{"id":1380,"date":"2025-04-24T17:07:16","date_gmt":"2025-04-24T15:07:16","guid":{"rendered":"https:\/\/radiok7.co\/podcast\/?p=1380"},"modified":"2025-06-24T17:47:01","modified_gmt":"2025-06-24T15:47:01","slug":"jamiroquai-travelling-without-moving-1996","status":"publish","type":"post","link":"https:\/\/radiok7.co\/podcast\/episode\/jamiroquai-travelling-without-moving-1996\/","title":{"rendered":"Jamiroquai \u201cTravelling without moving\u201d (1996)"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#000000″ bg_image=\u00a0\u00bb1389″ bg_position=\u00a0\u00bbcenter top\u00a0\u00bb 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Jamiroquai \u201cTravelling without moving\u201d<\/h1>\n

(1996)<\/h1>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb20″ top_padding_tablet=\u00a0\u00bb20″ top_padding_phone=\u00a0\u00bb20″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb 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EN QUELQUES MOTS<\/strong><\/h5>\n[\/vc_column_text][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbsize18″]Aujourd’hui, on va vous parler de Jay Kay et de son groupe Jamiroquai ! <\/span>Jamiroquai, en 1996, en a marre d\u2019\u00eatre cantonn\u00e9 au statut de star de l\u2019underground britannique. Jay Kay se r\u00eave en grand, et vise maintenant plus haut, plus loin. Au funk et l\u2019acid jazz des d\u00e9buts, s\u2019ajoutent des sonorit\u00e9s dance et des refrains plus accrocheurs. <\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb top_margin_tablet=\u00a0\u00bb27px\u00a0\u00bb left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ left_margin_phone=\u00a0\u00bb0″ right_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbsize18″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]Bingo ! L\u2019album encha\u00eene les hits \u00e0 une vitesse impressionnante : \u201cCosmic Girl\u201d, \u201cAlright\u201d, \u201cHigh times\u201d et bien s\u00fbr \u201cVirtual Insanity\u201d dont les paroles, 25 ans plus tard sont plus que jamais d\u2019actualit\u00e9. <\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bbleft\u00a0\u00bb top_margin_tablet=\u00a0\u00bb80px\u00a0\u00bb bottom_margin_tablet=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ top_margin_phone=\u00a0\u00bb30″ left_margin_phone=\u00a0\u00bb0″ right_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb 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Grammy et 11 millions d\u2019exemplaires \u00e9coul\u00e9s dans le monde, \u00ab Travelling Without Moving \u00bb est consid\u00e9r\u00e9 comme l\u2019album de funk le plus vendu de l\u2019histoire, et une influence majeure pour des artistes comme J Dilla, Madlib, Justice, Tyler The Creator et encore Dua Lipa. <\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ 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\u00c9couter \u00b7 \u00c9couter \u00b7 \u00c9couter \u00b7<\/i><\/h2>\n[\/nectar_scrolling_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#3c5963″ scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb120″ bottom_padding=\u00a0\u00bb0″ top_padding_tablet=\u00a0\u00bb120″ bottom_padding_tablet=\u00a0\u00bb0″ top_padding_phone=\u00a0\u00bb80″ bottom_padding_phone=\u00a0\u00bb0″ text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/4″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb offset=\u00a0\u00bbvc_hidden-sm vc_hidden-xs\u00a0\u00bb][\/vc_column][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin=\u00a0\u00bb0″ bottom_margin=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb60″ right_margin_tablet=\u00a0\u00bb60″ left_margin_phone=\u00a0\u00bb30″ right_margin_phone=\u00a0\u00bb30″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text css_animation=\u00a0\u00bbfadeInUp\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1652199217293{margin-top: 0px !important;margin-bottom: 0px !important;}\u00a0\u00bb el_class=\u00a0\u00bbw2″]\n

Disponible sur :<\/h2>\n[\/vc_column_text][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb50″ bottom_padding=\u00a0\u00bb120″ top_padding_tablet=\u00a0\u00bb50″ bottom_padding_tablet=\u00a0\u00bb80″ top_padding_phone=\u00a0\u00bb40″ bottom_padding_phone=\u00a0\u00bb40″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb 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column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][toggles style=\u00a0\u00bbminimal\u00a0\u00bb][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbRetour en 1996″][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Voil\u00e0 pour les 13 titres de \u201cTravelling Without Moving\u201d ! Il y en a parfois 14 sur certaines \u00e9ditions qui incluent le bonus track \u201cDo You Know Where You\u2019re Coming From?\u201d. <\/span><\/p>\n

L’album sort le 9 Septembre 1996 en Europe, et en avant-premi\u00e8re 15 jours plus t\u00f4t au Japon ! Il sort en CD, Cassette, Vinyle et MiniDisc chez Sony Soho Square, une division britannique de Sony Music. <\/span><\/p>\n

Alors qu\u2019est-ce qu\u2019on \u00e9coute en 1996 ? En France, on \u00e9coute Boris, Coolio, Oph\u00e9lie Winter, Khaled et les Spice Girls. Mais aussi Tic tic tac et la Macarena, ou plus \u00e9tonnant le th\u00e8me instrumental de X-Files remix\u00e9 par Mark Snow. En Angleterre la musique \u00e9lectronique cartonne avec Prodigy, les Chemical Brothers et Underworld. Bref tout roule. <\/span><\/p>\n

1996 c\u2019est aussi l\u2019apparition des films catastrophe au cin\u00e9ma avec Twister, Independance Day, clairement mes films pr\u00e9f\u00e9r\u00e9s de l\u2019ann\u00e9e. Oscar du meilleur film aussi pour \u00ab\u00a0Braveheart\u00a0\u00bb. Bill Clinton est r\u00e9\u00e9lu pr\u00e9sident aux US. La France remporte la coupe Davis et on passe au num\u00e9ro de t\u00e9l\u00e9phone \u00e0 10 chiffres ! <\/span>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLa story de Jamiroquai\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu : <\/b>Allez direction maintenant Londres pour revenir sur la story Jamiroquai avec toi Olivia. Nous sommes dans au debut des ann\u00e9es 90, et d\u00e9j\u00e0 Jamiroquai fait sensation avec m\u00e9lange de jazz, de funk et de disco va venir red\u00e9finir les codes de la soul. R\u00e9sultat : 20 millions de disques vendus et un nom devenu culte ! <\/strong><\/p>\n

Olivia : Leur nom d\u00e9j\u00e0 interpelle : Jamiroquai, une contraction de \u00ab\u00a0jam\u00a0\u00bb (qui veut dire \u00ab improvisation musicale \u00bb en anglais) et \u00ab\u00a0Iroquois\u00a0\u00bb, en hommage aux peuples autochtones de l\u2019est de l\u2019Am\u00e9rique du nord. Et puis surtout, il y a ce gars, \u00e0 la voix unique de son chanteur, qui danse en jogging et portent des gros chapeaux en poils de bison : lui, c\u2019est Jay Kay, une personnalit\u00e9 compl\u00e8tement \u00e0 part, un ovni. Entre son franc-parler, ses prises de position politiques et son engagement pour l\u2019environnement, tr\u00e8s vite la lumi\u00e8re se tourne vers lui. Tellement charismatique qu\u2019on finit par croire que Jamiroquai, c\u2019est lui, et lui seul.<\/span><\/p>\n

