{"id":1181,"date":"2020-06-10T16:15:05","date_gmt":"2020-06-10T14:15:05","guid":{"rendered":"https:\/\/radiok7.co\/podcast\/?p=1181"},"modified":"2023-12-25T16:27:24","modified_gmt":"2023-12-25T15:27:24","slug":"rage-against-the-machine-rage-against-the-machine-1992","status":"publish","type":"post","link":"https:\/\/radiok7.co\/podcast\/episode\/rage-against-the-machine-rage-against-the-machine-1992\/","title":{"rendered":"Rage Against The Machine \u201cRage Against The Machine\u201d (1992)"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#000000″ bg_image=\u00a0\u00bb1177″ 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Rage Against The Machine \u201cRage Against The Machine\u201d<\/h1>\n

(1992)<\/h1>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb20″ top_padding_tablet=\u00a0\u00bb20″ top_padding_phone=\u00a0\u00bb20″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb 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EN QUELQUES MOTS<\/strong><\/h5>\n[\/vc_column_text][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbsize18″]Dans cet \u00e9pisode on va vous parler de 4 gar\u00e7ons vraiment pas contents. Ils ont tout renvers\u00e9 en 1992 avec un 1er album qui aura marqu\u00e9 musicalement et politiquement toute une g\u00e9n\u00e9ration. [\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb top_margin_tablet=\u00a0\u00bb27px\u00a0\u00bb left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ left_margin_phone=\u00a0\u00bb0″ right_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbsize18″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]On retrouve dans le premier album \u00e9ponyme de Rage Against The Machine, les \u00e9normes hits \u201cBombtrack\u201d, \u201cFreedom\u201d, \u201cWake up\u201d et bien s\u00fbr \u201dKilling in the Name\u201d, LE poids lourd des nineties. Au-del\u00e0 de son contenu qui fusionne habilement hip hop et m\u00e9tal, ce premier album met surtout en lumi\u00e8re un groupe sans pr\u00e9tention ni artifice, qui accentue au final chacun de ses messages.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bbleft\u00a0\u00bb top_margin_tablet=\u00a0\u00bb80px\u00a0\u00bb bottom_margin_tablet=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ top_margin_phone=\u00a0\u00bb30″ left_margin_phone=\u00a0\u00bb0″ right_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb column_padding_type=\u00a0\u00bbdefault\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbsize18 marginbot40″]Rage Against The Machine (1992) est un classique absolu, qui a permis d\u2019ailleurs d\u2019inscrire le groupe au panth\u00e9on du rock. Souvenirs. Gr\u00e9goire \u00e9tait fan des Rage en CM2 et Manu copiait les fringues de Zach de la Rocha. Fanny s\u2019en \u00e9tait toujours m\u00e9fi\u00e9e et Olivia \u00e9tait bizarrement toujours pass\u00e9e \u00e0 c\u00f4t\u00e9 ![\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb 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\u00c9couter \u00b7 \u00c9couter \u00b7 \u00c9couter \u00b7<\/i><\/h2>\n[\/nectar_scrolling_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#3c5963″ scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb120″ bottom_padding=\u00a0\u00bb0″ top_padding_tablet=\u00a0\u00bb120″ bottom_padding_tablet=\u00a0\u00bb0″ top_padding_phone=\u00a0\u00bb80″ bottom_padding_phone=\u00a0\u00bb0″ text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/4″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb offset=\u00a0\u00bbvc_hidden-sm vc_hidden-xs\u00a0\u00bb][\/vc_column][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin=\u00a0\u00bb0″ bottom_margin=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb60″ right_margin_tablet=\u00a0\u00bb60″ left_margin_phone=\u00a0\u00bb30″ right_margin_phone=\u00a0\u00bb30″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text css_animation=\u00a0\u00bbfadeInUp\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1652199217293{margin-top: 0px !important;margin-bottom: 0px !important;}\u00a0\u00bb el_class=\u00a0\u00bbw2″]\n

Disponible sur :<\/h2>\n[\/vc_column_text][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb50″ bottom_padding=\u00a0\u00bb120″ top_padding_tablet=\u00a0\u00bb50″ bottom_padding_tablet=\u00a0\u00bb80″ top_padding_phone=\u00a0\u00bb40″ bottom_padding_phone=\u00a0\u00bb40″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb 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column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][toggles style=\u00a0\u00bbminimal\u00a0\u00bb][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbRetour en 1992″][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Yo voil\u00e0 pour les 10 titres de Rage Against the Machine ! C\u2019est donc le 1er album des Rage.<\/p>\n

Il sort le 3 novembre 1992 en Cassette, CD, Vinyle et MiniDisc sur le label Epic (chez Sony une major). Au d\u00e9part les critiques et les ventes ne t\u00e9moignent pas assez du ph\u00e9nom\u00e8ne mais c\u2019est sur sc\u00e8ne que le groupe va cartonner et encha\u00eener les live sold out. On le consid\u00e8re aujourd\u2019hui comme un classique absolu, qui a permis d\u2019ailleurs d\u2019inscrire le groupe au panth\u00e9on du rock.<\/p>\n

