{"id":1197,"date":"2019-08-21T17:47:39","date_gmt":"2019-08-21T15:47:39","guid":{"rendered":"https:\/\/radiok7.co\/podcast\/?p=1197"},"modified":"2023-12-25T18:07:23","modified_gmt":"2023-12-25T17:07:23","slug":"massive-attack-mezzanine-1998","status":"publish","type":"post","link":"https:\/\/radiok7.co\/podcast\/episode\/massive-attack-mezzanine-1998\/","title":{"rendered":"Massive Attack \u201cMezzanine\u201d (1998)"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#000000″ bg_image=\u00a0\u00bb1166″ bg_position=\u00a0\u00bbcenter top\u00a0\u00bb 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Massive Attack \u201cMezzanine\u201d<\/h1>\n

(1998)<\/h1>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb20″ top_padding_tablet=\u00a0\u00bb20″ top_padding_phone=\u00a0\u00bb20″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb 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EN QUELQUES MOTS<\/strong><\/h5>\n[\/vc_column_text][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbsize18″]Aujourd\u2019hui donc on va parler de trip-hop. Le trip-hop qu\u2019est-ce c\u2019est ? C\u2019est en gros un rythmique hip hop \u00e0 laquelle on ajoute : des samples, des synth\u00e9s froids, une m\u00e9lancolie certaine, et un bon nombre de sonorit\u00e9s nouvelles. Le but premier \u00e9tant d\u2019exp\u00e9rimenter et de combiner les styles. C\u2019est presque une religion quoi ![\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb top_margin_tablet=\u00a0\u00bb27px\u00a0\u00bb left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ left_margin_phone=\u00a0\u00bb0″ right_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbsize18″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]Nous aurions pu vous parler de Portishead, de Dj Shadow, de Tricky, Bjork ou Morcheeba… mais non ! Nous sommes le 27 juin 2019 et on a choisi de se pencher ce soir sur le cas de l\u2019album Mezzanine de Massive Attack qui sort en 1998.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bbleft\u00a0\u00bb top_margin_tablet=\u00a0\u00bb80px\u00a0\u00bb bottom_margin_tablet=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ top_margin_phone=\u00a0\u00bb30″ left_margin_phone=\u00a0\u00bb0″ right_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ 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column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][toggles style=\u00a0\u00bbminimal\u00a0\u00bb][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbRetour en 1998″][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Mezzanine<\/span>. C\u2019est le t<\/span>roisi\u00e8me<\/span> album de Massive Attack, il sort un peu avant la coupe du Monde \u2014 le 27 avril 1998.<\/span>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLa story de Massive Attack\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu : On va raconter l\u2019histoire de ce disque immense, qui a bien failli ne jamais sortir\u2026 avec Gr\u00e9goire.<\/strong><\/p>\n

Gr\u00e9goire : C\u2019est un album qui sort le 20 avril 1998 sauf qu\u2019en r\u00e9alit\u00e9 l\u2019album est disponible depuis plusieurs mois en t\u00e9l\u00e9chargement l\u00e9gal sur le site du groupe. C\u2019est \u00e9videmment hyper novateur pour une \u00e9poque o\u00f9 le format MP3 n\u2019en est qu\u2019\u00e0 ses balbutiements.<\/p>\n

Pour revenir aux ventes physiques de Mezzanine, c\u2019est clairement LE plus gros succ\u00e8s commercial de Massive Attack, 2 millions d\u2019albums vendus, il sera num\u00e9ro 1 en Grande Bretagne d\u00e8s sa sortie, double disque de platine 5 mois plus tard soit plus de 600 000 exemplaires vendus, double disque d\u2019or en France. Aux Etats-Unis il parvient \u00e0 se hisser \u00e0 la 69\u00e8me place du classement Billboard, plut\u00f4t une belle performance pour ce disque tr\u00e8s sombre aux tempos lancinants. Pas si mal non plus quand on sait que cet album devait marquer la fin du trio tant les relations \u00e9taient devenus ex\u00e9crables entre Robert Del Naja, Grant Marshall et Andrew Vowles, les 3 comparses ne s\u2019adressaient presque plus la parole, ne faisaient plus d\u2019interviews ensemble, bonjour l\u2019ambiance, ce qui fera dire \u00e0 Marshall dans une interview donn\u00e9e en f\u00e9vrier dernier au quotidien britannique The Guardian \u00ab Mezzanine signifiait la fin de notre trio mais finalement, cela a nous a embarqu\u00e9 vers des projets encore plus grands \u00bb<\/p>\n

