u00e9\u201d, ici on va plut\u00f4t parler de l\u2019album de l\u2019\u00e9mancipation et de la revanche.<\/strong><\/p>\n

Mais revenons \u00e0 la gen\u00e8se du projet, mon cher Manu :<\/p>\n

Nous sommes en 1997, les Fugees sont en train de se s\u00e9parer et Lauryn en a un peu gros sur la patate, comme on dit. Wyclef Jean est alors en train de sortir son premier album solo (sur lequel Lauryn Hill a d\u2019ailleurs travaill\u00e9), et Pras Michel se lance dans des projets musicaux personnels.<\/p>\n

Lauryn se sent abandonn\u00e9e : le label ne ferait rien pour l\u2019aider, Wyclef Jean lui mettrait tout le milieu \u00e0 dos et elle ne serait pas consid\u00e9r\u00e9e \u00e0 sa juste valeur parce qu\u2019elle est une femme. Elle a l\u2019impression de s\u2019\u00eatre fait avoir : elle ne se sent pas suffisamment mise en avant dans le groupe.
\nLe manager de Fugees, Jayson Jackson, re\u00e7oit un coup de fil de sa part:<\/p>\n

\u00abMais qu\u2019est-ce que c\u2019est que ces connards? C\u2019est moi qui ai parl\u00e9 la premi\u00e8re de faire un album solo, et ils bossent sur les albums de tout le monde sauf sur le mien. Je quitte le groupe.\u00bb<\/em><\/p>\n

Elle en a marre donc, elle plaque tout : son groupe et son mec.<\/p>\n

Elle veut faire son disque comme elle l\u2019entend, elle.
\nLa plupart des chansons de cet album traitent d\u2019ailleurs de ses frustrations avec les Fugees. I Used to Love Him aborde de la rupture artistique avec Wyclef Jean : on apprendra plus tard qu\u2019il ne s\u2019agissait pas que d\u2019une relation artistique.<\/p>\n

Elle r\u00e8gle ses comptes avec le rap aussi : elle en a marre des clips avec des filles \u00e0 moiti\u00e9 \u00e0 poils, elle en a marre de ces mecs qui incitent \u00e0 la violence et qui ne parlent que de leur gueule.<\/p>\n

The Miseducation of Lauryn Hill est une d\u00e9claration d’ind\u00e9pendance. C’est une lettre de rupture, un avertissement aux hommes qui blessent inlassablement les femmes qui les aiment.<\/p>\n

Mais The Miseducation of Lauryn Hill, c\u2019est aussi et surtout une lettre d\u2019amour. Personne ne le sait encore, mais elle est enceinte \u2013 \u00e7a va \u00eatre le d\u00e9clic pour la composition de son album.<\/p>\n

C’est une lettre d’amour au \u201cmoi lib\u00e9r\u00e9\u201d, au \u201cmoi maternel\u201d et \u00e0 Dieu.
\nC\u2019est un album qui parle de la vie : de la vie d\u2019adulte, de femme, de m\u00e8re, d\u2019artiste \u00e0 part enti\u00e8re. Elle y parle d\u2019amour au sens large, qu\u2019il s\u2019agisse d\u2019une histoire d\u2019un soir ou de l\u2019amour d\u2019une vie. D\u2019amour maternel, de cet enfant qu\u2019elle attend et qu\u2019on lui a conseill\u00e9 de ne pas garder.<\/p>\n

INSERT \u2014 To Zion<\/p>\n

\u201cPense \u00e0 ta carri\u00e8re, Lauryn, ch\u00e9rie, pense avec ta t\u00eate \/ mais j\u2019ai choisi mon coeur\u201d<\/em><\/p>\n

L\u2019enfant s\u2019appellera Zion comme le titre de cette chanson o\u00f9 Carlos Santana l\u2019accompagne \u00e0 la guitare.<\/p>\n

