{"id":1382,"date":"2025-05-28T17:37:28","date_gmt":"2025-05-28T15:37:28","guid":{"rendered":"https:\/\/radiok7.co\/podcast\/?p=1382"},"modified":"2025-06-24T17:52:59","modified_gmt":"2025-06-24T15:52:59","slug":"will-smith-big-willie-style-1997","status":"publish","type":"post","link":"https:\/\/radiok7.co\/podcast\/episode\/will-smith-big-willie-style-1997\/","title":{"rendered":"Will Smith \u201cBig Willie Style\u201d (1997)"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#000000″ bg_image=\u00a0\u00bb1392″ bg_position=\u00a0\u00bbcenter top\u00a0\u00bb 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Will Smith \u201cBig Willie Style\u201d<\/h1>\n

(1997)<\/h1>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb20″ top_padding_tablet=\u00a0\u00bb20″ top_padding_phone=\u00a0\u00bb20″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb 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EN QUELQUES MOTS<\/strong><\/h5>\n[\/vc_column_text][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbsize18″]Aujourd\u2019hui, on va vous parler de Willard Carroll Smith Jr plus connu sous le nom de Will Smith. <\/span>En 1997, Will Smith est partout. Apr\u00e8s avoir conquis le petit \u00e9cran avec <\/span>Le Prince de Bel-Air<\/span><\/i> et explos\u00e9 au cin\u00e9ma avec <\/span>Independence Day<\/span><\/i> et <\/span>Men in Black<\/span><\/i>, Will Smith d\u00e9cide de revenir \u00e0 son premier amour : la musique. Mais cette fois en solo. <\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb top_margin_tablet=\u00a0\u00bb27px\u00a0\u00bb left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ left_margin_phone=\u00a0\u00bb0″ right_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbsize18″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]Big Willie Style<\/span><\/i>, est un album grand public \u00e0 dominante funk et disco, \u00e0 contre courant du gangsta rap qui domine les charts. Gr\u00e2ce \u00e0 un flow d\u00e9contract\u00e9 et des refrains accrocheurs, Will Smith encha\u00eene les hits : Men in Black, Just the two of us, Just Cruisin, Miami et bien s\u00fbr <\/span>Gettin\u2019 Jiggy wit It<\/span><\/i> qui tournent tous en boucle sur MTV. <\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bbleft\u00a0\u00bb top_margin_tablet=\u00a0\u00bb80px\u00a0\u00bb bottom_margin_tablet=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ top_margin_phone=\u00a0\u00bb30″ left_margin_phone=\u00a0\u00bb0″ right_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb column_padding_type=\u00a0\u00bbdefault\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbsize18 marginbot40″]Un grammy en poche et quelques 12 millions d\u2019albums vendus plus tard, Will Smith prouve qu\u2019on peut \u00eatre rappeur, acteur et superstar mondiale sans jamais sacrifier le fun. Mais comment <\/span>Big Willie Style<\/span><\/i> a-t-il r\u00e9ussi \u00e0 marquer les esprits en pleine \u00e8re du rap hardcore ? 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border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][toggles style=\u00a0\u00bbminimal\u00a0\u00bb][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbRetour en 1997″][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Voil\u00e0 pour les 16 titres originaux de \u201cBig Willie Style\u201d ! Il y en a m\u00eame 17 sur la version europ\u00e9enne : c\u2019est Just Cruisin d\u00e9j\u00e0 pr\u00e9sent sur la BO de Men in Black qu\u2019on retrouve en bonus \u00e0 la fin de la tracklist. L’album sort le 25 Novembre 1997 en CD, Cassette, Vinyle et MiniDisc chez Columbia, Columbia un label de Sony Music. <\/span><\/p>\n

1997 c\u2019est une ann\u00e9e charni\u00e8re pour le hip hop. Le 9 mars 1997, The Notorious B.I.G. est assassin\u00e9 \u00e0 Los Angeles, six mois apr\u00e8s 2Pac. Ce double drame marque la fin rivalit\u00e9 East Coast versus West Coast qui avait domine le hip-hop depuis le d\u00e9but des 90s. Et \u00e7a change tout : on assiste \u00e0 une bascule du gangsta rap vers un rap plus mainstream et festif.<\/span><\/p>\n