insert 2<\/p>\n

Avec ce troisi\u00e8me album enregistr\u00e9 au forceps, Massive Attack ouvre ses compositions pour lorgner du c\u00f4t\u00e9 du post-rock, une musique d\u2019une grande noirceur qui les rapprochent plus de leurs compatriotes de Joy Division que du clich\u00e9 de la musique cool et relaxante souvent associ\u00e9e au trip-hop, un terme invent\u00e9 par le magazine anglais de dance Mixmag, un terme p\u00e9joratif pour se moquer de cette fusion dub, jazz et soul un peu d\u00e9pressive mais qui va devenir tr\u00e8s populaire dans les ann\u00e9es 90 notamment avec les deux premiers albums de Massive Attack : Blue Lines en 1991 et Protection en 1994. On peut aussi citer Dummy de Portishead, l\u2019autre groupe embl\u00e9matique dont le nom vient d\u2019une petite ville c\u00f4ti\u00e8re situ\u00e9 \u00e0 l\u2019ouest de Bristol dans laquelle a grandi Geoff Barow l\u2019un des membres fondateurs du groupe.<\/p>\n

MANU : Bristol, c\u2019est l\u00e0 que \u00e7a se passe !<\/strong><\/p>\n

Oui c\u2019est indispensable de parler de Bristol pour restituer le contexte de la sortie de Mezzanine. A l\u2019origine, Massive Attack, c\u2019est l\u2019\u00e9manation d\u2019un collectif hip-hop qui s\u2019appelle Wild Bunch (La Horde sauvage), qui regroupe DJ, graffeurs, com\u00e9diens, peintres\u2026 un collectif connu notamment pour avoir cr\u00e9er des liens dans les ann\u00e9es 80 entre musiciens noirs et blancs dans cette ville marqu\u00e9e par son pass\u00e9 esclavagiste, une ville aussi tr\u00e8s multiculturelle avec son quartier de Saint Paul, enclave jama\u00efcaine qui vibre \u00e0 tout heure sous les assauts de gros Soundsytems.<\/p>\n

Et donc ce n\u2019est pas un hasard si la musique de Massive Attack prend racine \u00e0 Bristol, elle est finalement \u00e0 l\u2019image de cette ville \u00e0 l\u2019h\u00e9ritage complexe, hyper cr\u00e9ative, c\u2019est l\u2019un des berceaux du Street Art avec Banksy, une cit\u00e9 rebelle qui tr\u00e8s t\u00f4t a d\u00e9velopp\u00e9 une sc\u00e8ne underground militante et engag\u00e9e en mettant sur le devant de la sc\u00e8ne des probl\u00e9matiques li\u00e9s \u00e0 la colonisation.<\/p>\n

Manu : A propos de Banksy il y a un bloggeur qui r\u00e9v\u00e8le en 2018 pas mal de similitudes en terme d\u2019approche artistique, engagement politique et puis comme pas hasard, pas mal de nouveaux pochoirs de Banksy apparaissent en Europe et aux US en m\u00eame temps que les dates de la tourn\u00e9e de Massive Attack. Co\u00efncidence ? Je ne crois pas \ud83d\ude42<\/strong>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLe making-of de \u00ab\u00a0Mezzanine\u00ab\u00a0\u00ab\u00a0][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu : On en parlait tout \u00e0 l\u2019heure, cet album au d\u00e9part c\u2019est compliqu\u00e9, c\u2019est une grosse prise de risque pour Massive Attack qui va toujours plus loin et qui souhaite maintenant des \u00e9l\u00e9ments rock, guitares en t\u00eate. Fanny, comment on peut raconter comment \u00e7a se passe en studio ?<\/strong><\/p>\n