Quand RATM d\u00e9barque en novembre 1992, Boys 2 Men squatte les ondes depuis l\u2019\u00e9t\u00e9. On \u00e9coute aussi en boucle la BO de BodyGuard avec Whitney Houston. Et le rock lui est \u00e0 la tra\u00eene avec U2 et les Black Crowes.
\n1992 c\u2019est aussi le d\u00e9but des \u00e9meutes raciales \u00e0 Los Angeles, le divorce de Charles et Diana, l\u2019\u00e9lection de Bill Clinton. En France, c\u2019est l\u2019ouverture d’EuroDisney \u00e0 Marne la Vall\u00e9e. On va voir au cin\u00e9ma Maman j\u2019ai encore rat\u00e9 l\u2019avion, L\u2019arme fatale 3 ou Basic Instinct.[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLa story de Rage Against The Machine\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]L\u2019histoire de la formation du groupe est assez banale finalement : une bande de potes qui veut faire de la musique. En l’occurrence, ici, Zack de la Rocha et Tim Commerford qui allaient \u00e0 l\u2019\u00e9cole ensemble. La l\u00e9gende raconte que Zack a appris \u00e0 Tim \u00e0 voler de la nourriture \u00e0 la cantine.<\/p>\n

En parall\u00e8le, on a Tom Morello, le guitariste, qui cherche \u00e0 monter un nouveau groupe. Il va donc poster une annonce dans le Los Angeles Weekly. Et vous allez voir, \u00e7a annonce tout de suite la couleur :<\/p>\n

\u201cCherche chanteur socialiste pour un groupe de m\u00e9tal dans le style de Public Enemy\u201d.<\/em><\/p>\n

Tom Morello, c\u2019est un personnage : pour l\u2019anecdote, il a un dipl\u00f4me d\u2019Harvard et a aussi \u00e9t\u00e9 strip-teaser. A l\u2019\u00e9poque, c\u2019est le guitariste de Lock Up, un groupe qui m\u00e9lange heavy metal et funk mais ils viennent de se s\u00e9parer.<\/p>\n

INSERT \u2014 lock up (24 Hour Man)<\/p>\n

En ao\u00fbt 1991 donc, Tom Morello et Zach de La Rocha vont se rencontrer dans un club de hip hop. C\u2019est le d\u00e9clic, ils d\u00e9cident de former le groupe.
\nIls entra\u00eenent avec eux Brad Wilk (le batteur) et Tim Commerford, qui est donc l\u2019ami d\u2019enfance de Zach et qui sera le bassiste. L\u2019alchimie entre les 4 est instantan\u00e9e.<\/p>\n

Pour le nom du groupe, ils vont utiliser le titre d\u2019une chanson \u00e9crite par Zach quelques temps plus t\u00f4t pour son groupe punk hardcore, Inside Out : ce sera Rage Against the Machine (en fran\u00e7ais, \u00ab Rage envers le syst\u00e8me \u00bb).<\/p>\n

Ce nom, c\u2019est ce qui leur para\u00eet le plus adapt\u00e9 au style de musique, et aux id\u00e9es qu\u2019ils veulent diffuser. Selon Tom Morello, \u00ab The Machine \u00bb, dont il est question, repr\u00e9sente tout ce qui le r\u00e9volte : la mondialisation, le n\u00e9olib\u00e9ralisme, le racisme, l\u2019\u00e9litisme, et l\u2019indiff\u00e9rence. Cette machine qui broie l\u2019humain, qui le rel\u00e8gue syst\u00e9matiquement au second plan. Cette machine qui n\u2019a qu\u2019un dieu : l\u2019argent.<\/p>\n

Leur premi\u00e8re repr\u00e9sentation se fait dans le garage, d\u2019un ami de Tim Commerford, \u00e0 Huntington Beach. Ils n\u2019ont que 5 chansons \u00e0 jouer mais leurs amis sont tellement chauds qu’ils vont finalement les rejouer plusieurs fois, en boucle. Ils d\u00e9cident alors de se lancer dans la cour des grands et d\u2019enregistrer un album.<\/p>\n

Ils se font peu \u00e0 peu leur place dans le milieu et r\u00e9alisent m\u00eame la premi\u00e8re partie de Porno for Pyros pour leur premier grand concert. Ils jouent \u00e9galement sur la sc\u00e8ne secondaire du Lollapalooza, \u00e0 Los Angeles, en tant que \u00ab jeunes talents. \u00bb<\/p>\n

Ils finissent par signer un contrat avec Epic Records (une filiale de Sony BMG) et vont rapidement faire la premi\u00e8re partie d\u2019un groupe qui est en train de monter : Tool ! Son guitariste, Adam Jones, est un ami de Tom Morello.<\/p>\n

L\u2019album sort au d\u00e9but du mois de novembre 92 avec comme premier single radio un certain \u201cKilling in the Name\u201d.<\/p>\n

INSERT \u2014 killing in the name<\/p>\n

\u201cKilling in the Name\u201d d\u00e9tonne compl\u00e8tement avec ce qui passe \u00e0 la radio \u00e0 ce moment-l\u00e0: le morceau d\u00e9passe les 5 minutes (on est plut\u00f4t autour de 3\u201930 d\u2019habitude) et la voix de Zack de la Rocha n\u2019arrive qu\u2019apr\u00e8s une intro de 50 secondes.<\/p>\n