1997 est donc l\u2019ann\u00e9e o\u00f9 le rap devient un ph\u00e9nom\u00e8ne pop mondial. Cette ann\u00e9e-l\u00e0 on retrouve dans les bacs \u00e0 c\u00f4t\u00e9 du Big Willie Style, \u201cNo Way Out\u201d de Puff Daddy et son tube I\u2019ll Be Missing You. On est en pleine mont\u00e9e du rap commercial. M\u00eame le v\u00e9t\u00e9rant LL Cool J s\u2019essaie au rap \u00e0 l\u2019eau avec \u201cPhenomenon\u201d. <\/span><\/p>\n

En France, on apprend par c\u0153ur les paroles de \u201cL\u2019\u00e9cole du Micro d\u2019argent\u201d de IAM, on \u00e9coute NTM en live au parc des Princes \u201cQu\u2019est-ce qu\u2019on attend pour foutre le feu\u201d, \u201cQuelques gouttes suffisent d\u2019Arsenik\u201d de Arsenik et bien s\u00fbr la \u201cPremi\u00e8re consultation\u201d de Doc Gyn\u00e9co\u201d ! <\/span>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLa story de Will Smith\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu : Allez, on va revenir maintenant sur la success story de \u201cBig Willie Style\u201d avec toi Olivia. C\u2019est une bouff\u00e9e d\u2019air frais dans le rap game : \u00e7a groove, c\u2019est funky, et surtout\u2026 c\u2019est inoffensif. Compl\u00e8tement \u00e0 contre-courant et pourtant Will Smith va r\u00e9ussir va en vendre 12 millions d\u2019albums. C\u2019est compl\u00e8tement fou.<\/strong><\/p>\n

Olivia : Faut replacer l\u2019album dans son contexte : nous sommes donc en 1997, le hip-hop est domin\u00e9 par le gangsta rap et les tensions entre la c\u00f4te Est et la c\u00f4te Ouest. Tupac et Biggie viennent d\u2019\u00eatre assassin\u00e9s, et l\u2019ambiance est plut\u00f4t\u2026 intense. <\/span><\/p>\n

\u00c0 c\u00f4t\u00e9 de \u00e7a, on a Will Smith qui d\u00e9barque avec son flow l\u00e9ger, ses instrus joyeuses et ses punchlines bon enfant\u2026 et bizarrement, \u00e7a va cartonner ! <\/span><\/p>\n

Ce rap parental advisory-friendly puise ses racines dans la personnalit\u00e9 et le parcours de Will Smith. Revenons un peu en arri\u00e8re ! <\/span><\/p>\n

Willard Carroll Smith, Jr. na\u00eet \u00e0 Philadelphie en 1968. Sa m\u00e8re Caroline travaille dans une \u00e9cole et son p\u00e8re Willard Carroll Smith Sr. est un v\u00e9t\u00e9ran reconverti en r\u00e9parateur de r\u00e9frig\u00e9rateurs. Il est \u00e9lev\u00e9 dans la foi chr\u00e9tienne baptiste. D\u00e8s son enfance, Will Smith se r\u00e9v\u00e8le \u00eatre tr\u00e8s malin et surtout tr\u00e8s charismatique. Il est capable de charmer par ses bagout et ainsi d’\u00e9viter pas mal d\u2019ennuis. Si bien que ses professeurs du lyc\u00e9e le surnomment \u00ab Prince Charming \u00bb<\/span><\/p>\n

Manu : En 1982, Will Smith a 14 ans. Son h\u00e9ros, c\u2019est Eddie Murphy qui d\u2019ailleurs vient de sortir un album de comedy rap. On s\u2019\u00e9coute un extrait de \u201cBoogie in your butt\u201d \/ litt\u00e9ralement \u201cle boogie dans tes fesses\u201d, vous allez voir c\u2019est\u2026 \u00e9tonnant : <\/strong><\/p>\n

INSERT \u2014 Eddie Murphy <\/b>https:\/\/www.youtube.com\/watch?v=-peWHO6pRnQ&ab_channel=EddieMurphy-Topic<\/span><\/a><\/p>\n