C\u2019est bien de la maternit\u00e9 que parle \u00abTo Zion\u00bb. Lauryn Hill attend un enfant de Rohan Marley, fils de Bob, qu\u2019elle a rencontr\u00e9 en tourn\u00e9e plusieurs mois avant. Personne n\u2019est au courant de leur relation, et encore moins de sa grossesse.
\n\u00abTo Zion\u00bb explore ce chamboulement dans sa vie, ce nouveau d\u00e9part, sa renaissance et ses frustrations. Elle a port\u00e9 cet enfant et cet album en m\u00eame temps. Elle est presque habit\u00e9e.<\/p>\n

Manu : tu viens de parler de Carlos Santana. Mais j\u2019ai l\u2019impression qu\u2019il y a pas mal de monde sur cet album ?<\/strong><\/p>\n

Olivia : Mais tout \u00e0 fait, mon cher Manu !
\nOh, quel talent d\u2019\u00e9coute ! C\u2019est fou !<\/p>\n

Lauryn Hill va s\u2019entourer de pas mal d\u2019artistes : Santana, on l\u2019a dit, mais aussi le chanteur D’Angelo sur le titre Nothing Even Matters, Mary J. Blige sur I Used to Love Him ; et \u00e9galement un tr\u00e8s jeune musicien encore inconnu \u00e0 l\u2019\u00e9poque : un certain John Legend au piano sur le titre Everything is Everything.<\/p>\n

Bien que cet album fut un travail collaboratif entre Lauryn Hill et New Ark, un groupe de musiciens encore parfaitement inconnu \u00e0 l\u2019\u00e9poque (tu nous en parleras plus longuement, mon cher Greg), il semblerait qu\u2019il y ait \u00ab\u00a0une pression du label pour faire un truc \u00e0 la Prince, c’est-\u00e0-dire que toutes les chansons soient cr\u00e9dit\u00e9es par un ‘\u00e9crit et produit par’ de l’artiste avec une br\u00e8ve mention d’une aide ext\u00e9rieure\u201d (je cite ici l\u2019article paru en 2008 dans Rolling Stone) .<\/p>\n

Alors qu’elle \u00e9tait en train d’enregistrer son album, on demande \u00e0 Hill de fournir des contrats aux musiciens mais elle r\u00e9pond:<\/p>\n

\u00ab Nous nous aimons tous. Ceci n’a rien \u00e0 voir avec des contrats. Et c\u2019est une b\u00e9n\u00e9diction \u00bb.<\/em><\/p>\n

Ah\u2026 J\u2019ai peut-\u00eatre oubli\u00e9 de vous dire que pendant l\u2019enregistrement de l\u2019album, Lauryn Hill est rentr\u00e9e dans une phase quasi-mystique. Elle s\u2019est plong\u00e9e dans la Bible. De ses lectures ressort une sorte d\u2019\u00e9sot\u00e9risme, une qu\u00eate de soi inspir\u00e9e de la qu\u00eate du paradis perdu, Zion. Bref elle plane un peu\u2026<\/p>\n

Et donc malgr\u00e9 tout cet amour, Lauryn, ses managers et son label seront poursuivis en justice en 1998 par New Ark, d\u00e9clarant qu’ils avaient co\u00e9crit et coproduit 13 des 14 titres de l’album. Il va s\u2019en suivre 3 ans de batailles judiciaires, o\u00f9 le label va tout faire pour discr\u00e9diter les musiciens de New Ark. Les poursuites seront finalement abandonn\u00e9es gr\u00e2ce \u00e0 un r\u00e8glement \u00e0 l’amiable et surtout un petit ch\u00e8que de 5 millions de dollars.<\/p>\n

D\u00e8s la sortie de The Miseducation Of Lauryn Hill, le succ\u00e8s est \u00e9norme. La barre des 400.000 exemplaires vendus en premi\u00e8re semaine. Le succ\u00e8s de cet album confirme que le rap, c\u2019est pas que des guns, de la weed et des filles en bikini.<\/p>\n

Le rap peut se faire sensible et son histoire s\u2019\u00e9crit aussi gr\u00e2ce \u00e0 des femmes puissantes. Lauryn Hill en fait partie.<\/p>\n

Le probl\u00e8me, c\u2019est que Lauryn Hill ne s\u2019est peut-\u00eatre jamais relev\u00e9e du succ\u00e8s de cet album.<\/p>\n