Le texte marque l’engagement du groupe \u00e0 l\u2019encontre des institutions US et en particulier des forces de police : \u201cce sont les m\u00eames qui br\u00fblent des croix\u201d.
\nEn gros, la police et le KKK, c\u2019est pareil.<\/p>\n

Pour m\u00e9moire, les \u00e9meutes qui ont \u00e9clat\u00e9es \u00e0 Los Angeles sont \u00e0 peine termin\u00e9es. Le groupe appelle \u00e0 redescendre dans la rue. La col\u00e8re est toujours l\u00e0; il faut qu\u2019elle \u00e9clate, il faut broyer le syst\u00e8me avant qu\u2019il ne nous broie.<\/p>\n

[MANU] : C\u2019est une vraie d\u00e9claration de guerre ! Et \u00e7a n\u2019emp\u00eache pas le groupe de cartonner, bien au contraire.<\/strong><\/p>\n

Olivia : et bah figure-toi mon cher Manu que c\u2019est le gros succ\u00e8s !<\/p>\n

L\u2019album va rester dans le Top 200 du magazine Billboard pendant 89 semaines. Le titre Killing in the Name r\u00e9v\u00e8le le groupe au grand public ; le succ\u00e8s est ph\u00e9nom\u00e9nal.<\/p>\n

Billboard affirme que RATM \u201cdoit \u00eatre consid\u00e9r\u00e9 comme l\u2019un des groupes de rock les plus originaux et virtuoses du pays<\/em>\u201d. Leur album est \u201cdestin\u00e9 \u00e0 devenir un standard pour n\u2019importe quel headbanger<\/em>\u201d.<\/p>\n

Quelques semaines plus tard, c\u2019est le Musician qui confirme : \u201cRATM propose une pens\u00e9e politique pointue et une col\u00e8re articul\u00e9e. Le groupe ne s\u2019inspire pas seulement du hip hop et du heavy metal, mais fusionne les deux de telle sorte qu\u2019on ne puisse m\u00eame plus parler de croisement.\u201d<\/em><\/p>\n

Village Voice qualifiera la musique de RATM de \u201cM\u00e9tal pour amoureux du rap et allergiques \u00e0 l\u2019op\u00e9ra\u201d<\/em>.<\/p>\n

Plus tard, Rolling Stone classera l\u2019album en 26e positions des 90 meilleurs disques des ann\u00e9es 90. Un flot de critiques \u00e9logieuses d\u00e8s le d\u00e9but donc !<\/p>\n

Ils vont tr\u00e8s vite faire beaucoup de concerts aux US et en Europe. Une \u00e9norme tourn\u00e9e de pr\u00e8s de 200 concerts sur 18 mois qui remplit les salles, notamment le Z\u00e9nith de Paris.<\/p>\n

Le groupe fait parler de lui lors d\u2019un concert au festival Lollapalooza \u00e0 Philadelphie. Ils restent nus sur sc\u00e8ne et en silence pendant\u2026 15 minutes pour protester contre la censure pr\u00f4n\u00e9e par le Parents Music Resource Center, cette association qui fait pression pour apposer sur les disques le fameux \u201cParental Advisory\u201d.<\/p>\n

Selon certains critiques, RATM n\u2019a pas vraiment pu se faire une place sur l\u2019autel des g\u00e9ants du rock des ann\u00e9es 90 \u00e0 cause, notamment, de leur discours anti-imp\u00e9rialiste et de leur appel \u00e0 l’insurrection. C\u2019\u00e9tait pas trop l\u2019ambiance apr\u00e8s les attentats du 11 septembre 2001.
\nIls crachent sur le syst\u00e8me, donnent plusieurs concerts de soutien et<\/p>\n

Leurs textes sont sans appel. On se souvient notamment de la fin de \u201cKnow your Enemy\u201d, engag\u00e9 contre la guerre et l’autoritarisme \u00e9tatique.
\nIl parle des \u00e9lites qui pr\u00f4nent la libert\u00e9 du peuple pour mieux les contr\u00f4ler :<\/p>\n

INSERT \u2014 know you enemy<\/p>\n

Compromise<\/em>
\nConformity<\/em>
\nAssimilation<\/em>
\nSubmission<\/em>
\nIgnorance<\/em>
\nHypocrisy<\/em>
\nBrutality<\/em>
\nThe Elite<\/em>
\nAll of which are American dreams !<\/em><\/p>\n

RATM nous donne ici sa vision du r\u00eave am\u00e9ricain o\u00f9 il est donc question de soumission aux \u00e9lites, d\u2019ignorance, d\u2019hypocrisie, d’assimilation. Un r\u00eave am\u00e9ricain tr\u00e8s loin de ce qu\u2019on nous donne \u00e0 voir sur grand \u00e9cran.<\/p>\n

La suite et bien la suite, j\u2019ai envie de dire qu\u2019on pouvait un peu la pr\u00e9voir aussi, malheureusement.<\/p>\n