\u00c0 seize ans, il fait la rencontre qui va tout changer : Un soir, alors qu\u2019il est tranquillement pos\u00e9 chez lui, Will entend la musique d\u2019une f\u00eate qui se d\u00e9roule \u00e0 quelques blocs. Il se pointe et rencontre Jeffrey Townes aux platines ce soir-l\u00e0. Mais probl\u00e8me : son MC est en retard et la soir\u00e9e risque d\u2019\u00eatre g\u00e2ch\u00e9e. Ni une ni deux, Will s\u2019empare du micro et fait le show. L\u2019alchimie est imm\u00e9diate ! Ils deviennent tr\u00e8s potes et se lancent ensemble : Jeff devient DJ Jazzy Jeff et Will Smith, The Fresh Prince.<\/span><\/p>\n

En 1987 bingo ! le groupe sort son premier album \u00ab Rock the House \u00bb contenant le hit Girls Ain’t Nothing But Trouble. <\/span><\/p>\n

INSERT \u2014 DJ Jazzy Jeff & The Fresh Prince <\/b><\/p>\n

https:\/\/www.youtube.com\/watch?v=IOaFh-yJk_k<\/span><\/a><\/p>\n

Jazzy Jeff and The Fresh Prince continuent sur leur lanc\u00e9e en sortant He’s the DJ, I’m the Rapper en 1988. C’est un double album, format couramment utilis\u00e9 en rock, mais innovant dans le monde du rap de l’\u00e9poque. Le single Parents Just Don’t Understand est un \u00e9norme carton et leur vaudra un Grammy Award dans la cat\u00e9gorie Meilleure Performance Rap. <\/span><\/p>\n

La raison de ce succ\u00e8s est assez simple : des instrus funky, un flow l\u00e9ger et des punchlines rigolotes, on ne parle pas politique, on ne fait pas de pol\u00e9mique. Tout le monde peut s\u2019y identifier. C\u2019est le bonheur des radios et de tous les parents am\u00e9ricains ! <\/span><\/p>\n

Et selon Will, cette recette, il la doit \u00e0 sa grand-m\u00e8re : <\/span><\/p>\n

INSERT \u2014 <\/b>ITW Will 99<\/b><\/p>\n

https:\/\/www.youtube.com\/watch?v=sw4DoLJh3II<\/span><\/a><\/p>\n

\u201cQuand j’ai commenc\u00e9 \u00e0 \u00e9crire des rimes en 19…Ouais, c’est probablement en 1980 que j’ai vraiment commenc\u00e9 \u00e0 m’asseoir et \u00e0 \u00e9crire des rimes. Et j’\u00e9crivais des raps dans mon cahier, et j\u2019utilisais des mots de quatre lettres l\u00e0-dedans. <\/span><\/p>\n

Ma grand-m\u00e8re a trouv\u00e9 mon carnet de rap, et elle a \u00e9crit un mot \u00e0 la fin : <\/span><\/p>\n

Elle a dit : \u00ab Cher Willard \u00bb (c’est ainsi que ma grand-m\u00e8re m’appelait, Willard) Elle a dit : \u00ab Cher Willard, les gens vraiment intelligents n\u2019ont pas besoin d\u2019utiliser des mots comme ceux-ci pour s\u2019exprimer. Montre au monde que tu es aussi intelligent que nous le pensons. <\/span><\/p><\/blockquote>\n

Alors, je me suis dit : \u00ab\u00a0Ok, d’accord. Tr\u00e8s bien, grand-m\u00e8re, tu as raison, tu as raison.<\/span><\/p>\n

Manu : En 1991, DJ Jazzy Jeff & The Fresh Prince met l\u2019Am\u00e9rique aux couleurs du \u00ab Summertime \u00bb, un rap fun, frais, dr\u00f4le et un peu frimeur. Le tube se place \u00e0 la 4e place du Billboard Hot 100 et leur rapporte un deuxi\u00e8me Grammy\u201d<\/strong><\/p>\n