Fanny : L’album, en gestation pendant 2 ans, a \u00e9t\u00e9 enregistr\u00e9 entre 1997 et 1998, au studio Christchurch situ\u00e9 \u00e0 Bristol. Le son de Massive Attack est en constante \u00e9volution, ce qui est une source de conflit au sein des membres du groupe. Pour l’enregistrement de Mezzanine, on a notamment 3D qui aimerait sortir de son petit confort et explorer un univers plus froid, plus rock et organique, versus Mushroom qui aimerait rester dans les sonorit\u00e9s soul et hip hop plus proches de leurs origines. Le conflit s’envenime \u00e0 tel point qu’ils sont incapables de se retrouver dans le m\u00eame pi\u00e8ce pour travailler ensemble, la bombe Mezzanine est \u00e0 2 doigts d’exploser en plein vol mais heureusement y’a un homme dans les parages qui va sauver la mise en jouant \u00e0 la fois le r\u00f4le de la nounou et du psy, c’est le producteur Neil Davidge que beaucoup consid\u00e8rent comme un 4\u00e8me membre du groupe \u00e0 part enti\u00e8re.<\/p>\n

La plupart du temps, il travaille avec Daddy Gee et Mushroom d’un c\u00f4t\u00e9, puis 3D seul de l’autre. J’ai retrouv\u00e9 une interview donn\u00e9e aux Inrocks dans laquelle Davidge explique ces conditions de travail un peu particuli\u00e8res, je le cite : \u00ab Parfois, Mushroom d\u00e9boulait en studio alors que je venais d’y passer une journ\u00e9e avec Dee et me disait \u00ab\u00a0C’est quoi, ce truc ? On passe \u00e0 autre chose, retrouve-moi le morceau sur lequel je bossais l’autre jour<\/em>.\u00a0\u00bb Il fallait donc tout arr\u00eater et s’immerger dans une autre chanson. Puis c’\u00e9tait Gee qui d\u00e9barquait en disant \u00ab\u00a0Super ! J’ai enfin trouv\u00e9 les rythmes pour tel morceau. On peut essayer tout de suite ?\u00a0\u00bb<\/em> Puis Dee revenait et disait \u00ab\u00a0C’est quoi ce bordel ? Je croyais que tu devais bosser sur notre morceau d’hier soir ?\u00a0\u00bb Il m’est arriv\u00e9 de travailler sur quatre chansons \u00e0 la fois. Mais j’ai rarement perdu patience. Juste une ou deux fois, je suis all\u00e9 pleurnicher au t\u00e9l\u00e9phone aupr\u00e8s de leur manager. Qui pleurnichait lui aussi (rires)…<\/em> \u00bb<\/p>\n

Ambiannnnce ! Comme on le devine, l’apport du travail de Neil Davidge au disque est \u00e9norme, c’est lui qui va se retrouver en \u00e9quilibre pr\u00e9caire entre toutes les sonorit\u00e9s, toutes les envies des uns contradictoires avec celles des autres. Pour au final arriver \u00e0 marier les deux avec la r\u00e9ussite qu’on connait… En studio, il y a eu plusieurs s\u00e9ances de travail avec des musiciens qui finiront par accompagner Massive Attack en tourn\u00e9e, c’est la premi\u00e8re fois que l’\u00e9l\u00e9ment live prend une telle importance dans leur processus de cr\u00e9ation. Les sessions font intervenir un batteur, un bassiste, un guitariste et diff\u00e9rents types d’instruments \u00e0 claviers comme l’orgue hammond, le moog prodigy ou le clave\u00e7in avec lequel Neil Davidge a compos\u00e9 le fameux motif qu’on entend tout au long du morceau Teardrop (INSERT clave\u00e7in en post-prod ?)<\/p>\n

Il y a eu beaucoup d’exp\u00e9rimentations, beaucoup de tatonnements pendant l’enregistrement du disque, malgr\u00e9 tout on garde le c\u0153ur de ce qui fait l’identit\u00e9 sonore de Massive Attack…<\/p>\n