\u00c9norme tourn\u00e9e de plus de deux ans, beaucoup de fatigue et de tension\u2026comme souvent avec ce genre de groupe qui donne \u00e9norm\u00e9ment.<\/p>\n

En 1995, le groupe est \u00e0 Atlanta pour enregistrer un nouvel album, mais les choses deviennent compliqu\u00e9es. Ils communiquent de moins en moins entre eux, et le rythme effr\u00e9n\u00e9 des concerts les a achev\u00e9s. Ils s\u2019accordent alors une pause ; Zack en profite pour aller quelques semaines au Chiapas. Il se rapproche en effet d\u2019un groupe politique zapatiste r\u00e9volutionnaire du sud est du Mexique, l\u2019Ej\u00e9rcito Zapatista de Liberaci\u00f3n Nacional (EZLN).<\/p>\n

Le groupe parvient finalement \u00e0 se retrouver quelques mois plus tard pour continuer l\u2019aventure. Ils louent une chambre en face de leur appartement \u00e0 Los Angeles, et r\u00e9alisent leur deuxi\u00e8me album, Evil Empire (en fran\u00e7ais, l\u2019empire du mal). Un titre qui fait r\u00e9f\u00e9rence \u00e0 une expression employ\u00e9e par Ronald Reagan pour qualifier le bloc de l’Est.<\/p>\n

Ils finiront pas se s\u00e9parer en 2000, au grand d\u00e9sespoir de leurs fans.
\nMais l\u2019espoir rena\u00eet en 2007: ils se reforment pour une s\u00e9rie de concerts mais pas de nouvel album en vue.<\/p>\n

Et depuis, le groupe joue avec nos nerfs ! Mais bon Dieu, vont-ils se reformer pour de bon ?<\/p>\n

Vont-il enfin sortir cet album que l\u2019on attend comme un barque \u00e9chou\u00e9e qui d\u00e9rive sur l\u2019oc\u00e9an et se languit de cette lumi\u00e8re, de ce phare, au loin de la nuit ? Quelle attente insoutenable !<\/p>\n

En d\u00e9cembre 2010, Zack de la Rocha annonce le retour du groupe en studio, et la sortie d’un nouvel album courant \u00e9t\u00e9 2011. Au mois de mai 2011, Tom Morello annonce au contraire que le groupe n’a pas pr\u00e9vu de rentrer en studio et va plut\u00f4t se concentrer sur ses concerts. La douche froide !<\/p>\n

Derni\u00e8re annonce en date et \u00e7a c\u2019est de l\u2019actu fra\u00eeche de chez fraiche, mon cher Manu : le 1er novembre 2019, un nouveau compte Rage Against The Machine est cr\u00e9\u00e9 sur Instagram. Ils annoncent cinq dates de concert aux \u00c9tats-Unis en 2020. Puis, le lancement d’une tourn\u00e9e mondiale. Celle-ci aurait d\u00fb d\u00e9buter \u00e0 El Paso, Texas, le 23 mars 2020 et se terminer \u00e0 Vienne, en Autriche, le 12 septembre, avec notamment une participation au festival Rock en Seine \u00e0 Paris le 1er septembre. Malheureusement, la pand\u00e9mie de Covid-19 force le groupe \u00e0 repousser cette tourn\u00e9e en 2021.[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLe making-of de \u00ab\u00a0Rage Against The Machine\u00ab\u00a0\u00ab\u00a0][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu : Greg toi tu t\u2019es pench\u00e9 sur l\u2019enregistrement de l\u2019album, qu\u2019est-ce que tu peux nous en dire?<\/strong><\/p>\n

A l\u2019origine de cet album il y a une d\u00e9mo sur cassette sortie en d\u00e9cembre 1991 que le groupe vendait \u00e0 la fin de ses concerts 5 dollars l\u2019unit\u00e9, on y retrouve 12 titres dont 7 vont se retrouver sur l\u2019album parmi lesquels le morceau qui ouvre l\u2019album, on \u00e9coute la d\u00e9mo de Bombtrack<\/p>\n

INSERT \u2014 bombtrack d\u00e9mo<\/p>\n

Vous l\u2019entendez, on est quand m\u00eame sur une d\u00e9mo de qualit\u00e9, assez bien enregistr\u00e9 et surtout on constate sur ce titre en tout cas que la structure du morceau n\u2019a absolument pas bouger. ET globalement, on peut dire que le groupe a fait l\u2019essentiel du boulot. M\u00eame si comme le disais certains morceaux vont \u00e9voluer ou alors carr\u00e9ment dispara\u00eetre.<\/p>\n

En tout cas cette d\u00e9mo va avoir un joli succ\u00e8s, puisque le groupe va en \u00e9couler environ 5000 exemplaires. Des cassettes sont \u00e9galement envoy\u00e9es \u00e0 des maisons de disque et bingo, EPIC records d\u00e9cide de produire le groupe.<\/p>\n

Pour les enregistrer, Epic fait appel \u00e0 Garth Richardson, producteur de rock et de m\u00e9tal, fils de Jack Richardson, pionnier de l\u2019industrie musicale et producteur mythique d\u2019Alice Cooper notamment.<\/p>\n