\n<\/span>INSERT \u2014 <\/b>Summertime<\/b><\/p>\n

https:\/\/www.youtube.com\/watch?v=Kr0tTbTbmVA<\/span><\/a><\/p>\n

Mais depuis quelques mois d\u00e9j\u00e0, la carri\u00e8re de Will Smith est en train de prendre un nouveau tournant. Il est contact\u00e9 par Quincy Jones  qui produit une sitcom bas\u00e9e sur la vie de son auteur Benny Medina : l\u2019histoire d\u2019un ado des quartiers pauvres de Philadelphie, qui d\u00e9m\u00e9nage chez son oncle et sa tante \u00e0 Bel-Air, le quartier le plus chic de la ville. Vous vous en souvenez forc\u00e9ment : <\/span><\/p>\n

INSERT \u2014 G\u00e9n\u00e9rique Le Prince de Bel-Air<\/b><\/p>\n

https:\/\/www.youtube.com\/watch?v=OPVqumgVSlY&t=17s<\/span><\/a><\/p>\n

 <\/p>\n

Manu : Rahhh boum ! Les souvenirs qui remontent \u00e0 la gorge direct, l\u00e0 !  <\/strong><\/p>\n

L\u2019histoire de ce g\u00e9n\u00e9rique d\u2019ailleurs est compl\u00e8tement folle. En fait en 1989 Will Smith est le roi du monde, il crame toute sa tune dans des bagnoles, chez Gucci etc. Mais pas de bol un jour le FISC lui r\u00e9clame 3 millions de dollars d\u2019arri\u00e9r\u00e9s d’imp\u00f4ts. C\u2019est la douche froide ! Les huissiers saisissent sa maison, le mec se retrouve \u00e0 poils. En gros il a pas le choix il est oblig\u00e9 d\u2019accepter de jouer dans une sitcom : c\u2019est ringard aujourd\u2019hui et \u00e7a l\u2019\u00e9tait d\u00e9j\u00e0 \u00e0 l\u2019\u00e9poque. Je vous renvoie \u00e0 un des premier \u00e9pisodes bonus de Radio K7, je vous raconte toute l\u2019histoire. Mais revenons \u00e0 nos moutons Olivia. <\/strong><\/p>\n

Le Prince de Bel-Air d\u00e9barque sur NBC en 1990 avec Will Smith dans le r\u00f4le principal. Le succ\u00e8s est imm\u00e9diat \u00e0 tel point que lorsque la cha\u00eene annonce arr\u00eater le programme au bout de trois saisons, les fans se mobilisent et envoient des milliers de lettres. Finalement la s\u00e9rie sera reconduite pour trois saisons suppl\u00e9mentaires jusqu\u2019en 1996.  <\/span><\/p>\n

Mais avec Le Prince de Bel-Air, c\u2019est surtout la notori\u00e9t\u00e9 de Will Smith qui explose. Le public, essentiellement familial, grandit en regardant Will Smith grandir. On s\u2019attache \u00e0 ce Will fictionnel qui porte le m\u00eame nom que son acteur. Les deux ne sont plus qu\u2019un, les fronti\u00e8res entre r\u00e9alit\u00e9 et fiction s\u2019estompent : il y a notamment cet \u00e9pisode o\u00f9 le p\u00e8re de Will (le personnage de la s\u00e9rie donc) r\u00e9apparait. Will pense que son p\u00e8re est de retour pour de bon et d\u00e9cide de lui redonner sa chance\u2026 jusqu\u2019\u00e0 ce que ce p\u00e8re finisse par le d\u00e9cevoir une nouvelle fois. <\/span><\/p>\n

Beaucoup de spectateurs, en larmes, ont pens\u00e9 que cette histoire \u00e9tait bas\u00e9e sur les propres exp\u00e9riences de vie de l\u2019acteur. Alors que rien n\u2019a voir\u2026 le p\u00e8re du vrai Will Smith a toujours \u00e9t\u00e9 tr\u00e8s pr\u00e9sent dans sa vie. L\u2019\u00e9pisode va durablement rester dans les m\u00e9moires et imposer Will Smith comme un v\u00e9ritable acteur \u00e0 l\u2019avenir prometteur. <\/span><\/p>\n

Et c\u2019est cette proximit\u00e9 avec son public, ce c\u00f4t\u00e9 mec sympa et proche des gens qui va installer la marque Will Smith, comme on le verra aussi avec Fanny tout \u00e0 l\u2019heure. <\/span><\/p>\n