Manu : <\/b>Ce qui, il faut l\u2019avouer, n\u2019est pas totalement faux\u2026<\/strong><\/p>\n

Mais rembobinons un peu : Jason Lu\u00eds Cheetham, alias Jay Kay, voit le jour le 30 d\u00e9cembre 1969 en Angleterre. Fils de Karen Kay, chanteuse de jazz, et d\u2019un guitariste portugais qu\u2019il ne rencontrera qu\u2019en 2001\u2026 Une enfance boh\u00e8me, \u00e0 suivre les tourn\u00e9es de sa m\u00e8re, \u00e0 vivre dans la musique. Dans les ann\u00e9es 80, Karen Kay d\u00e9croche m\u00eame son propre show sur la BBC !<\/span><\/p>\n

D\u2019ailleurs on a un extrait :<\/span><\/p>\n

INSERT \u2014<\/b>KAREN KEY 13\u201956<\/b>
\n<\/span>KAREN KEY<\/span><\/a>https:\/\/youtu.be\/SZt_WYeepEQ?feature=shared&t=836<\/span><\/a> <\/span><\/p>\n

Il grandit donc dans un univers un peu saltimbanque, entour\u00e9 de musique et comprend tr\u00e8s vite qu\u2019il ne pourra jamais mener une vie bien ordonn\u00e9e.   <\/span><\/p>\n

Ado, il cumule les petits boulots pour s\u2019acheter des instruments : livreur, manutentionnaire, passeur de haschich\u2026 pas s\u00fbre qu\u2019il ait suivi les recommandations du conseiller d\u2019orientation. Et puis en 1992, Jason devient Jay Kay,  fonde Jamiroquai, signe sur le label londonien Orenda, sp\u00e9cialis\u00e9 dans l\u2019Acid Jazz, et sort la m\u00eame ann\u00e9e leur tout premier single : <\/span>When You Gonna Learn ?<\/span><\/i> Extrait ! <\/span><\/p>\n

INSERT \u2014 <\/b>When You Gonna Learn<\/b>
\n<\/span>https:\/\/www.youtube.com\/watch?v=MvKnn2sqA40&ab_channel=Jamiroquai-Topic<\/span><\/a><\/p>\n

Manu : <\/b>Petite anecdote \u00e0 ce sujet : quand les mecs du label Orenda recoivent la cassette de Jamiroquai ils s\u2019attendent \u00e0 recevoir une femme noir \u00e0 cause du timbre si particulier de Jamiroquai. Et bah pas du tout, c\u2019est un blanc bec en poncho et bonnet p\u00e9ruvien !<\/strong>  <\/span><\/p>\n

Une fois sign\u00e9, et le premier single \u00e9coul\u00e9, Jay Kay va vite prendre ses distances avec la sc\u00e8ne Acid Jazz. Pour lui, l\u2019Acid Jazz en 92, c\u2019est un peu le Titanic qui fonce vers l\u2019iceberg. <\/span><\/p>\n

Dans la foul\u00e9e, il signe chez S2, filiale de Sony Music, qui le rep\u00e8re gr\u00e2ce au succ\u00e8s de When You Gonna Learn. Sony lui propose alors un contrat de, non pas un, ni deux mais carr\u00e9ment huit albums et une avance de plus d\u2019un million de dollars ! La collaboration n\u2019est pas de tout repos et Sony n\u2019a pas choisi la facilit\u00e9 en le signant : pour son premier album, la maison de disques veut lui imposer un producteur. Evidemment, ce n\u2019est pas du tout au go\u00fbt de Jay. Sony, en sueur, finit par c\u00e9der. On l\u2019\u00e9coute nous en parler dans Music Planet sur Arte :<\/span><\/p>\n

INSERT \u2014 ITW<\/b> <\/span><\/p>\n

 <\/span>https:\/\/www.youtube.com\/watch?v=I_NXC-mBHUQ<\/span><\/a><\/p>\n

\u201cSi une maison de disques nous veut, c\u2019est parce qu\u2019on est bons. On est bons parce qu\u2019on est nous-m\u00eames. On se passe de battage m\u00e9diatique, on laisse notre musique \u00e9voluer naturellement. Je ne veux pas qu\u2019un producteur vienne bricoler notre musique pour nous mettre \u00e0 la mode.\u201d<\/span><\/p><\/blockquote>\n

En 1993 sort <\/span>Emergency on Planet Earth<\/span><\/i>, le premier album de Jamiroquai, accompagn\u00e9 du single <\/span>Too Young to Die qui<\/span><\/i> atteint la 10e place des charts anglais. L\u2019album, lui se hisse au sommet du classement en seulement quatre jours. Avec 500 000 exemplaires vendus, Jamiroquai devient le plus grand succ\u00e8s britannique de l\u2019ann\u00e9e 93. On l\u2019\u00e9coute direct live de Top of the Tops  :<\/span><\/p>\n

INSERT \u2014 <\/b>Too young to die LIVE TOTP<\/b>
\n<\/span>https:\/\/www.youtube.com\/watch?v=OmL8htEhKvQ<\/span><\/a><\/p>\n

Le titre phare de l\u2019album, <\/span>Emergency on Planet Earth<\/span><\/i>, prouve que Jay est bien plus qu\u2019une voix exceptionnelle. Derri\u00e8re ses m\u00e9lodies entra\u00eenantes et f\u00e9d\u00e9ratrices, il d\u00e9livre des messages engag\u00e9s sur l\u2019\u00e9cologie, la politique et la guerre. Un discours qui divise : certains le saluent, d\u2019autres le jugent na\u00eff, le surnommant de mani\u00e8re un peu m\u00e9prisante \u00ab\u00a0The Angry Young Man\u00a0\u00bb (le jeune homme en col\u00e8re)<\/span><\/p>\n

Manu : <\/b>Rapidement, le groupe s\u2019impose \u00e0 l\u2019international : Emergency on Planet Earth d\u00e9passe les 2 millions de ventes dans le monde. Jay Kay passe du statut d\u2019artiste prometteur \u00e0 celui de star mondiale, avec ses avantages et ses inconv\u00e9nients\u2026<\/strong><\/p>\n

C\u2019est notamment sur ces prises de positions politiques et ses convictions \u00e9cologiques que la presse vient le titiller. Il soutient financi\u00e8rement Greenpeace et est l\u2019un des premiers \u00e0 parler du recyclage au quotidien et de l\u2019utilisation des pesticides. Mais en parall\u00e8le, il est aussi passionn\u00e9 par les voitures de sport. Il en poss\u00e8de une trentaine de mod\u00e8les. Il ira m\u00eame jusqu\u2019\u00e0 sampler le son du moteur de sa Lamborghini Diablo SE-30 violette.<\/span><\/p>\n