Depuis, c’est compliqu\u00e9. En 2001, il y aura un album live \u201cMTV Unplugged No. 2.0.\u201d Accompagn\u00e9e seulement d’une guitare, elle se concentre plut\u00f4t sur le message qu’elle veut faire passer, inspir\u00e9e par ses convictions politiques et religieuses. Et contrairement \u00e0 l’album The Miseducation qui avait re\u00e7u la quasi-unanimit\u00e9 des critiques, le MTV Unplugged divise.<\/p>\n

Elle n\u2019a plus jamais sorti d\u2019album. Son inspiration divine semble avoir compl\u00e8tement disparu. Et malheureusement Lauryn Hill tra\u00eene aussi une mauvaise r\u00e9putation : un temp\u00e9rament et une \u00e9nergie difficile \u00e0 cadrer.
\nWyclef clame qu\u2019il est pr\u00eat \u00e0 retravailler avec elle \u00e0 condition qu\u2019elle soigne sa bipolarit\u00e9.<\/p>\n

Ses concerts, quand ils ne sont pas annul\u00e9s, sont soit de vraies \u00e9piphanies soit au contraire quelque chose qui ressemblerait \u00e0 de l\u2019auto-sabotage.<\/p>\n

Elle aurait des exigences compl\u00e8tement folles : interdiction de la regarder dans les yeux, obligation de l\u2019appeler Miss Hill, des grands tunnels de draps noirs doivent \u00eatre install\u00e9s entre sa loge et la sc\u00e8ne pour qu\u2019elle ne croise personne avant ses concerts\u2026[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLe making-of de \u00ab\u00a0The Miseducation of Lauryn Hill\u00ab\u00a0\u00ab\u00a0][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]MANU : Revenons maintenant au making-of de cet album. Gr\u00e9goire toi tu t\u2019es int\u00e9ress\u00e9 \u00e0 l\u2019enregistrement de cet album qui a \u00e9t\u00e9 cr\u00e9e entre les Etats-Unis et la Jama\u00efque\u2026<\/strong><\/p>\n

Oui c\u2019est \u00e7a en fait une grande partie des titres de l\u2019album ont \u00e9t\u00e9 \u00e9crits dans les Attic studios dans le New Jersey, l\u2019enregistrement proprement dit lui, s\u2019est d\u00e9roul\u00e9 entre novembre 1997 et juin 1998 dans les studios Chung King \u00e0 New York et les studios Tuff Gong de Kingston, les studios cr\u00e9es par Bob Marley pour s\u2019affranchir de la pression des producteurs et dans lesquels il enregistrera l\u2019album Survival avec les Wailers D\u2019ailleurs, de nombreux membres de la famille Marley assisteront aux sessions d\u2019enregistrement de The Miseducation, Rohan Marley \u00e9videmment, le compagnon de Lauryn Hill dont elle attend un enfant, ou encore Julian Marley qui fera une guitare sur le titre Forgive Them Father.<\/p>\n

On l\u2019a vu avec Olivia, \u00e0 cette \u00e9poque Lauryn Hill veut s\u2019\u00e9manciper de la plan\u00e8te Fugees, elle est aussi persuad\u00e9e que Wyclef Jean, son ex compagnon essaye de lui mettre des b\u00e2tons dans les roues pour l\u2019emp\u00eacher de travailler avec d\u2019autres musiciens du milieu Hip Hop, alors elle d\u00e9cide de faire appel un groupe totalement inconnu au bataillon, les New Ark compos\u00e9s de Kilo Pugh, Vada Nobles, et les fr\u00e8res jumeaux Jo et Tejumold Newton. Ce sont pour certains des proches de la famille de Lauryn Hill, Jo Newton explique dans une interview que pour eux Lauryn Hill \u00e9tait vraiment comme une grande soeur et c\u2019est sans doute ce que la chanteuse recherchait, un climat familial et protecteur.<\/p>\n