Manu : D\u2019autant que sa carri\u00e8re de rappeur avec, DJ Jazzy Jeff & The Fresh Prince, commence \u00e0 s’essouffler. La derni\u00e8re tentative du Fresh Prince et Jazzy Jeff, <\/span>No Code,<\/span><\/i> sorti en 1993 fait un \u00e9norme bide. <\/span><\/p>\n

Will Smith d\u00e9cide alors de mettre sa carri\u00e8re de rappeur de c\u00f4t\u00e9 pour se consacrer au cin\u00e9ma. Apr\u00e8s \u00ab\u00a0Le Prince de Bel Air\u00a0\u00bb, il joue ses premiers grands r\u00f4les dans \u00ab\u00a0Six degr\u00e9s de s\u00e9paration\u00a0\u00bb en 1993 et \u00ab\u00a0Bad Boys\u00a0\u00bb en 1995. Il faut garder en t\u00eate que dans les ann\u00e9es 90, il y avait une sorte de foss\u00e9 entre la t\u00e9l\u00e9vision et le cin\u00e9ma. C’\u00e9tait donc consid\u00e9r\u00e9 comme un miracle qu\u2019un artiste puisse passer de la musique \u00e0 la t\u00e9l\u00e9vision puis au cin\u00e9ma.<\/span><\/p>\n

En 1996, Will Smith casse la baraque dans Independence Day. Le film est un \u00e9norme succ\u00e8s, rapporte 800 millions de dollars et devient, \u00e0 l\u2019\u00e9poque, le deuxi\u00e8me film le plus rentable de l’histoire du cin\u00e9ma, juste derri\u00e8re Jurassic Park. Will Smith s\u2019installe sur la liste A des acteurs du box-office et devient une valeur s\u00fbre \u00e0 Hollywood. <\/span><\/p>\n

INSERT \u2014 <\/b>Men in Black<\/b><\/p>\n

https:\/\/www.youtube.com\/watch?v=fiBLgEx6svA<\/span><\/a><\/p>\n

Manu : Du coup c\u2019est le super bingo, Will Smith revient l\u2019\u00e9t\u00e9 suivant au cin\u00e9ma dans \u201cMen in Black\u201d ! Il r\u00e9ussit un autre petit miracle, Olivia, celui de sauver le monde d\u2019une menace extra-terrestre, deux \u00e9t\u00e9s de suite. C\u2019est g\u00e9nial, non ? Nouveau record : plus de 600 millions de dollars. Et un succ\u00e8s n\u2019arrivant jamais seul, le single qui fait office de g\u00e9n\u00e9rique pour le film se place en t\u00eate des charts. <\/strong><\/p>\n

C\u2019est ce tube qui va relancer la carri\u00e8re musicale de Will Smith, en solo cette fois. <\/span><\/p>\n

Il d\u00e9barque le 25 novembre 1997 avec \u00ab\u00a0Big Willie Style\u00a0\u00bb et ne change pas la recette de la win : c\u2019est feel-good \u00e0 fond !<\/span><\/p>\n

INSERT \u2014 PUB BIG WILLIE STYLE<\/b> Just Cruisin \/ Getting Jiggy\u2026 <\/span>https:\/\/www.ina.fr\/ina-eclaire-actu\/publicite\/pub745704108\/will-smith-album-version-35-secondes?utm_source=pocket_shared<\/span><\/a><\/p>\n

L’album se classe 8e au Billboard 200. Il s\u2019\u00e9coule \u00e0 plus de 9 millions d’exemplaires aux \u00c9tats-Unis et \u00e0 plus de 12 millions dans le monde, devenant au passage l’un des albums rap les plus vendus de tous les temps. <\/span><\/p>\n

Notamment gr\u00e2ce \u00e0  \u00ab\u00a0Gettin\u2019 Jiggy Wit It\u00a0\u00bb c\u2019est LE morceau qui fait trembler les dancefloors. C\u2019est un peu le \u00ab Danse le mia \u00bb de Will Smith ! <\/span><\/p>\n