Cette identit\u00e9, c’est depuis toujours un incroyable melting pot d’influences hyper vari\u00e9es, du jazz au ska en passant par le punk, le hip hop, la soul… Les membres du groupe sont tous des boulimiques de musique, ils \u00e9coutent un peu de tous les styles. Mais l\u00e0 pour Mezzanine, Gee explique qu’ils se sont replong\u00e9s dans, je cite \u00ab les trucs de la fin des ann\u00e9es 70 et du d\u00e9but des ann\u00e9es 80\u2026 The Clash, The Slits, Public Image Limited, Joy Division et Wire ont fait partie de notre quotidien pendant l\u2019enregistrement. \u00bb (source magix rpm)<\/p>\n

On va essayer de voir un peu comment ces influences ont pu \u00eatre dig\u00e9r\u00e9es.<\/p>\n

On commence avec Angel, le premier morceau de l’album :<\/p>\n

insert – Angel<\/p>\n

Pour ce titre, le chant est assur\u00e9 par Horace Andy, un artiste jama\u00efcain avec lequel Massive Attack collabore depuis ses d\u00e9buts. 3D voulait lui faire reprendre le morceau \u00ab Straight to Hell \u00bb des Clash dont il est fan absolu mais Andy refusait de prononcer le mot \u00ab Hell \u00bb. Au final, ils ont fait quoi ? Ils ont r\u00e9adapt\u00e9 un morceau reggae interpr\u00e9t\u00e9 par Horace Andy lui-m\u00eame en 1973, vous allez reconna\u00eetre \u00e7a donnait \u00e7a :<\/p>\n

insert 4 + fade<\/p>\n

Je trouve \u00e7a marrant que le mec accepte de re-chanter sa propre chanson pour d’autres… On continue ensuite dans la veine reggae avec le morceau Man Next Door dont voil\u00e0 quelques secondes pour se remettre dans le bain :
\ninsert Man Next Door<\/p>\n

Et bien ce morceau-l\u00e0, figurez vous que c’est aussi une reprise, mais d’un morceau de John Holt & The Paragons sorti en 1967 et qui s’appelle \u00ab I’ve got to get away \u00bb :<\/p>\n

insert I’ve got to get away<\/p>\n

Je vous invite \u00e0 \u00e9couter le morceau en entier parce qu’il est super cool. Je le connaissais pas, c’est une bonne surprise. Sur ce m\u00eame titre Man Next Door, on trouve deux samples int\u00e9ressants, le premier c’est la batterie du morceau \u00ab When the levee breaks \u00bb de Led Zeppelin mais on ne vous passe pas d’extrait parce que niveau son la ressemblance n’est pas super \u00e9vidente. Par contre le 2\u00e8me sample est beaucoup plus identifiable et c’est mon pr\u00e9f\u00e9r\u00e9 puisqu’il s’agit d’un passage d’un morceau de The Cure qui s’appelle \u00ab 10:15 Saturday Night \u00bb. La partie utilis\u00e9e par Massive Attack, \u00e7a va \u00eatre un bout du chant de Robert Smith, tendez bien l’oreille quand vous entendrez le petit drip drip drip drip, on vous passe les 2 \u00e0 la suite :<\/p>\n

insert When the levee breaks
\ninsert 10:15 Saturday Night<\/p>\n

Cette apparition des Cure sur l’album Mezzanine repr\u00e9sente l’une des nombreuses incursions du groupe en territoire post-punk \/ new wave mais il y en a d’autres, par exemple sur le morceau \u00ab Inertia Creeps \u00bb on d\u00e9couvre un petit effet sonore qui a \u00e9t\u00e9 sampl\u00e9 sur l’ouverture de ‘Rockwrock’ du groupe new wave Ultravox, sorti en 1977 :<\/p>\n