Manu : <\/b>Jay sait aussi se faire plus l\u00e9ger : une musique dansante et un groove qui rappellent Stevie Wonder… Peut-\u00eatre un peu trop, selon certains critiques.<\/strong><\/p>\n

La presse britannique se d\u00e9cha\u00eene : pour le magazine The Face, il n\u2019est qu\u2019une p\u00e2le copie du ma\u00eetre. En juillet 1993, Melody Maker pousse la provocation jusqu\u2019\u00e0 demander \u00e0 ses lecteurs s\u2019ils peuvent faire la diff\u00e9rence entre Stevie Wonder et Jamiroquai ! <\/span><\/p>\n

Jugez plut\u00f4t, on va s\u2019\u00e9couter \u201cSuperstition\u201d de Stevie Wonder, \u00e9videmment.<\/span><\/p>\n

INSERT \u2014 Stevie Wonder – Superstition<\/b>
\n<\/span>https:\/\/www.youtube.com\/watch?v=0CFuCYNx-1g<\/span><\/a><\/p>\n

Manu : <\/b>Et puis, Jay Kay, c\u2019est aussi un fin strat\u00e8ge : il a n\u00e9goci\u00e9 un contrat solo avec sa maison de disques, et les autres membres du groupe sont techniquement ses employ\u00e9s. Pourtant, il est rest\u00e9 fid\u00e8le \u00e0 son \u00e9quipe, qu\u2019il consid\u00e8re comme sa famille.<\/strong><\/p>\n

En 1994, un an apr\u00e8s ce d\u00e9marrage en trombe, Jamiroquai sort son deuxi\u00e8me album. Une pression immense repose sur Jay Kay, propuls\u00e9 au rang de pop star. Si commercialement, le succ\u00e8s est au rendez-vous \u2013 l\u2019album est certifi\u00e9 platine au Royaume-Uni \u2013, la critique est plus s\u00e9v\u00e8re, jugeant qu\u2019il ne fait que reproduire la recette du premier opus. <\/span><\/p>\n

Aux \u00c9tats-Unis, <\/span>Space Cowboy<\/span><\/i> devient un tube en club, mais son clip d\u00e9clenche une pol\u00e9mique \u00e0 cause des r\u00e9f\u00e9rences un peu trop explicites \u00e0 la drogue. Jay, qui n\u2019a jamais cach\u00e9 ses positions lib\u00e9rales sur le sujet, est contraint de modifier les paroles et le visuel du clip.<\/span><\/p>\n

INSERT \u2014 Space Cowboy<\/b>
\n<\/span>https:\/\/www.youtube.com\/watch?v=OPkjnRIdQXQ<\/span><\/a><\/p>\n

Manu : <\/b>Et le visuel du single. Cherchez le sur Google \u00e7a vaut le d\u00e9tour : c\u2019est un gros p\u00e9tard en forme de buffalo man j\u2019adore ! Nous voil\u00e0 donc en 1996, Jamiroquai revient alors avec son 3e album studio, celui qui nous int\u00e9resse aujourd’hui : Travelling Without Moving<\/i><\/strong><\/p>\n

INSERT \u2014 PUB JAMIROQUAI<\/b>
\n<\/span>https:\/\/www.ina.fr\/ina-eclaire-actu\/publicite\/pub669440114\/jamiroquai-travelling-without-moving-version-30-secondes<\/span><\/a> <\/span><\/p>\n

Je ne vous g\u00e2che rien en vous disant d\u2019embl\u00e9e qu\u2019il signe ici le plus grand succ\u00e8s de sa carri\u00e8re. Les singles Virtual Insanity et Cosmic Girl sont des hits plan\u00e9taires. L’album permet \u00e0 Jamiroquai de percer aux \u00c9tats-Unis : pour la 1ere fois, il se classe dans le Billboard 200 am\u00e9ricain, atteignant la 24e place.<\/span><\/p>\n

Manu : <\/b>Travelling Without Moving est aussi r\u00e9f\u00e9renc\u00e9 dans le livre des records comme l’album de funk le plus vendu de l’histoire de la musique, avec 11,5 millions d’exemplaires vendus dans le monde.<\/strong><\/p>\n

Apr\u00e8s avoir travers\u00e9 une p\u00e9riode difficile pendant l’enregistrement de son album pr\u00e9c\u00e9dent, The Return of the Space Cowboy, Jay Kay cherche \u00e0 rendre ce nouveau disque plus universel.<\/span><\/p>\n

Tr\u00e8s modestement, il d\u00e9clare qu\u2019il ne se souhaite pas \u00ab se [cantonner] \u00e0 sa petite niche et [vendre] un million et demi d’albums \u00e0 chaque fois \u00bb. Il explique qu\u2019il  : \u00ab (…) voulais sortir du lot et devenir quelque chose de plus grand, de plus international \u00bb.<\/em><\/span><\/p>\n

\u00c0 propos de l’ambiance g\u00e9n\u00e9rale de l’album, Jay Kay d\u00e9clare au Journal The Philadelphia Inquirer :<\/span><\/p>\n

\u00ab A la sortie d\u2019Emergency on Planet Earth, les gens n’applaudissaient pas dans les rues ou quoi que ce soit d’autre, et The Return of the Space Cowboy \u00e9tait assez triste. Avec Travelling Without Moving, j’ai d\u00e9cid\u00e9 qu’il \u00e9tait important de montrer aux gens que nous pouvions nous amuser. C’est pourquoi il parle de voitures, la vie et l’amour \u00bb<\/span><\/p><\/blockquote>\n

Globalement, les critiques ont plut\u00f4t salu\u00e9 Travelling Without Moving pour ses sonorit\u00e9s raffin\u00e9, approfondissant l\u2019acid-jazz et la soul d\u00e9velopp\u00e9s dans les pr\u00e9c\u00e9dents albums : Q Magazine parle de \u201cfat, squishy disco feel\u201d], une \u00ab sensation disco g\u00e9n\u00e9reuse et spongieuse \u00bb., tandis que The Source d\u00e9crit un album regorgeant de \u00ab cuivres nerveux m\u00eal\u00e9s \u00e0 des subtilit\u00e9s de jazz, des lignes de basse \u00e9nergiques et des rythmes disco \u00bb.<\/span><\/p>\n

Music Week juge l\u2019album comme \u00e9tant \u00ab l\u2019offre la plus accomplie et la plus satisfaisante \u00bb du groupe. Cependant, certaines critiques persistent, notamment sur l\u2019ombre de Stevie Wonder qui plane sur le style de Jay Kay : Entertainment Weekly estime qu\u2019il \u00ab confond toujours l\u2019imitation avec l\u2019hommage \u00bb. De son c\u00f4t\u00e9, le magazine Muzik qualifie l\u2019album de \u00ab funk ti\u00e8de \u00bb.<\/span><\/p>\n