Trois semaines en t\u00eate du Billboard, un Grammy Award dans la cat\u00e9gorie \u00ab meilleure performance rap solo \u00bb, et surtout\u2026 il a fait entrer l\u2019expression \u00ab\u00a0Gettin\u2019 Jiggy\u00a0\u00bb dans le langage courant. Aujourd\u2019hui, plus personne ne dit \u00e7a, mais \u00e0 l\u2019\u00e9poque, t\u2019\u00e9tais pas cool si tu ne \u00ab\u00a0Gettin\u2019 Jiggy\u00a0\u00bb pas avec la vie. Les commentateurs sportifs commencent \u00e0 utiliser l\u2019expression, jusque dans la s\u00e9rie Seinfeld qui se l\u2019approprie aussi. <\/span><\/p>\n

Manu : Mais alors \u00e7a veut dire quoi \u00ab Gettin\u2019 Jiggy Wit It \u00bb ? <\/strong><\/p>\n

Tr\u00e8s bonne question ! Il semblerait que cela veuille dire plein de choses mais toujours pour \u00e9voquer quelques chose de funky, cool et sexy. Sa signification va finir par glisser et l\u2019expression sera aussi utilis\u00e9e dans le sens de \u00ab avoir des relations sexuelles avec \u00bb. <\/span><\/p>\n

Will Smith a d\u00e9clar\u00e9 dans une interview que son inspiration venait du terme jigaboo, utilis\u00e9 de mani\u00e8re p\u00e9jorative au sujet des Afro-Am\u00e9ricains. Dans son sens litt\u00e9ral, cela voudrait dire \u00ab devenir Afro-Am\u00e9ricain avec \u00e7a \u00bb en r\u00e9f\u00e9rence au mythe populaire d’un sens inn\u00e9 du rythme chez les Noirs. Will Smith r\u00e9cup\u00e8re l\u2019expression autrefois offensante, la d\u00e9tourne et fait en sorte de la rendre cool ! <\/span><\/p>\n

Manu : \u00ab\u00a0Big Willie Style\u00a0\u00bb, c\u2019est donc l\u2019av\u00e8nement du rap populaire, sans prise de t\u00eate et accessible \u00e0 tout le monde. T\u2019es ado en 1997 ? Tu kiffes. T\u2019es un daron ? Tu kiffes aussi. M\u00eame ta mamie peut kiffer !<\/strong><\/p>\n

C\u2019est d\u2019ailleurs ce qui va d\u00e9sar\u00e7onner la presse musicale de l\u2019\u00e9poque. Beaucoup consid\u00e8rent qu\u2019il ne s\u2019agit pas de \u00ab\u00a0vrai\u00a0\u00bb rap, que c\u2019est trop commercial\u2026 Le magazine \u00ab\u00a0Rolling Stone\u00a0\u00bb \u00e9crit que c\u2019est \u00ab\u00a0un bon album pour les f\u00eates de famille, mais pas vraiment du hip-hop\u00a0\u00bb. <\/span><\/p>\n

The Source lui reconna\u00eet un certain talent pour le divertissement, mais le trouve trop l\u00e9ger pour \u00eatre pris au s\u00e9rieux ; alors que Billboard le consid\u00e8re comme \u00ab\u00a0un vent de fra\u00eecheur dans une industrie de plus en plus violente\u00a0\u00bb.<\/span><\/p>\n

Mais finalement peut-\u00eatre que le tr\u00e8s lisse Will Smith n\u2019a jamais cherch\u00e9 autre chose : juste s\u2019amuser et faire danser les gens. Et franchement c\u2019est d\u00e9j\u00e0 pas mal ! <\/span><\/p>\n

Allez on se quitte avec une rare version live de Gettin\u2019 Jiggy Wit It, enregistr\u00e9e en 2005.<\/span><\/p>\n

INSERT \u2014 Gettin Jiggy with it (live 2005)<\/b><\/p>\n

https:\/\/www.youtube.com\/watch?v=mm6y_mLiQGg<\/span><\/a><\/p>\n

 <\/p>\n

Manu : Merci Oli pour cette story Will Smith. Grosse carri\u00e8re. \u200b\u200bSi voulez en savoir plus, je vous recommande la lecture de livre tout simplement intitul\u00e9 \u201cWill\u201d sorti en 2021 dans lequel Will Smith se raconte \u2013 et se la raconte aussi un peu. Parce que derri\u00e8re la m\u00e9ga star, Will cachait beaucoup de douleur. C’est ce qui l\u2019a pouss\u00e9 \u00e0 vouloir toujours plaire aux autres et cr\u00e9er ce personnage amusant et joyeux que l\u2019on conna\u00eet. Je cite \u201cAimer et \u00eatre aim\u00e9 est la plus grande r\u00e9compense que l\u2019on puisse tirer\u201d. Voil\u00e0 un peu de sagesse dans ce monde de paillettes. <\/strong><\/p>\n