insert Inertia Creeps
\ninsert ‘Rockwrock’<\/p>\n

On peut vous citer d’autres samples, comme les Pink Floyd (Up the Khyber, More, 1969) sur ‘Group Four’, Isaac Hayes (Our day will come, 1970) et Quincy Jones sur ‘Exchange’, le Velvet Underground (I found a reason, Loaded, 1970) sur ‘Risingson’ mais le dernier lien que j’ai envie de souligner entre Massive Attack et le post-punk, c’est \u00e9videmment la collaboration avec la chanteuse Elisabeth Fraser, qu’on a connue au sein des groupes de rock gothique Cocteau Twins et This Mortal Coil. Liz chante sur 3 morceaux de l’album Mezzanine : ‘Teardrop’, ‘Black Milk’ et ‘Group Four’. La collab avec elle a d’ailleurs \u00e9t\u00e9 un des gros points de tension entre 3D et Mushroom puisque ce dernier n’aimait pas du tout sa voix d’elfe \u00e9chapp\u00e9 de chez Tolkien. C’est Mushroom qui a compos\u00e9 la version initiale de Teardrop, il voulait le faire chanter \u00e0 une chanteuse soul, avec une voix chaude et l\u00e0 on lui impose Liz… Du coup pour se venger il a fait quoi ? Il est all\u00e9 proposer le morceau \u00e0 Madonna qui enregistrait \u00e0 l’\u00e9poque son album Ray of Light. Et Madonna \u00e7a l’int\u00e9ressait grave vu qu’elle avait d\u00e9j\u00e0 collabor\u00e9 avec le groupe en 1995 (I want You, reprise de marvin gaye)! Son manager a pass\u00e9 un coup de fil au manager de Massive Attack et c’est comme \u00e7a qu’ils se sont rendus compte de l’entourloupe ! Y’a eu de la grosse baston entre 3D et Mushroom, qui au final a accept\u00e9 de garder Teardrop pour l’album de Massive Attack. On a eu chaud aux fesses.<\/p>\n

Manu : J\u2019adore dans ce titre \u201cTeardrop\u201d il y a une esp\u00e8ce de tension sexuelle (…)<\/strong>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbL’univers visuel de Massive Attack\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Olivia : Alors justement, Manu, puisque tu parles de Teardrop, je saisis la balle au bond pour parler un peu de l\u2019artwork tr\u00e8s particulier de cet album.<\/p>\n

Manu : Parfait tu me fais ma transition Olivia !<\/strong><\/p>\n

Olivia : En effet, le clip de Teadrop a marqu\u00e9 les esprits durablement.
\nJe sais pas si vous aussi vous \u00e9tiez comme moi tr\u00e8s tr\u00e8s fans des clips \u00e0 cette \u00e9poque ? En tout cas, ce clip-l\u00e0, je m\u2019en souviens !
\nCelui-l\u00e0 et le clip de Frozen de Madonna. Oui, je sais, rien \u00e0 voir\u2026. enfin Madonna, on va en reparler un peu plus tard !<\/p>\n

Dans ce clip, le r\u00e9alisateur Walter Stern montre un foetus articulant quelques paroles de la chanson dans l’ut\u00e9rus.
\nCe clip a remport\u00e9 le MTV Award de la Meilleure vid\u00e9o en 1998.
\nEt pour la petite anecdote, ca a failli \u00eatre Madonna au chant : Ce qui a d\u00e9clench\u00e9 une guerre terrible dans le groupe.<\/p>\n

Manu : C\u2019est le producteur Neil Davidge qui balance l\u2019info en 2013 : <\/strong>
\nMushroom avait compos\u00e9 en grande partie la version initiale de \u00ab\u00a0Teardrop\u00a0\u00bb. Il avait une id\u00e9e bien pr\u00e9cise concernant le chant : il le voulait une voix r\u00e9solument soul. Sauf que 3D et Daddy G eux imposent Liz Fraser, la chanteuse des Cocteau Twins dont ils sont fans.<\/strong><\/p>\n

Du coup Mushroom se venge. Il est d\u00e9go\u00fbt\u00e9, il va proposer le titre \u00e0 Madonna sans le dire aux autres. Et puis un jour le t\u00e9l\u00e9phone sonne. Le manager de Madonna appelle 3D et lui dit ah ouais Madonna est super int\u00e9ress\u00e9e par Teardrop !! Il d\u00e9couvre le pot aux roses\u2026<\/p>\n

Grosse embrouille \/ Mushroom et 3D ne se parle plus et s\u2019\u00e9vite en studio. C\u2019est la loose. Et finalement Mushroom claque la porte de MA \u00e0 la sortie de Mezzanine.<\/p>\n