Pour l\u2019enregistrement, direction les c\u00e9l\u00e8bres studio Sound City de L.A, l\u00e0 o\u00f9 Nirvana a enregistr\u00e9 Nevermind, ET ce n\u2019est pas le seul point commun entre Nevermind et Rage Against the Machine puisque l\u2019album a \u00e9galement le m\u00eame mixeur, c\u2019est le fameux Andy Wallace, figure incontournable, qui a notamment travaill\u00e9 avec Jeff Buckley, System of a down ou encore Patti Smith.<\/p>\n

Le travail commence en avril 1992 et \u00e0 ce moment-l\u00e0 Richardson rencontre les Rage il n\u2019a jamais entendu le groupe. RATM lui joue 3 morceaux et l\u00e0 \u00e9videmment : c\u2019est Oh my God!!! They are amazing!<\/p>\n

Pour capter l\u2019\u00e9nergie de ces b\u00eates de sc\u00e8ne, Richardson opte logiquement pour un enregistrement live, Quelques panneaux pour isoler la batterie et roule ma poule, c\u2019est hyper basique. Les musiciens n\u2019ont pas de casque avec un click dans les oreilles pour marquer le tempo comme cela se fait habituellement. Richardson mise tout sur la spontan\u00e9it\u00e9.<\/p>\n

Vid\u00e9o \u00e0 voir sur youtube pour avoir une id\u00e9e du dispositif. On peut notamment voir la prise de Killing in the name, celle qui a fini sur l\u2019album du groupe.<\/p>\n

L\u2019enregistrement est assez rapide, la rencontre entre le producteur et RATM se passe bien. Il y a quand m\u00eame un petit peu de tension entre le producteur et Tom Morello, le guitariste. En fait, Morello joue l\u00e9g\u00e8rement behind the beat, c\u2019est \u00e0 dire l\u00e9g\u00e8rement en retard, on parle de quelques mili secondes, en fait c\u2019est une mani\u00e8re de mieux faire ressortir le groove, de lui donner plus de relief plut\u00f4t que de jouer pile poil sur la grosse caisse, ce qui peut donner quelque chose d\u2019un peu m\u00e9canique.<\/p>\n

Richardson laisse jouer Morello puis en scred, il recale ses guitares avec le logiciel pro tools sauf que Morello s\u2019en rend compte et lui dit tu vas me changer tout \u00e7a. Et l\u00e0 encore l\u2019intelligence de Richardson c\u2019est de ne pas se montrer born\u00e9 et de laisser jouer RATM comme ils ont l\u2019habitude de le faire.<\/p>\n

Manu : D\u2019ailleurs le son des Rage doit beaucoup \u00e0 Tom Morello et sa technique de guitare, les p\u00e9dales d\u2019effets tout \u00e7a \u2014 en ce moment je re\u00e7ois de la pub non-stop pour la masterclass payante de Tom Morello \ud83d\ude00<\/strong><\/p>\n

Tom Morello c\u2019est bien plus qu\u2019un simple guitar h\u00e9ro, rapide et technique, c\u2019est quelqu\u2019un qui pense avec son instrument, le gars est quand m\u00eame dipl\u00f4m\u00e9 de Harvard, ses mod\u00e8les s\u2019appellent Jimmy Page ou encore Deep Purple et je peux vous dire que la d\u00e9couverte de ce type \u00e0 casquette qui porte sa guitare comme un AK 47 a litt\u00e9ralement assomm\u00e9 les guitaristes du monde entier.<\/p>\n

Les sons qu\u2019ils arrivent \u00e0 sortir semblent venir d\u2019un autre monde, on entend des hurlements de sir\u00e8nes de polices, des scratches sur des platines vinyles, des scies \u00e0 m\u00e9taux en train de d\u00e9couper des barres de fer, bref il fait avec sa guitare ce que jamais personne n\u2019a r\u00e9ussi \u00e0 faire avant lui, pour y parvenir il utilise des p\u00e9dales d\u2019effets, bidouille les micros de sa guitare, utilise avec g\u00e9nie le vibrato, du grand art. C\u2019est probablement le guitariste le plus important des ann\u00e9es 90. Exemple avec le solo de Know your enemy\u2026<\/p>\n

INSERT \u2014 solo<\/p>\n

C\u2019est tellement hallucinant ce qu\u2019il arrive \u00e0 faire avec sa six cordes que Morello insiste pour que sur la pochette de l\u2019album figure la mention \u00ab no samples, no keyboards or synthesizers used in the making of this recordings \u00bb, une mani\u00e8re d\u2019affirmer que seule l\u2019\u00e9nergie brute du rock roll est responsable de ce que l\u2019on va entendre sur l\u2019album.<\/p>\n

Manu : No samples, no keyboard, mais il y a pas mal de gros mots quand m\u00eame. Extrait.<\/strong><\/p>\n