Ce choix il surprend \u00e9videmment la maison de disque et aussi le producteur de l\u2019album, Commissioner Gordon, grand nom du hip hop qui a collabor\u00e9 avec Alicia Keys, Will Smith ou encore 50 cent. C\u2019est vrai qu\u2019\u00e0 cette \u00e9poque, Lauryn Hill a la possibilit\u00e9 de travailler \u00e0 peu pr\u00e8s avec n\u2019importe qui donc c\u2019est plut\u00f4t os\u00e9 de sa part de faire appel aux New Ark qui pourtant on le sait vont avoir un r\u00f4le pr\u00e9pond\u00e9rant dans la cr\u00e9ation de ce disque.<\/p>\n

C\u2019est vrai qu\u2019en studio ce n\u2019est pas toujours facile de savoir qui fait quoi et donc qui doit \u00eatre cr\u00e9dit\u00e9\u2026 Sur ce miseducation, voil\u00e0 comment les choses se seraient pass\u00e9s selon les New Ark :<\/p>\n

Tout partait de ce que Lauryn Hill avait en t\u00eate. C\u2019\u00e9tait sa vision que le groupe des New Ark tentait de mat\u00e9rialiser. Vada Nobles cr\u00e9ait les rythmiques, le groove qui allait ensuite \u00eatre enrichi par les instrumentations des autres musiciens. Enfin Lauryn Hill finissait d\u2019\u00e9crire les paroles du morceau.<\/p>\n

MANU : Alors on parlait tout \u00e0 l\u2019heure des paroles : le respect de soi, la sagesse, la patience et surtout le pouvoir de l\u2019amour. Ah que c\u2019est beau !<\/strong><\/p>\n

D\u2019ailleurs, le disque est rythm\u00e9 par des interludes o\u00f9 un professeur jou\u00e9 par le po\u00e8te et homme politique Ras Baraka entretient un d\u00e9bat anim\u00e9 avec ses \u00e9l\u00e8ves sur le th\u00e8me de l\u2019amour. Des interludes enregistr\u00e9s dans le salon de Lauryn Hill dans le New Jersey et que l\u2019on peut entendre par exemple \u00e0 la fin du titre Ex Factor.<\/p>\n

INSERT \u2014 Interlude
\nINSERT \u2014 Lost Ones<\/p>\n

MANU : Lost Ones de Lauryn Hill dans Radio K7\u2026 ON en vient au plus important Greg maintenant, le son de l\u2019album. Qu\u2019est-ce qu\u2019il a de si particulier ?<\/strong><\/p>\n

L\u2019id\u00e9e pour ce disque selon Lauryn Hill c\u2019\u00e9tait de rassembler \u201cl\u2019int\u00e9grit\u00e9 du reggae, l\u2019impact du hip-hop et l\u2019instrumentation de la soul classique\u201d, ici pas question d\u2019avoir un album ultra produit comme cela se fait beaucoup \u00e0 l\u2019\u00e9poque, avec des sons tr\u00e8s compress\u00e9s et retravaill\u00e9s par ordinateur, Lauryn Hill veut aller \u00e0 contre courant de ce mouvement en conservant les imperfections de l\u2019enregistrement studio, et c\u2019est qui fait tout le charme de the Miseducation. Finalement Lauryn Hill parvient ici \u00e0 relier le rap \u00e0 l\u2019histoire des musiques noires. On y entend des sons gospel, du reggae et des arrangements vocaux tout droit sortis d\u2019un disque soul de la Motown. Le tout dynamis\u00e9 par les rythmiques hip hop concoct\u00e9s par Vada Nobles.<\/p>\n

MANU : C\u2019est un album extr\u00eamement malin, qui cultive l\u2019art de la collaboration, du sample et de la reprise\u2026<\/strong><\/p>\n

Faut quand m\u00eame se souvenir que Lauryn Hill doit une grande partie de sa c\u00e9l\u00e9brit\u00e9 \u00e0 Killing Me Softly, reprise de Roberta Flack de 1972, dans the miseducation, Lauryn Hill s\u2019attaque au monument de Frankie Valli, Can\u2019t take my eyes of you, hymne disco popularis\u00e9 par le groupe Boys Town Gang\u2026<\/p>\n