Puisqu\u2019on parle des clips, on peut aussi revenir rapidement sur celui d’Angel\u201d, tr\u00e8s repr\u00e9sentatif de la noirceur de l\u2019album (…)<\/p>\n

insert – Angel<\/p>\n

Et je pense qu\u2019il faut que je vous parle un peu du visuel de la pochette de l\u2019album, tr\u00e8s noir, tr\u00e8s sombre. Un univers tr\u00e8s fort et tr\u00e8s travaill\u00e9 au niveau de la symbolique.
\n(…)<\/p>\n

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\u00c0 PROPOS DE RADIO K7 PODCAST<\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bb20px\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb0″ bottom_padding=\u00a0\u00bb0″ left_padding_desktop=\u00a0\u00bb100″ right_padding_desktop=\u00a0\u00bb100″ top_padding_tablet=\u00a0\u00bb0″ bottom_padding_tablet=\u00a0\u00bb0″ left_padding_tablet=\u00a0\u00bb0″ right_padding_tablet=\u00a0\u00bb0″ top_padding_phone=\u00a0\u00bb0″ bottom_padding_phone=\u00a0\u00bb0″ left_padding_phone=\u00a0\u00bb0″ right_padding_phone=\u00a0\u00bb0″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb class=\u00a0\u00bbcol-a-propos\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1664972558970{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 1px !important;border-bottom-width: 1px !important;}\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin=\u00a0\u00bb6%\u00a0\u00bb bottom_margin_tablet=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbsmall_desktop\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_color=\u00a0\u00bb#f5fbdc\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_raw_html]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[\/vc_raw_html][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 sep66″ css=\u00a0\u00bb.vc_custom_1663856470951{padding-top: 0px !important;}\u00a0\u00bb]Chaque mois dans Radio K7 on discute d\u2019un album avec mes copains autour d\u2019une table, parfois avec des invit\u00e9s comme P\u00e9n\u00e9lope Bagieu ou Nicolas Berno. Il y a des chroniques et des d\u00e9bats, on s’interroge sur l\u2019histoire du disque : comment il a \u00e9t\u00e9 produit, ce qui a fait son succ\u00e8s, et puis finalement ce qu’on a envie d’en retenir 20 ou 30 ans plus tard.<\/p>\n

Le 5 janvier 2020, Radio K7 est devenu le premier podcast ind\u00e9pendant sur la musique en France au classement Apple Podcast !<\/b>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin_tablet=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ top_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbpaddbot90 img100-foot1″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbsmall_desktop\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb column_padding_type=\u00a0\u00bbdefault\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbGT size50 pod_violet txt28 margintopmob vc_custom_1662370609207″ css=\u00a0\u00bb.vc_custom_1663856419329{margin-bottom: 0px !important;}\u00a0\u00bb]\u00ab On veut red\u00e9couvrir les 90s, apprendre des trucs et se marrer. \u00bb<\/span>[\/vc_column_text][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 marginbottom1mob\u00a0\u00bb]Manu, Fanny, Olivia et Gr\u00e9goire [\/vc_column_text][image_with_animation image_url=\u00a0\u00bb131″ image_size=\u00a0\u00bbfull\u00a0\u00bb animation_type=\u00a0\u00bbentrance\u00a0\u00bb animation=\u00a0\u00bbFade In\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb animation_movement_type=\u00a0\u00bbtransform_y\u00a0\u00bb hover_animation=\u00a0\u00bbnone\u00a0\u00bb alignment=\u00a0\u00bb\u00a0\u00bb border_radius=\u00a0\u00bbnone\u00a0\u00bb box_shadow=\u00a0\u00bbnone\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bbnone\u00a0\u00bb max_width_mobile=\u00a0\u00bbdefault\u00a0\u00bb margin_left=\u00a0\u00bb10%\u00a0\u00bb margin_right=\u00a0\u00bb10%\u00a0\u00bb margin_left_phone=\u00a0\u00bb0″ margin_right_phone=\u00a0\u00bb0″][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 sep66″ css=\u00a0\u00bb.vc_custom_1663856492497{padding-top: 0px !important;}\u00a0\u00bb]\u201c Le but de ce podcast c’est de red\u00e9couvrir la bande-son des nineties. Parce que c’\u00e9tait celle de notre adolescence, qui a marqu\u00e9 toutes nos premi\u00e8res fois. 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