Manu : <\/b>Mais n\u2019en d\u00e9plaise \u00e0 ses d\u00e9tracteurs, Jamiroquai finira par rafler 1 Grammy, 4 MTV Awards, et vendre 8 millions d\u2019exemplaires de Travelling Without Moving ! <\/strong><\/p>\n

Et au-del\u00e0 des hits et des r\u00e9compenses, Travelling Without Moving a aussi prouv\u00e9 qu\u2019un groupe pouvait r\u00e9concilier virtuosit\u00e9 musicale et succ\u00e8s mainstream. On peut dire que Cet album a marqu\u00e9 une \u00e9poque o\u00f9 l\u2019\u00e9lectro-funk et l\u2019acid jazz trouvaient enfin une place de choix dans la pop grand public. \u00c0 une \u00e9poque o\u00f9 la Britpop dominait les charts et o\u00f9 l\u2019\u00e9lectronique allait exploser, Jamiroquai a su imposer un son hybride, \u00e0 la crois\u00e9e du funk, du jazz et du disco, tout en insufflant une \u00e9nergie r\u00e9solument moderne. C\u2019est cet \u00e9quilibre entre nostalgie et innovation, entre ma\u00eetrise instrumentale et culture club, qui fait de Travelling Without Moving un album cl\u00e9 des ann\u00e9es 90. Aujourd\u2019hui encore, il reste une r\u00e9f\u00e9rence incontournable, dont chaque r\u00e9\u00e9dition est un \u00e9v\u00e8nement,, preuve que le groove n\u2019a pas de date d\u2019expiration. <\/span> <\/span><\/p>\n

Allez j\u2019ai envie pour conclure qu\u2019on s\u2019\u00e9coute une version live de Virtual Insanity enregistr\u00e9e \u00e0 l\u2019amphith\u00e9atre de Verrone. Pas de bol ce jour-l\u00e0, c’est un v\u00e9ritable d\u00e9luge qui s\u2019abat sur la ville italienne, mais qu\u2019importe : Jay Kay est tremp\u00e9 et Jamiroquai se ne d\u00e9monte pas, ils s\u2019en amuse. La suite c\u2019est un concert m\u00e9morable, devenu culte.<\/span><\/p>\n

INSERT \u2014 Virtual Insanity LIVE AT VERONA<\/b>
\n<\/span>https:\/\/www.youtube.com\/watch?v=qT41uNtvmmA<\/span><\/a>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLe making-of de \u00ab\u00a0Travelling Without Moving\u00ab\u00a0\u00ab\u00a0][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu : C\u2019est parti pour groover maintenant avec Greg qui a boss\u00e9 sur les coulisses de l\u2019enregistrement de travelling without moving, pierre angulaire et tournant dans la discographie de Jamiroquai<\/b><\/p>\n

Oui c\u2019est un tournant, parce que Jamiroquai avant 1996, j\u2019exag\u00e8re un peu mais c\u2019est quasiment un groupe de niche, ils sont catalogu\u00e9s Acid Jazz, ce sous genre qui m\u00e9lange soul et funk et port\u00e9 \u00e0 l\u2019\u00e9poque par une poign\u00e9e de formations n\u00e9es dans les ann\u00e9es 80 comme The Brand New Heavies ou encore Incognito. Dans son pr\u00e9c\u00e9dent album, Return of the Space Cowboy, et hormis le titre SPACE COWBOY qui commence \u00e0 lorgner vers la pop, on est encore clairement dans cette filiation Acid Jazz, petit rappel des faits avec le titre MR MOON<\/span><\/p>\n

INSERT \u2014 MR MOON<\/b><\/p>\n

C\u2019est groovy, c\u2019est relaxant, la basse est funky \u00e0 souhait, bref, c\u2019est sympathique mais ce n\u2019est pas avec \u00e7a que l\u2019on s\u00e9duit le march\u00e9 am\u00e9ricain et que l\u2019on vend 11 millions d\u2019albums \u00e0 travers le monde. Cela Sony l\u2019a bien compris, le groupe aussi. L\u2019id\u00e9e va \u00eatre de surfer sur le beau succ\u00e8s du pr\u00e9c\u00e9dent album pour passer \u00e0 la vitesse sup\u00e9rieure en simplifiant les morceaux et en \u00e9largissant toujours plus le spectre musical. Avec Travelling without moving, la balance va cette fois franchement pencher du c\u00f4t\u00e9 pop et disco.<\/span><\/p>\n

Manu :<\/strong> <\/span>Pour mettre en bo\u00eete leur nouveau b\u00e9b\u00e9, Jamiroquai part se mettre en vert au \u00ab Linford Manor \u00bb<\/b><\/p>\n

Linford Manor c\u2019est est un manoir historique construit au XVIIe si\u00e8cle. Il est situ\u00e9 dans le village de Great Linford \u00e0 Milton Keynes au nord-ouest de Londres. Le b\u00e2timent est absolument charmant et entour\u00e9 de vastes jardins et dans les ann\u00e9es 1990, il a \u00e9t\u00e9 transform\u00e9 en studio d’enregistrement professionnel et est devenu un lieu de choix pour de nombreux artistes comme Oasis ou Supergrass, s\u00e9duits par l\u2019atmosph\u00e8re paisible du lieu. Vous allez rire mais je crois que c\u2019est la premi\u00e8re fois que sur un album aussi connu je trouve aussi peu d\u2019infos fiables. Ce dont je suis \u00e0 peu pr\u00e8s s\u00fbr, c\u2019est que les sessions ont eu lieu courant 1996 mais impossible de savoir exactement ce qu\u2019il se passe l\u00e0-dedans. Sans doute parce qu\u2019il n\u2019y a pas grand-chose \u00e0 raconter : les membres du groupe s\u2019entendent bien, se connaissent et hormis le c\u00f4t\u00e9 un peu freak control de Jay Kay, on imagine que les choses se sont bien pass\u00e9es. On a tout de m\u00eame quelques notes de Jay Kay dans la r\u00e9\u00e9dition de l\u2019album o\u00f9 on apprend que les vibes du Linford Manor ont eu une super influence sur le groupe ou encore que la basse de Alright lui est venu en allant pisser. Le morceau est ensuite n\u00e9 de sessions d\u2019improvisation pour trouver les bons arrangements.<\/span><\/p>\n

Dit comme \u00e7a, cela a l\u2019air simple mais derri\u00e8re Jay Kay peut compter sur des musiciens certes jeunes, mais hyper talentueux, de vrais rolls royce en studio. On pense au regrett\u00e9 Toby Smith, clavi\u00e9riste qui fait des merveilles sur son Fender Rhodes et son mini moog. C\u2019est sans doute la personne la plus importante de ce disque, \u00e0 \u00e9galit\u00e9 avec Jay Kay. Il est le co-auteur de la plupart des morceaux et avec ses grooves sophistiqu\u00e9s et ses arrangements color\u00e9s, son influence a \u00e9t\u00e9 d\u00e9cisive. L\u2019autre grand bonhomme de l\u2019album, c\u2019est Stuart Zender, qui va poser sur l\u2019album des lignes de basse l\u00e9gendaires, comme sur le titre \u00e9ponyme du disque, cavalcade funky lanc\u00e9e \u00e0 200 \u00e0 l\u2019heure.<\/span><\/p>\n