INSERT \u2014 Boys Town Gang vs Lauryn Hill<\/p>\n

Et puis il y a en effet beaucoup de collaborations notamment avec le chanteur de neo soul D’Angelo sur le titre Nothing Even Matters, avec le guitariste Carlos Santana sur Zion, avec la chanteuse de RnB Mary J. Blige sur I Used to Love Him ; mais aussi avec des artistes moins connus \u00e0 l’\u00e9poque, comme John Legend qui joue du piano sur le titre Everything is Everything.<\/p>\n

C\u00f4t\u00e9 samples, les connaisseurs auront reconnu The Doors dans \u201cSuperstar\u201d, Sister Nancy dans \u201cLost Ones\u201d, le Wu-Tang sur \u201cEx-factor\u201cet m\u00eame Bob Marley, grande source d\u2019inspiration sur cet album, dans \u201cForgive Them Father \u00bb, titre au fort accent jama\u00efcain, vous allez l\u2019entendre, c\u2019est la guitare qui est sampl\u00e9, on \u00e9coute d\u2019abord l\u2019original puis la version de Lauryn Hill.<\/p>\n

INSERT \u2014 Extrait Forgive them father<\/p>\n

MANU : Pour conclure qu\u2019est qui a fait le succ\u00e8s de The Miseducation selon toi ?<\/strong><\/p>\n

C\u2019est vrai que c\u2019est un album qui a tout de suite obtenu le statut de classique instantan\u00e9, c\u2019est sans doute parce qu\u2019il parvient \u00e0 parler \u00e0 beaucoup de monde bien au-del\u00e0 du cercle des amateurs de hip-hop. Les fans de reggae y trouvent leur compte, les fans de soul y trouvent leur compte et le disque reste suffisamment POP pour s\u00e9duire le grand public. C\u2019est sans doute ce qui explique en partie le ph\u00e9nom\u00e8ne autour de The Miseducation of Lauryn Hill qui a su bien mieux vieillir que beaucoup de productions soul et hip hop de cette fin des ann\u00e9es 90.<\/p>\n

Manu : Tu penses \u00e0 quoi ?<\/strong><\/p>\n

The velvet rope J.Jackson, Share My world Mary J.Blige ou Butterfly de Mariah Carey[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbL’univers visuel de Lauryn Hill\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu : Je me tourne vers toi Fanny parce qu\u2019on va maintenant parler de l\u2019artwork et du titre de cet album. Alors pourquoi elle parle de mauvaise \u00e9ducation ? c\u2019est quoi c\u2019est son c\u00f4t\u00e9 bad boy ?<\/strong><\/p>\n

Fanny : Concernant la direction artistique de l\u2019album, Lauryn Hill fait partie de ces artistes qui savent d\u2019avance ce qu\u2019ils veulent et ont une id\u00e9e tr\u00e8s pr\u00e9cise de l\u2019image qu\u2019ils souhaitent v\u00e9hiculer. Ici, on retrouve partout comme fil rouge l\u2019id\u00e9e de transmission, voire m\u00eame d\u2019\u00e9ducation tel qu\u2019annonc\u00e9 d\u00e8s le titre de l\u2019album : The Miseducation of Lauryn Hill. Ce titre s\u2019inspire de deux ouvrages litt\u00e9raires : 1) \u201dThe Mis-Education of the Negro\u201d, un livre de sociologie de Carter G. Woodson datant de 1933 et 2) l\u2019autobiographie \u201dThe Education of Sonny Carson\u201d de 1972 qui raconte comment un ado afro-am\u00e9ricain se retrouve embrigad\u00e9 dans un gang.<\/p>\n

Pour Lauryn, cet album c\u2019est le r\u00e9cit d\u2019une m\u00e9tamorphose, un rite de passage de l\u2019enfance \u00e0 l\u2019\u00e2ge adulte,. Comme OIivia l\u2019a racont\u00e9 tout \u00e0 l\u2019heure, on a une jeune artiste de 22 ans qui quitte le groupe avec lequel elle a connu le succ\u00e8s pour se lancer en solo. Et cette \u00e9tape professionnelle majeure se double d\u2019une grossesse qui repr\u00e9sente elle aussi un changement majeur dans sa vie personnelle.<\/p>\n