INSERT \u2014 fuck<\/p>\n

Je vous ai choisi la phrase la plus embl\u00e9matique de l\u2019album, pr\u00e9sente sur Killing in the Name r\u00e9p\u00e9t\u00e9e jusqu\u2019\u00e0 l\u2019\u00e9puisement \u00e0 la fin du titre.. \u00ab Fuck you, I won\u2019t do what you tell me \u00bb, une phrase qui r\u00e9sume \u00e0 elle seule l\u2019id\u00e9ologie de Rage Against The Machine, une id\u00e9ologie anti imp\u00e9rialiste, anti raciste, qui s\u2019insurge contre la violence d\u2019Etat et la manipulation des masses par les m\u00e9dias. Le groupe s\u2019est toujours montr\u00e9 tr\u00e8s politis\u00e9 et engag\u00e9. Une radicalit\u00e9 politique qui \u00e9pouse parfaitement la violence des paroles et leur son hardcore.<\/p>\n

Manu : Du coup c\u2019est un album tr\u00e8s politique, qui 30 ans plus tard reste toujours super actuel.<\/strong><\/p>\n

Oui m\u00eame si l\u2019heure n\u2019est plus vraiment \u00e0 la fusion rock\/m\u00e9tal\/rap\/ funk qui a connu son heure de gloire dans les ann\u00e9es 90 avec Blood sugar sex Magic des Red Hot ou king for a Day de Faith No more, RATM est sans doute l\u2019un des groupes de cette p\u00e9riode qui s\u2019en sort le mieux. Rythmiquement c\u2019est juste formidable cet album, le duo basse batterie se compl\u00e8te hyper bien, les parties instrumentales sont juste inoubliables, les intro des morceaux sont aussi cool que les refrains, \u00e0 cela s\u2019ajoute le Flow enrag\u00e9 de De la Rocha et la cr\u00e9ativit\u00e9 de Morello. Dans le genre c\u2019est assez in\u00e9galable. Et l\u2019album tient aussi \u00e0 la route gr\u00e2ce \u00e0 la simplicit\u00e9 de son dispositif d\u2019enregistrement, Richardson n\u2019a pas essay\u00e9 de donner une couleur particuli\u00e8re \u00e0 cet album mais simplement laisser la rage et l\u2019\u00e9nergie brute s\u2019exprimer et s\u2019\u00e9panouir.<\/p>\n

Manu : C\u2019est clair, les mecs sont des brutes. C\u2019est enregistr\u00e9 live et c\u2019est ultra-ma\u00eetris\u00e9. Je cherchais s\u2019il n\u2019y avait pas de casseroles dans les premiers live qu\u2019on trouve sur Youtube mais nan, d\u00e8s le d\u00e9part ils assurent ces b\u00e2tards.<\/strong>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbL’univers visuel de Rage Against The Machine\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu : On va parler maintenant de l\u2019artwork avec Fanny, Parce que l\u00e0 encore dans ce domaine avec les Rage, c\u2019est simple et direct.<\/strong><\/p>\n

Direct ? Ouais, disons comme un bon gros uppercut en pleine gueule !
\nSur la pochette de l’album de Rage on peut voir une photo en noir et blanc dont le sujet est si violent qu’on n’en imagine pas d’autre qui soit mieux choisi, vu le contenu de l’album. C\u2019est une photo de presse prise en 1963 \u00e0 Saigon, au Vietnam, par le reporter am\u00e9ricain Malcolm Browne de l’agence Associated Press. Lui et le journaliste David Halberstam du New York Times, avec qui il a couvert l’\u00e9v\u00e9nement repr\u00e9sent\u00e9, ont re\u00e7u en 1964 un Prix Pulitzer pour leur travail, dans la cat\u00e9gorie \u2018International reporting’. Je retarde comme je peux la description de ce qu’il se passe dans cette photo, parce que \u00e7a fait partie de ces grandes images historiques qui vous impriment la r\u00e9tine \u00e0 vie une fois que vous l’avez vue, un peu comme les images des rescap\u00e9s de la Shoah, le soldat fauch\u00e9 par une balle en pleine guerre d’Espagne immortalis\u00e9 par Robert Capa, ou encore le manifestant de Tian’anmen qui se tient seul devant une rang\u00e9e de chars.<\/p>\n

Je vous replace le contexte de la prise de vue : en 1963, le Vietnam est divis\u00e9 en deux suite au d\u00e9part des fran\u00e7ais qui ont quitt\u00e9 le pays 9 ans plus t\u00f4t. Le Sud du pays est dirig\u00e9 par le dictateur catholique Ng\u00f4 \u0110\u00ecnh Di\u1ec7m, soutenu par les am\u00e9ricains et qui martyrise les bouddhistes qui repr\u00e9sentent 70 \u00e0 90% de la population. La crise s’aggrave. En signe de protestation, ces derniers d\u00e9cident de commettre un acte coup de poing : le 11 juin, en pleine rue et alors que la presse a \u00e9t\u00e9 convoqu\u00e9e, 350 moines et nonnes bouddhistes se r\u00e9unissent avec des pancartes d\u00e9non\u00e7ant les pers\u00e9cutions dont ils font l’objet. Trois moines sortent d’une voiture qui se tenait en t\u00eate du cort\u00e8ge. Le 1er d\u00e9pose un coussin par terre. Le second s’installe sur le coussin en position du lotus, le 3\u00e8me l\u2019asperge d’essence avant de reculer. L’homme sur le coussin est \u00e2g\u00e9 de 73 ans, il s’appelle Th\u00edch Qu\u1ea3ng \u0110\u1ee9c et sous les yeux de la foule m\u00e9dus\u00e9e, il s’immole par le feu.<\/p>\n