INSERT \u2014 TRAVELING WITHOUT MOVING<\/b><\/p>\n

Manu :<\/strong> <\/span>Greg, est-ce que tu as des infos sur la mani\u00e8re dont a \u00e9t\u00e9 enregistr\u00e9 l\u2019album ?<\/b><\/p>\n

Je vous avais dit en intro que Jamiroquai voulait s\u00e9duire un plus large public avec des titres plus pop comme Cosmic Girl ou Virtual Insanity mais aussi un nouveau son qui ne se contente pas de rendre hommage au son analogique des ann\u00e9es 70, en particulier celui du label Motown, mais qui apporte aussi des twists plus modernes avec l\u2019utilisation de traitement num\u00e9rique, de sons \u00e9lectroniques et aussi de samples mais attention, pas de samples g\u00e9n\u00e9r\u00e9 par un ordinateur, pr\u00e9cise Jay Kay dans cette interview accord\u00e9e en 1997 \u00e0 la t\u00e9l\u00e9vision n\u00e9erlandaise, dans l\u2019\u00e9mission The Music Factory.<\/span><\/p>\n

INSERT \u2014 ITV JAMIROQUAI<\/b><\/p>\n

 \u201cNous n\u2019utilisons pas d\u2019ordinateur. R\u00e9cemment, nous avons commenc\u00e9 \u00e0 utiliser un sampler mais uniquement pour boucler nos propres compositions. Cela peut-\u00eatre pratique pour r\u00e9arranger des morceaux que nous avons du mal \u00e0 enregistrer. <\/span><\/p>\n

– Et vous avez enregistr\u00e9 live ?<\/span><\/p>\n

– Oui, la plupart des instruments sont jou\u00e9s en m\u00eame temps en une seule prise. A part les cuivres et d\u2019autres arrangements, la basse, la guitare, les claviers et la batterie sont enregistr\u00e9s en m\u00eame temps et en une seule prise.\u201d <\/span><\/p><\/blockquote>\n

INSERT \u2014 SAMPLES ALRIGHT<\/b>
\n<\/span>https:\/\/www.youtube.com\/watch?v=brk0V6FK0Oo<\/span><\/a> <\/span><\/p>\n

Dans ce Jamiroquai, on a donc \u00e0 la fois une approche tr\u00e8s organique de la funk \u00e0 travers cet enregistrement live et des touches plus modernes qui vont donner naissance \u00e0 ce groove disons \u00ab r\u00e9tro futuriste \u00bb qui va conqu\u00e9rir le monde \u00e0 la fin des ann\u00e9es 90. quelque chose d\u2019assez unique quand on y pense. Si on est tous capable de citer plusieurs noms de groupes de grunge, de punk ou d\u2019\u00e9lectro qui ont cartonn\u00e9 \u00e0 cette \u00e9poque, difficile d\u2019en dire autant pour cette disco \/ funk \u00e0 la sauce Jamiroquai. Un tour de force que l\u2019on doit en partie \u00e0 l\u2019ing\u00e9nieur du son britannique Al Stone qui avant de s\u2019atteler \u00e0 ce disque a travaill\u00e9 avec Bj\u00f6rk sur des morceaux de son album \u00ab\u00a0Debut\u00a0\u00bb en 1993. Autant dire quelqu\u2019un d\u2019assez polyvalent et capable de naviguer dans divers styles musicaux.<\/span><\/p>\n

\u00ab C’est l’un des artistes qui me pousse vraiment et j’aime \u00eatre pouss\u00e9. Une fois qu’il se met en t\u00eate de faire quelque chose, il ne l\u00e2che rien. Je pense que le jour o\u00f9 Jay apprendra \u00e0 utiliser lui-m\u00eame une console, nous serons tous en faillite. \u00bb<\/span><\/p><\/blockquote>\n

https:\/\/www.soundonsound.com\/people\/al-stone-recording-jamiroquais-supersonic<\/b><\/a>) <\/b><\/p>\n

Manu :<\/strong> <\/span>L\u2019album part d\u2019ailleurs un peu dans tous les sens au niveau musical  <\/b><\/p>\n

C\u2019est vrai qu\u2019on voyage pas mal avec traveling without moving, on passe par le Br\u00e9sil avec la rythmique samba de Use The force, titre compos\u00e9 en r\u00e9f\u00e9rence \u00e0 l\u2019euro de football 96 qui se d\u00e9roulait en Angleterre. On va aussi dans les Cara\u00cfbes avec Drifting Along et son dub chaleureux et on pousse m\u00eame jusqu\u2019en Australie avec deux morceaux instrumentaux et atmosph\u00e9riques qui mettent \u00e0 l\u2019honneur le didjeridoo de Wallis Buchanan, musicien originaire de la Jama\u00efque.<\/span><\/p>\n

INSERT \u2014 Didjerama <\/b><\/p>\n

Manu : <\/strong>Greg, tu nous disais au d\u00e9but de ta chronique ne pas avoir trouv\u00e9 beaucoup d\u2019info sur l\u2019enregistrement mais t\u2019as quand m\u00eame une anecdote assez folle sur \u201cVirtual Insanity\u201d qui \u00e0 l\u2019origine ne devait pas figurer sur le disque\u2026<\/b><\/p>\n

Oui en effet aussi incroyable que cela puisse para\u00eetre Virtual insanity ne fait pas partie des morceaux qui doivent \u00eatre enregistr\u00e9s au Linford Manor dans le courant de l\u2019ann\u00e9e 1996. Ce titre compos\u00e9 par <\/span>Toby Smith et <\/span>Jay Kay dans le sous-sol de la maison de ce dernier am\u00e9nag\u00e9 en home studio a \u00e9t\u00e9 compl\u00e8tement oubli\u00e9. L\u2019histoire raconte que l\u2019id\u00e9e du morceau serait venu \u00e0 Jamiroquai lors d\u2019une tourn\u00e9e au Japon. Alors que Jay Kay se prom\u00e8ne dans les rues enneig\u00e9es et d\u00e9sert\u00e9es de la ville de Senda\u00ef, il d\u00e9couvre une autre ville sous terre, en fait des galeries commerciales qui permettent aux habitants de faire leurs courses ou d\u2019aller au restaurant en restant au chaud. Jay Kay y voit une m\u00e9taphore de notre condition humaine, prisonni\u00e8re de la consommation et des nouvelles technologies d\u2019o\u00f9 le \u201cVirtual Insanity\u201d.<\/span><\/p>\n

Manu :<\/strong> <\/span>C\u2019est cool cette histoire mais \u00e7a nous dit toujours pas comment le titre se retrouve sur l\u2019album !<\/b><\/p>\n