A ce stade, Lauryn comprend que sa grossesse lui permet de mettre en parole des sujets intimes et des \u00e9motions sur lesquelles elle n\u2019a pas l\u2019habitude de communiquer. Elle veut que son disque devienne une r\u00e9f\u00e9rence sur certains sujets. On a vu son engagement personnel de plus en plus grand envers la religion et le r\u00f4le du professeur qui d\u00e9bat sur l\u2019amour dans plusieurs interludes. Donc on a un clin d\u2019oeil \u00e0 l\u2019\u00e9ducation dans le titre de l\u2019album, puis un professeur qui intervient sur l\u2019album tel un Platon des temps moderne et visuellement, la m\u00e9taphore va continuer.<\/p>\n

On commence par le livret int\u00e9rieur o\u00f9 on d\u00e9couvre une s\u00e9rie de portraits qui ont \u00e9t\u00e9 orchestr\u00e9s par Lauryn elle-m\u00eame en collaboration avec le directeur artistique Erwin Gorostiza et le photographe Eric Johnson. D\u00e9j\u00e0 pour le choix du photographe il y a une anecdote marrante, c\u2019est que Lauryn avait constitu\u00e9 tout un moodboard avec des r\u00e9f\u00e9rences et des noms d\u2019artistes. Dans la shortlist de photographes il y avait 2 grands noms parmi lesquels Peter Lindbergh et le 3\u00e8me Eric Johnson \u00e9tait un mec moins connu mais qui bossait avec pas mal d\u2019artistes genre Alicia Keys ou Maxwell. Johnson est originaire du New Jersey comme Lauryn Hill, sa m\u00e8re bossait dans un salon de coiffure \u00e0 South Orange. Au d\u00e9tour d\u2019une discussion ils se sont rendus compte que Lauryn allait se faire coiffer l\u00e0-bas quand elle \u00e9tait petite, elle a trouv\u00e9 que cette co\u00efncidence \u00e9tait une sorte de signe donc qu\u2019elle l\u2019a embauch\u00e9 direct.<\/p>\n

Pour la s\u00e9ance photo de l\u2019album, elle voulait que \u00e7a ait lieu dans un lyc\u00e9e. Apr\u00e8s avoir refus\u00e9 pas mal de propositions d\u2019\u00e9tablissements, elle a appel\u00e9 le proviseur de son ancien bahut \u00e0 South Orange et ils ont au l\u2019autorisation d\u2019y faire la s\u00e9ance. Plus autobiographique tu meurs ! Plein de portraits ont donc \u00e9t\u00e9 pris dans le hall, dans un bus scolaire, dans les toilettes pour filles, au tableau ou dans la salle de classe.<\/p>\n

Quelques semaines plus tard le manager de Lauryn appelle le D.A. avec une nouvelle id\u00e9e de cr\u00e9ation pour la pochette. Ils veulent utiliser un portrait pris par Eric Johnson et le faire graver digitalement sur un bureau d\u2019\u00e9colier. A l\u2019\u00e9poque ce montage a demand\u00e9 beaucoup de boulot parce que Photoshop n\u2019\u00e9tait absolument pas aussi d\u00e9velopp\u00e9 qu\u2019aujourd\u2019hui donc les retoucheurs \u00e9taient vraiment balaise. On se dit \u201cWoow, Lauryn est vachement forte quand m\u00eame \u00e0 tout conceptualiser toute seule comme \u00e7a\u201d sauf que ouais bon, en fait la pochette s\u2019inspire un peu beaucoup d\u2019un album de beau-papa, j\u2019ai nomm\u00e9 \u00ab Burnin\u2019 \u00bb de Bob Marley & The Wailers sorti en 1973. On vous mettra l\u2019image sur les r\u00e9seaux sociaux pour que vous jugiez par vous m\u00eames, l\u2019inspi est assez flagrante !<\/p>\n