Sur la photo tout y est : la foule de spectateurs h\u00e9b\u00e9t\u00e9s, la voiture avec le coffre ouvert, le bidon d’essence pos\u00e9 \u00e0 c\u00f4t\u00e9 du moine, et lui-m\u00eame calme et immobile se consumant au milieu des flammes. Plein de flammes, c’est terrible, vraiment terrible.<\/p>\n

Halberstam, le journaliste, a rapport\u00e9 son souvenir de l’\u00e9v\u00e9nement quelques ann\u00e9es plus tard, il \u00e9crit :<\/p>\n

\u00ab Je devais revoir cette sc\u00e8ne, mais une fois suffisait. C’\u00e9tait un \u00eatre humain qui se consumait. Son corps se dess\u00e9chait lentement, se ratatinait, sa t\u00eate noircissait et se carbonisait. Une odeur de chair humaine en train de se calciner se r\u00e9pandait dans l’air. \u00c9tonnamment, les \u00eatres humains br\u00fblent rapidement. Derri\u00e8re moi, je pouvais entendre les sanglots des Vietnamiens qui s’\u00e9taient rassembl\u00e9s. J’\u00e9tais trop choqu\u00e9 pour pouvoir pleurer, trop \u00e9mu pour pouvoir prendre des notes ou poser des questions, trop abasourdi pour pouvoir penser. Tandis qu’il br\u00fblait, aucun de ses muscles ne bougea, il ne fit aucun mouvement, n’\u00e9mit aucun son. Son impassibilit\u00e9 contrastait avec les lamentations de ceux qui assistaient \u00e0 la sc\u00e8ne<\/em>. \u00bb<\/p>\n

L’activisme, l’engagement politique de Rage et leur volont\u00e9 de protester bruyamment contre les travers de l’Am\u00e9rique trouve \u00e9videmment un \u00e9cho dans cette image.<\/p>\n

Manu : Oui d’ailleurs, j\u2019ai not\u00e9 dans le livre \u00ab Sounds of Freedom \u00bb, un journaliste demande \u00e0 Tom Morello pourquoi ils ont choisi cette image et Morello r\u00e9pond : \u00ab On pensait que cette image montrait une adh\u00e9sion absolue et sans compromis \u00e0 un principe moral. C’est le m\u00eame genre d’adh\u00e9sion absolue et sans compromis qu’on essayait de poursuivre dans notre groupe et notre musique. Donc \u00e7a nous semblait un symbole appropri\u00e9 \u00e0 mettre sur la pochette. \u00bb<\/em><\/strong><\/p>\n

Oui, en mettant \u00e7a en une de leur album, ils nous lancent \u00e0 la fois un avertissement quant au caract\u00e8re v\u00e9n\u00e8re de la musique, mais aussi une invitation \u00e0 ne pas rester passifs et \u00e0 soi-m\u00eame se demander : Qu’est-ce que c’est que ce bordel l\u00e0 ? Ce disque-l\u00e0 qui n’est pas juste un disque mais une bombe \u00e0 retardement.<\/p>\n

Manu : OK, mais est-ce que c’est la m\u00eame strat\u00e9gie dans leurs clips ?<\/strong><\/p>\n

A peu pr\u00e8s oui, chaque production des Rage est l’occasion de faire passer un message. Enfin presque, parce que le clip de Killing in the name est bizarrement compl\u00e8tement normal, c’est une captation de 2 live donn\u00e9s par le groupe dans des salles de Los Angeles, tourn\u00e9e par un \u00e9l\u00e8ve \u00e0 qui Morello apprenait la guitare. C’est brut, foutraque. Ils se sont peut-\u00eatre dit qu’il fallait y aller mollo avec le premier single, afin de se faire conna\u00eetre et pouvoir monter en puissance ensuite…<\/p>\n

Puisque c’est le cas, avec les 2 autres clips r\u00e9alis\u00e9s par Peter Christopherson (accessoirement co-fondateur de Coil et Throbbing Gristle pour ceux qui connaissent !).<\/p>\n

Primo, on a le clip de Bombtrack.<\/p>\n

INSERT \u2014 Bombtrack<\/p>\n

Bombtrack c’est une d\u00e9monstration de soutien au parti communiste p\u00e9ruvien Sendero Luminoso (Sentier Lumineux), classifi\u00e9 par les Etats-Unis comme \u00e9tant une organisation terroriste… La vid\u00e9o est assez horrible \u00e0 regarder puisque c’est vraiment un objet de propagande, tu as plein de plans sur le groupe qui joue enferm\u00e9 dans une grande cage avec en parall\u00e8le des plans sur des prisonniers, des soldats, des manifs, plein de gens qui se castagnent. Y’a du texte avec une surimpression chelou qui explique les tenants politiques de l’affaire. La cam\u00e9ra est hyper nerveuse, y’a des cuts partout, on se croirait dans un film de Danny Boyle qu’aurait vir\u00e9 r\u00e9volutionnaire.<\/p>\n