En fait, le titre revient sur la table car la maison de disques trouve que l\u2019album manque d\u2019un single capable de porter l\u2019album. M\u00eame Cosmic Girl est consid\u00e9r\u00e9 par Sony comme un morceau secondaire, tout juste bon \u00e0 faire fureur dans des clubs gays.<\/span><\/p>\n

C\u2019est \u00e0 ce moment-l\u00e0 que Jay Kay et Toby Smith ressortent la d\u00e9mo de Virtual Insanity. Bingo, le titre est enregistr\u00e9 durant l\u2019\u00e9t\u00e9 1996.  Un morceau qui r\u00e9sume bien la formule Jamiroqua\u00ef, une approche pop mais associ\u00e9e \u00e0 une structure et une progression assez complexe d\u2019accords jazz. Une certaine sophistication qui n\u2019emp\u00eachera pas le morceau de cartonner et servir de locomotive aux autres hits de l\u2019album <\/span>(((comme le tr\u00e8s disco et dansant Cosmic Girl)))<\/span><\/i><\/p>\n

INSERT \u2014 Cosmic Girl<\/b><\/p>\n

Manu : Merci Greg pour cette super chronique. On le sait Jay Kay est tr\u00e8s fan de disco, il va d\u2019ailleurs avoir la chance d\u2019inviter Diana Ross, la reine du disco le 24 f\u00e9vrier 1997, lors des BRITS Awards pour une version en duo de \u00ab Upside Down \u00bb. Et c\u2019est \u00e9galement le disco qui sera \u00e0 l\u2019honneur de l\u2019album Synkronized qui sortira en 99. <\/strong><\/span>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbL’univers visuel de Jamiroquai\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu :<\/b> Alors Fanny, tu vas nous parler aujourd\u2019hui de l\u2019univers visuel de Jamiroquai et il me semble que la pochette de Travelling Without Moving<\/i> d\u00e9veloppe toute une imagerie autour d\u2019une des plus grandes passions de Jay Kay\u2026<\/strong><\/p>\n

Fanny : Oui et cette passion d\u00e9vorante c\u2019est\u2026 les grosses bagnoles qui font vroum vroum tr\u00e8s fort, qui roulent tr\u00e8s vite et qui co\u00fbtent tr\u00e8s cher. Est-ce une passion de gros beauf ? Ouais totalement, mais c\u2019est un avis qui n\u2019engage que moi.<\/span><\/p>\n

Sur la pochette, on voit un fond noir grillag\u00e9 qui rappelle la calandre d\u2019une voiture, un rectangle jaune en relief qui d\u00e9tourne le logo de la marque Ferrari, et au centre, un embl\u00e8me que les fans de Jamiroquai connaissent bien : le Buffalo Man, cette silhouette noire stylis\u00e9e qui repr\u00e9sente Jay Kay affubl\u00e9 de cornes.<\/span><\/p>\n

Le Buffalo Man, c\u2019est un personnage qui incarne l\u2019identit\u00e9 de Jamiroquai depuis le premier disque et qu\u2019on va retrouver sur tous les supports promotionnels du groupe. Ce logo, dessin\u00e9 par Jay Kay himself, s\u2019inspire de la fable du Minotaure dans la mythologie grecque. Jay a souvent dit qu\u2019il s\u2019identifiait \u00e0 Th\u00e9s\u00e9e, le h\u00e9ros qui va tuer l\u2019affreux Minotaure gr\u00e2ce au glaive qu\u2019Ariane lui donne puis retrouver son chemin dans le labyrinthe gr\u00e2ce \u00e0 la pelote de laine que toujours Ariane lui donne. Apr\u00e8s avoir r\u00e9alis\u00e9 cet exploit, Th\u00e9s\u00e9e s\u2019enfuit en mer, trahit la promesse qu\u2019il avait faite d\u2019\u00e9pouser Ariane et l\u2019abandonne comme une vieille chaussette sur une \u00eele d\u00e9serte.<\/span><\/p>\n

Pourquoi est-ce que je vous raconte tout \u00e7a ?<\/span><\/p>\n

Parce que je trouve \u00e7a particuli\u00e8rement frappant que Jay Kay dise s\u2019identifier \u00e0 Th\u00e9s\u00e9e, alias le mec qui n\u2019a manifestement aucunes valeurs ni aucune parole, compte tenu de tous les reproches qu\u2019il va lui-m\u00eame se prendre au moment de la sortie de <\/span>Travelling without moving<\/span><\/i> !<\/span><\/p>\n

Manu :<\/b> Ce qui se passe c\u2019est que d\u00e8s la sortie du disque, la presse pointe du doigt le grand \u00e9cart entre les valeurs \u00e9colo d\u00e9fendues par Jamiroquai et cette apologie soudaine des voitures de course\u2026<\/strong><\/p>\n

Bah je pense que la presse a totalement raison ! Au moment du premier album <\/span>Emergency on Planet Earth<\/span><\/i>, Jamiroquai se pr\u00e9sente comme un groupe engag\u00e9 qui fait des chansons protestataires d\u00e9non\u00e7ant la chasse, le capitalisme, la souffrance animale, le pillage des ressources, etc. Le groupe soutient financi\u00e8rement Greenpeace et Jay Kay associe m\u00eame son image \u00e0 des campagnes pour le tri des d\u00e9chets par exemple.<\/span><\/p>\n

Alors est-ce qu\u2019on peut se dire \u00e9colo et en m\u00eame temps collectionner des dizaines de Porsche, Ferrari et Lamborghini comme le fait Jay Kay ? C\u2019est un peu dur \u00e0 d\u00e9fendre. Ecoutons ce qu\u2019en dit Jay, dans une interview au magazine Muzik en 1996 :<\/span><\/p>\n

\u00ab\u00a0J\u2019ai eu un vrai dilemme en me demandant si je devais baser l\u2019album <\/span>Travelling Without Moving<\/span><\/i> autour de l\u2019univers automobile. J\u2019adore la vitesse ! Mais j\u2019\u00e9tais un peu inquiet de ce que les gens allaient dire, sachant que le premier album parlait d\u2019\u00e9cologie. Puis je me suis dit : ‘Attendez une minute, c\u2019est pas parce que j\u2019aime conduire des voitures de course que je suis pour la d\u00e9forestation. \u00c7a ne veut pas dire que je pense qu\u2019il faudrait construire plus de routes pour ma voiture !\u00a0\u00bb<\/span><\/p><\/blockquote>\n

On distingue ici un chouilla de langue de bois\u2026 Mais de son c\u00f4t\u00e9 Toby Smith, clavi\u00e9riste du groupe, r\u00e9pond aux journalistes avec un peu plus de franchise quand il d\u00e9clare la chose suivante peu de temps apr\u00e8s :<\/span><\/p>\n