Manu : Cette pochette est dingue blabla. On vous parlait tout \u00e0 l\u2019heure des Grammy, mais Lauryn Hill a aussi remport\u00e9 les MTV Awards pour le clip de Doo Wop !<\/strong><\/p>\n

INSERT \u2014 doo wop clip version<\/p>\n

On est en 1998, l\u2019art du vid\u00e9oclip est alors florissant et les maisons de disques mettent un gros paquet de thunes sur la table pour embaucher de bons r\u00e9alisateurs. On a vu \u00e7a notamment dans notre \u00e9pisode sur Daft Punk… C\u2019est ici qu\u2019intervient Camille Yorrick, directrice de la production vid\u00e9o chez Columbia \u00e0 l\u2019\u00e9poque. Elle con\u00e7oit un brief cr\u00e9atif pour le clip et fait passer un casting que va remporter le duo anglais Big TV ! form\u00e9 par Andy Delaney & Monty Whitebloom, notamment parce que c\u2019est eux qui ont eu l\u2019id\u00e9e du splitscreen que l\u2019on voit \u00e0 l\u2019image. Ce clip, je me rappelle que je le voyais tr\u00e8s souvent \u00e0 la t\u00e9l\u00e9 et que le trouvais super, avec cette histoire qui se d\u00e9roule simultan\u00e9ment dans deux \u00e9poques. Dans la partie gauche de l\u2019\u00e9cran c\u2019est les sixties, dans la partie droite c\u2019est les 90s, il n\u2019y a pas de d\u00e9marcation entre les deux mais tous les petits d\u00e9tails visuels permettent d\u2019ancrer les images dans leur p\u00e9riodes respectives.<\/p>\n

Par exemple dans les 60s, Lauryn est tir\u00e9e \u00e0 4 \u00e9pingles avec une robe z\u00e9br\u00e9e, les cheveux lisses au carr\u00e9 et elle chante avec un ch\u0153ur classique RnB derri\u00e8re elle alors que dans le pr\u00e9sent elle est plus en mode hip-hop, femme libre, dreadlocks et pleine d\u2019assurance. Le tournage a eu lieu \u00e0 Washington Heights \u00e0 Manhattan sur 5 jours durant lesquels toutes les prises ont \u00e9t\u00e9 faites 2 fois avec les 2 lots d\u2019accessoires d\u00e9di\u00e9s: voitures, costumes, devantures de magasins, postes radio, cam\u00e9ras vid\u00e9o. Tout est pr\u00e9texte \u00e0 explorer les deux \u00e9poques, les attitudes, la mode, la mani\u00e8re de danser, la technologie de l\u2019\u00e9poque. C\u2019est vachement bien fait et \u00e7a a vachement bien plu, la preuve comme tu l\u2019as dit Manu le clip a remport\u00e9 le titre de Meilleure vid\u00e9o de l\u2019ann\u00e9e aux MTV Awards !<\/p>\n

Pour moi, \u00e7a a \u00e9t\u00e9 une grosse claque de me replonger dans la clipographie de Lauryn. Depuis qu\u2019on fait le podcast, j\u2019en ai visionn\u00e9 des dizaines mais l\u00e0 j\u2019ai trouv\u00e9 qu\u2019en terme de r\u00e9alisation, de concept et de photographie, on \u00e9tait vraiment dans le haut du panier. Il y a le clip d\u2019Everything is Everything aussi que je ne vais pas approfondir mais le synopsis est trop cool, on voit New York transform\u00e9e en gigantesque platine vinyle avec une aiguille g\u00e9ante qui raye le bitume. Les effets sp\u00e9ciaux sont top, c\u2019est presque un petit film, servez vous un bol de pop corn, foutez-vous sur Youtube et allez le voir, vous s\u2019rez pas d\u00e9\u00e7us !<\/p>\n