En deuzio, on a le clip de Freedom.<\/p>\n

INSERT \u2014 Freedom<\/p>\n

Le clip de Freedom est un peu dans la m\u00eame tonalit\u00e9. Le message cette fois-ci c’est de d\u00e9noncer l’emprisonnement du militant am\u00e9rindien L\u00e9onard Peltier, accus\u00e9 du meurtre de 2 agents du FBI sans que sa culpabilit\u00e9 n’ait jamais \u00e9t\u00e9 prouv\u00e9e. Toute l’histoire nous est racont\u00e9e comme dans un film muet avec des cartons qui d\u00e9filent. En parall\u00e8le \u00e0 \u00e7a, on a un m\u00e9lange entre des passages o\u00f9 on voit le groupe jouer la chanson et des images issues d’un documentaire de 1992 qui vient reconstituer les faits.<\/p>\n

Enfin bref, pour r\u00e9sumer la strat\u00e9gie de Rage against the Machine, c\u2019est d\u2019utiliser absolument tous les moyens possibles pour faire passer un message. La musique porte un message, la pochette porte un message, les clips portent un message, les prestations sur sc\u00e8ne portent un message. 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\u00c0 PROPOS DE RADIO K7 PODCAST<\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bb20px\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb0″ bottom_padding=\u00a0\u00bb0″ left_padding_desktop=\u00a0\u00bb100″ right_padding_desktop=\u00a0\u00bb100″ top_padding_tablet=\u00a0\u00bb0″ bottom_padding_tablet=\u00a0\u00bb0″ left_padding_tablet=\u00a0\u00bb0″ right_padding_tablet=\u00a0\u00bb0″ top_padding_phone=\u00a0\u00bb0″ bottom_padding_phone=\u00a0\u00bb0″ left_padding_phone=\u00a0\u00bb0″ right_padding_phone=\u00a0\u00bb0″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb class=\u00a0\u00bbcol-a-propos\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1664972558970{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 1px !important;border-bottom-width: 1px !important;}\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin=\u00a0\u00bb6%\u00a0\u00bb bottom_margin_tablet=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbsmall_desktop\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_color=\u00a0\u00bb#f5fbdc\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_raw_html]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[\/vc_raw_html][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 sep66″ css=\u00a0\u00bb.vc_custom_1663856470951{padding-top: 0px !important;}\u00a0\u00bb]Chaque mois dans Radio K7 on discute d\u2019un album avec mes copains autour d\u2019une table, parfois avec des invit\u00e9s comme P\u00e9n\u00e9lope Bagieu ou Nicolas Berno. Il y a des chroniques et des d\u00e9bats, on s’interroge sur l\u2019histoire du disque : comment il a \u00e9t\u00e9 produit, ce qui a fait son succ\u00e8s, et puis finalement ce qu’on a envie d’en retenir 20 ou 30 ans plus tard.<\/p>\n

Le 5 janvier 2020, Radio K7 est devenu le premier podcast ind\u00e9pendant sur la musique en France au classement Apple Podcast !<\/b>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin_tablet=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ top_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbpaddbot90 img100-foot1″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbsmall_desktop\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb column_padding_type=\u00a0\u00bbdefault\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbGT size50 pod_violet txt28 margintopmob vc_custom_1662370609207″ css=\u00a0\u00bb.vc_custom_1663856419329{margin-bottom: 0px !important;}\u00a0\u00bb]\u00ab On veut red\u00e9couvrir les 90s, apprendre des trucs et se marrer. \u00bb<\/span>[\/vc_column_text][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 marginbottom1mob\u00a0\u00bb]Manu, Fanny, Olivia et Gr\u00e9goire [\/vc_column_text][image_with_animation image_url=\u00a0\u00bb131″ image_size=\u00a0\u00bbfull\u00a0\u00bb animation_type=\u00a0\u00bbentrance\u00a0\u00bb animation=\u00a0\u00bbFade In\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb animation_movement_type=\u00a0\u00bbtransform_y\u00a0\u00bb hover_animation=\u00a0\u00bbnone\u00a0\u00bb alignment=\u00a0\u00bb\u00a0\u00bb border_radius=\u00a0\u00bbnone\u00a0\u00bb box_shadow=\u00a0\u00bbnone\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bbnone\u00a0\u00bb max_width_mobile=\u00a0\u00bbdefault\u00a0\u00bb margin_left=\u00a0\u00bb10%\u00a0\u00bb margin_right=\u00a0\u00bb10%\u00a0\u00bb margin_left_phone=\u00a0\u00bb0″ margin_right_phone=\u00a0\u00bb0″][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 sep66″ css=\u00a0\u00bb.vc_custom_1663856492497{padding-top: 0px !important;}\u00a0\u00bb]\u201c Le but de ce podcast c’est de red\u00e9couvrir la bande-son des nineties. Parce que c’\u00e9tait celle de notre adolescence, qui a marqu\u00e9 toutes nos premi\u00e8res fois. 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