\u00ab Nous voulons tous \u00eatre un groupe \u00e9cologiquement conscient, mais nous aimons les voitures\u2026 Nous sommes des hypocrites, comme le reste du monde. \u00bb<\/span><\/p><\/blockquote>\n

Et cette pol\u00e9mique va le poursuivre ! Par exemple, en 2008, le site WhatCar dresse un palmar\u00e8s des 10 personnalit\u00e9s britanniques qui polluent le plus en voiture, \u00e0 la premi\u00e8re place on trouve le producteur Simon Cowell et \u00e0 la deuxi\u00e8me place, notre ami Jay Kay ! Franchement, il m\u00e9rite un \u00e9moji caca et un \u00e9moji pouce vers le bas !<\/span><\/p>\n

Manu : <\/b>Du coup cet univers autour des voitures qui s\u2019affiche d\u00e8s la pochette, on le retrouve dans les paroles de la chanson XXX mais aussi dans le clip de Cosmic Girl, non ?<\/strong><\/p>\n

Oh oui un clip passionnant, dans lequel on voit une Ferrari rouge, une Ferrari noire et une Lamborghini Diablo violette faire la course sur des routes sinueuses en Espagne. Est-ce que j\u2019ai envie d\u2019en parler davantage ? Non. Peut-\u00eatre pour la simple et bonne raison que lors du tournage l\u2019\u00e9quipe va exploser non pas un mais 2 exemplaires de la Lamborghini alors qu\u2019il n\u2019en existe que 3 dans le monde, et que Jay Kay se fait retirer son permis pour exc\u00e8s de vitesse. Et je trouve \u00e7a tellement scandaleux que je pr\u00e9f\u00e8re concentrer mon travail d\u2019analyse sur un seul clip, le seul et l\u2019unique qui vaille, j\u2019ai nomm\u00e9 VIRTUAL INSANITY !<\/span><\/p>\n

INSERT \u2014 Virtual Insanity <\/b><\/p>\n

Manu :<\/b> On parle l\u00e0 d\u2019un des clips les plus cultes des ann\u00e9es 90, maintes fois repris dans la culture pop et qui est devenu ces derni\u00e8res ann\u00e9es un meme internet<\/strong><\/p>\n

Clairement cet album ne serait pas ce qu\u2019il est sans le clip de <\/span>Virtual Insanity<\/span><\/i>, r\u00e9alis\u00e9 par l\u2019anglais Jonathan Glazer. Sorti en 1996, ce clip a marqu\u00e9 une g\u00e9n\u00e9ration enti\u00e8re et a rafl\u00e9 quatre prix aux MTV Video Music Awards en 1997, dont celui de la Vid\u00e9o de l\u2019ann\u00e9e. \u00c0 une \u00e9poque o\u00f9 les clips misaient sur des sc\u00e9narios extravagants dans le d\u00e9sert par exemple comme on l\u2019a vu 10 fois ou sur des effets sp\u00e9ciaux tape-\u00e0-l\u2019\u0153il, <\/span>Virtual Insanity<\/span><\/i> a frapp\u00e9 fort avec une illusion d\u2019optique simple mais terriblement efficace : un d\u00e9cor qui semble bouger sous les pieds de Jay Kay.<\/span><\/p>\n

Manu :<\/b> Nan mais comment \u00e7a ? On le voit bien danser dans une pi\u00e8ce en mouvement avec le sol qui glisse non ?<\/strong><\/p>\n

\u00c7a c\u2019est ce que notre cerveau per\u00e7oit et franchement on se creuse la t\u00eate pour comprendre par quelle diablerie d\u2019effets num\u00e9riques ils ont r\u00e9ussi un coup pareil mais la r\u00e9alit\u00e9 est encore plus maligne. Le secret ? Et bien le sol ne bouge jamais ! C\u2019est l\u2019ensemble des murs et des meubles qui sont mont\u00e9s sur roulettes et d\u00e9plac\u00e9s hors champ par des dizaines de techniciens \u00e0 qui le r\u00e9alisateur crie \u00ab nord, sud, est ou ouest pour leur dire par o\u00f9 aller. La cam\u00e9ra filme quasi toujours le m\u00eame plan d\u2019ensemble de face, et l\u2019illusion est totale : on a l\u2019impression que Jay Kay glisse sans effort dans un espace mouvant, avec ses pas de danse hyper fluides et reconnaissables inspir\u00e9s du milieu du skate.<\/span><\/p>\n

Visuellement, le d\u00e9cor me semblait assez familier et j\u2019\u00e9tais tr\u00e8s heureuse d\u2019avoir la confirmation qu\u2019il s\u2019inspire de l\u2019architecture minimaliste du japonais Tadao Ando que j\u2019adore. Et notamment de la maison Azuma qu\u2019il a faite \u00e0 Osaka, avec ces murs en b\u00e9ton brut et ce c\u00f4t\u00e9 \u00e9pur\u00e9 qui donne un c\u00f4t\u00e9 intemporel \u00e0 l\u2019image. A Paris, si vous voulez voir un beau b\u00e2timent sign\u00e9 Tadao Ando, il faut visiter la Bourse de commerce et promis vous retrouverez les m\u00eames murs que dans Virtual Insanity !<\/span><\/p>\n

Mais il y a aussi des r\u00e9f\u00e9rences plus \u00e9tonnantes dans ce clip, que Jonathan Glazer a gliss\u00e9es \u00e7\u00e0 et l\u00e0 : les cafards qui courent sur le sol rappellent <\/span>La M\u00e9tamorphose<\/span><\/i> de Kafka, le sang qui coule du canap\u00e9 \u00e9voque la c\u00e9l\u00e8bre sc\u00e8ne de l\u2019ascenseur dans <\/span>Shining<\/span><\/i> de Kubrick dont Glazer est fan, et Jay Kay, avec son chapeau haut-de-forme, pourrait presque passer pour une version funky du Chapelier Fou d\u2019<\/span>Alice au Pays des Merveilles<\/span><\/i>.<\/span><\/p>\n

Manu :<\/b> C\u2019est dingue comme un simple d\u00e9cor sur roulettes peut cr\u00e9er un effet aussi dingue visuellement !<\/strong><\/p>\n

A vrai dire Glazer n\u2019a pas eu le choix que d\u2019\u00eatre tr\u00e8s cr\u00e9atif, comme il l\u2019explique lui-m\u00eame dans une interview \u00e0 la t\u00e9l\u00e9 japonaise, on l\u2019\u00e9coute : <\/span><\/p>\n

INSERT \u2014 <\/b>JONATHAN GLAZER<\/b><\/p>\n

https:\/\/youtu.be\/P2gm319lmhM?feature=shared&t=145<\/span><\/a><\/p>\n

\u201cJe voulais qu\u2019il danse dans une pi\u00e8ce et d\u00e9fie la gravit\u00e9 de cette pi\u00e8ce. Mais je n\u2019avais pas l\u2019argent, je voulais construire tout le set sur poutrelles hydrauliques et c\u2019\u00e9tait impossible, le budget \u00e9tait loin de ce dont j\u2019aurais eu besoin pour r\u00e9aliser \u00e7a. Donc j\u2019ai r\u00e9fl\u00e9chi \u00e0 comment faire, comment atteindre l\u2019effet que je voulais atteindre diff\u00e9remment, et pour moins cher et c\u2019est comme \u00e7a que l\u2019id\u00e9e est venue.\u201d <\/span><\/p><\/blockquote>\n