A nouveau avec ces vid\u00e9os, Lauryn Hill se positionne comme une figure de d\u00e9fricheuse. Elle n\u2019emploie rien de l\u2019imagerie habituelle du rap masculin mais montre au contraire qu\u2019il y a une place au soleil \u00e0 se faire pour les MC femmes. Je trouve que c\u2019est une bonne figure du black empowerment, quoi qu\u2019on pense de son parcours apr\u00e8s cet album, rien que pour \u00e7a je lui tire ma r\u00e9v\u00e9rence.<\/p>\n

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\u00c0 PROPOS DE RADIO K7 PODCAST<\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bb20px\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb0″ bottom_padding=\u00a0\u00bb0″ left_padding_desktop=\u00a0\u00bb100″ right_padding_desktop=\u00a0\u00bb100″ top_padding_tablet=\u00a0\u00bb0″ bottom_padding_tablet=\u00a0\u00bb0″ left_padding_tablet=\u00a0\u00bb0″ right_padding_tablet=\u00a0\u00bb0″ top_padding_phone=\u00a0\u00bb0″ bottom_padding_phone=\u00a0\u00bb0″ left_padding_phone=\u00a0\u00bb0″ right_padding_phone=\u00a0\u00bb0″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb class=\u00a0\u00bbcol-a-propos\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1664972558970{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 1px !important;border-bottom-width: 1px !important;}\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin=\u00a0\u00bb6%\u00a0\u00bb bottom_margin_tablet=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbsmall_desktop\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_color=\u00a0\u00bb#f5fbdc\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_raw_html]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[\/vc_raw_html][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 sep66″ css=\u00a0\u00bb.vc_custom_1663856470951{padding-top: 0px !important;}\u00a0\u00bb]Chaque mois dans Radio K7 on discute d\u2019un album avec mes copains autour d\u2019une table, parfois avec des invit\u00e9s comme P\u00e9n\u00e9lope Bagieu ou Nicolas Berno. Il y a des chroniques et des d\u00e9bats, on s’interroge sur l\u2019histoire du disque : comment il a \u00e9t\u00e9 produit, ce qui a fait son succ\u00e8s, et puis finalement ce qu’on a envie d’en retenir 20 ou 30 ans plus tard.<\/p>\n

Le 5 janvier 2020, Radio K7 est devenu le premier podcast ind\u00e9pendant sur la musique en France au classement Apple Podcast !<\/b>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin_tablet=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ top_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbpaddbot90 img100-foot1″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbsmall_desktop\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb column_padding_type=\u00a0\u00bbdefault\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbGT size50 pod_violet txt28 margintopmob vc_custom_1662370609207″ css=\u00a0\u00bb.vc_custom_1663856419329{margin-bottom: 0px !important;}\u00a0\u00bb]\u00ab On veut red\u00e9couvrir les 90s, apprendre des trucs et se marrer. \u00bb<\/span>[\/vc_column_text][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 marginbottom1mob\u00a0\u00bb]Manu, Fanny, Olivia et Gr\u00e9goire [\/vc_column_text][image_with_animation image_url=\u00a0\u00bb131″ image_size=\u00a0\u00bbfull\u00a0\u00bb animation_type=\u00a0\u00bbentrance\u00a0\u00bb animation=\u00a0\u00bbFade In\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb animation_movement_type=\u00a0\u00bbtransform_y\u00a0\u00bb hover_animation=\u00a0\u00bbnone\u00a0\u00bb alignment=\u00a0\u00bb\u00a0\u00bb border_radius=\u00a0\u00bbnone\u00a0\u00bb box_shadow=\u00a0\u00bbnone\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bbnone\u00a0\u00bb max_width_mobile=\u00a0\u00bbdefault\u00a0\u00bb margin_left=\u00a0\u00bb10%\u00a0\u00bb margin_right=\u00a0\u00bb10%\u00a0\u00bb margin_left_phone=\u00a0\u00bb0″ margin_right_phone=\u00a0\u00bb0″][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 sep66″ css=\u00a0\u00bb.vc_custom_1663856492497{padding-top: 0px !important;}\u00a0\u00bb]\u201c Le but de ce podcast c’est de red\u00e9couvrir la bande-son des nineties. Parce que c’\u00e9tait celle de notre adolescence, qui a marqu\u00e9 toutes nos premi\u00e8res fois. 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