Glazer avait un budget de 150K\u00a3 pour ce clip, et que sa premi\u00e8re id\u00e9e o\u00f9 tous les \u00e9l\u00e9ments bougent co\u00fbtait 280K, presque le double. Jay Kay au d\u00e9part voulait carr\u00e9ment un gigantesque tapis roulant comme on en voit \u00e0 l\u2019a\u00e9roport, et \u00e9videmment \u00e7a coutait trop de fric aussi ! Moralit\u00e9 : on est souvent plus cr\u00e9atifs sous la contrainte !<\/span><\/p>\n

Bref, que ce soit avec la pochette de l\u2019album ou le clip de <\/span>Virtual Insanity<\/span><\/i>, Jamiroquai a su imposer une identit\u00e9 visuelle forte qui en font une pierre angulaire de la pop culture des ann\u00e9es 90. Et bien s\u00fbr, impossible de terminer cette chronique sans \u00e9voquer l\u2019\u00e9l\u00e9ment le plus distinctif de Jay Kay : ses chapeaux extravagants. D\u00e8s les d\u00e9buts du groupe, il arbore des coiffes incroyables, passant du bonnet p\u00e9ruvien \u00e0 la toque en fourrure g\u00e9ante, en passant par des cr\u00e9ations \u00e0 pics plus futuristes. Au d\u00e9but, ses couvre-chefs \u00e9taient fabriqu\u00e9s par sa propre m\u00e8re avant qu\u2019il ne fasse appel \u00e0 des chapeliers professionnels. Son look m\u00e9lange le style skater des ann\u00e9es 90 avec une touche boh\u00e8me le rend imm\u00e9diatement reconnaissable, et moi je l\u2019ai toujours trouv\u00e9 hyper fun pour \u00e7a !<\/span><\/p>\n

Manu : <\/b>D\u2019ailleurs il y a un mec qui s\u2019est inspir\u00e9 du couvre chef du logo space cowboy, celui avec les cornes de bison, c\u2019est Jake Angeli vous voyez qui c\u2019est ?
\n<\/strong><\/p>\n

C\u2019est le conspirationniste de QAnon et adorateur de Trump, qui a pris d’assaut le Capitole en 2021, vous vous en souvenez ? A l\u2019\u00e9poque plein de gens ont cru que c\u2019\u00e9tait Jamiroquai, que nenni ! Jay Kay s\u2019en d\u00e9fendu lui-m\u00eame je cite : \u201cJ’adore la coiffure mais je ne suis pas s\u00fbr que ce soit mon public\u201d ! <\/em><\/strong>[\/vc_column_text][\/toggle][\/toggles][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbin_container\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbnone\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb0″ bottom_padding=\u00a0\u00bb0″ left_padding_desktop=\u00a0\u00bb0″ right_padding_desktop=\u00a0\u00bb0″ text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ 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\u00c0 PROPOS DE RADIO K7 PODCAST<\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bb20px\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb0″ bottom_padding=\u00a0\u00bb0″ left_padding_desktop=\u00a0\u00bb100″ right_padding_desktop=\u00a0\u00bb100″ top_padding_tablet=\u00a0\u00bb0″ bottom_padding_tablet=\u00a0\u00bb0″ left_padding_tablet=\u00a0\u00bb0″ right_padding_tablet=\u00a0\u00bb0″ top_padding_phone=\u00a0\u00bb0″ bottom_padding_phone=\u00a0\u00bb0″ left_padding_phone=\u00a0\u00bb0″ right_padding_phone=\u00a0\u00bb0″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb class=\u00a0\u00bbcol-a-propos\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1664972558970{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 1px !important;border-bottom-width: 1px !important;}\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin=\u00a0\u00bb6%\u00a0\u00bb bottom_margin_tablet=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbsmall_desktop\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_color=\u00a0\u00bb#f5fbdc\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_raw_html]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[\/vc_raw_html][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 sep66″ css=\u00a0\u00bb.vc_custom_1663856470951{padding-top: 0px !important;}\u00a0\u00bb]Chaque mois dans Radio K7 on discute d\u2019un album avec mes copains autour d\u2019une table, parfois avec des invit\u00e9s comme P\u00e9n\u00e9lope Bagieu ou Nicolas Berno. Il y a des chroniques et des d\u00e9bats, on s’interroge sur l\u2019histoire du disque : comment il a \u00e9t\u00e9 produit, ce qui a fait son succ\u00e8s, et puis finalement ce qu’on a envie d’en retenir 20 ou 30 ans plus tard.<\/p>\n

Le 5 janvier 2020, Radio K7 est devenu le premier podcast ind\u00e9pendant sur la musique en France au classement Apple Podcast !<\/b>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin_tablet=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ top_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbpaddbot90 img100-foot1″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbsmall_desktop\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb column_padding_type=\u00a0\u00bbdefault\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbGT size50 pod_violet txt28 margintopmob vc_custom_1662370609207″ css=\u00a0\u00bb.vc_custom_1663856419329{margin-bottom: 0px !important;}\u00a0\u00bb]\u00ab On veut red\u00e9couvrir les 90s, apprendre des trucs et se marrer. \u00bb<\/span>[\/vc_column_text][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 marginbottom1mob\u00a0\u00bb]Manu, Fanny, Olivia et Gr\u00e9goire [\/vc_column_text][image_with_animation image_url=\u00a0\u00bb131″ image_size=\u00a0\u00bbfull\u00a0\u00bb animation_type=\u00a0\u00bbentrance\u00a0\u00bb animation=\u00a0\u00bbFade In\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb animation_movement_type=\u00a0\u00bbtransform_y\u00a0\u00bb hover_animation=\u00a0\u00bbnone\u00a0\u00bb alignment=\u00a0\u00bb\u00a0\u00bb border_radius=\u00a0\u00bbnone\u00a0\u00bb box_shadow=\u00a0\u00bbnone\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bbnone\u00a0\u00bb max_width_mobile=\u00a0\u00bbdefault\u00a0\u00bb margin_left=\u00a0\u00bb10%\u00a0\u00bb margin_right=\u00a0\u00bb10%\u00a0\u00bb margin_left_phone=\u00a0\u00bb0″ margin_right_phone=\u00a0\u00bb0″][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 sep66″ css=\u00a0\u00bb.vc_custom_1663856492497{padding-top: 0px !important;}\u00a0\u00bb]\u201c Le but de ce podcast c’est de red\u00e9couvrir la bande-son des nineties. Parce que c’\u00e9tait celle de notre adolescence, qui a marqu\u00e9 toutes nos premi\u00e8res fois. 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