Si vous voulez avoir des anecdotes sur le making of Big Willie Style par contre, vous n\u2019en trouverez pas. Mais heureusement, Gr\u00e9goire \u00e0 men\u00e9 l\u2019enqu\u00eate pour vous, c\u2019est l\u2019heure de rejoindre Greg en studio. <\/strong>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLe making-of de \u00ab\u00a0Big Willie Style\u00ab\u00a0\u00ab\u00a0][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu :<\/strong> Big Willie sort donc en novembre 1997, seulement 4 mois apr\u00e8s le  carton au cin\u00e9ma de MEN IN BLACK et du single qui l\u2019accompagne, on peut dire que l\u2019ami Will a appliqu\u00e9 le bon vieil adage : battre le fer quand il est chaud !<\/b><\/p>\n

Gr\u00e9goire : Oui effectivement c\u2019est le timing parfait, apr\u00e8s avoir \u00e9cras\u00e9 la concurrence dans les salles obscures pendant l\u2019\u00e9t\u00e9, Will Smith surfe sur son succ\u00e8s pour d\u00e9gainer un projet XXL, tournant majeur dans sa carri\u00e8re musicale apr\u00e8s la p\u00e9riode DJ Jazzy Jeff & The Fresh Prince. L\u2019album a \u00e9t\u00e9 enregistr\u00e9 tr\u00e8s rapidement en une poign\u00e9e de semaines, on a pas les dates exactes mais comme Men In Black est sorti en ao\u00fbt, on imagine que le disque a \u00e9t\u00e9 finalis\u00e9 quelque part entre septembre et d\u00e9but novembre.<\/span><\/p>\n

L’enregistrement a eu lieu principalement \u00e0 New York aux Right Track Studios et \u00e0 The Hit Factory, studio historique fond\u00e9 par Troy Germano et qui ont vu passer les plus grands, de Stevie Wonder \u00e0 Paul Simon en passant par Bruce Springsteen ou encore les Talking Heads. Trois titres ont toutefois \u00e9t\u00e9 enregistr\u00e9s \u00e0 Philadelphie dans le studio de son ami Jazzy Jeff et \u00ab Just the Two of Us \u00bb, la reprise du standard de Bill Withers a elle \u00e9t\u00e9 immortalis\u00e9e au Pacific Recording Studios \u00e0 Los Angeles. C\u2019est \u00e9galement dans la cit\u00e9 des Anges qui les interludes humoristiques avec l\u2019acteur Jamie Foxx ont \u00e9t\u00e9 enregistr\u00e9s.<\/span><\/p>\n

Manu :<\/strong> <\/span>Apr\u00e8s le blockbuster au cin\u00e9ma, Will Smith veut en fait signer son premier blockbuster musical  <\/b><\/p>\n

Oui c\u2019est exactement comme \u00e7a qu\u2019il faut l\u2019envisager, le projet c\u2019est de toucher le plus grand nombre en proposant un hip hop mainstream et festif qui tend vers la pop. Le style de Big WIllie, c\u2019est d\u2019\u00eatre le plus lisse possible en proposant de bons gros samples disco et RNB des ann\u00e9es 80, ultra produits et rapp\u00e9s sans vulgarit\u00e9, ni menace. Une exception dans le rap game qui vaudra \u00e0 Will Smith des quolibets fr\u00e9quents de la part de ses confr\u00e8res, notamment d\u2019Eminem qui tacle dans \u201cThe Real Slim Shady\u00a0\u00bb cette image de rappeur clean et inoffensif. <\/span><\/p>\n

\u201cWill Smith don’t gotta cuss in his raps to sell records Well, I do, so fuck him and fuck you too\u201d<\/span> \/\/ \u201c<\/span>Will Smith n’a pas besoin de jurer dans ses raps pour vendre des disques. Eh bien, moi je le fais, alors je l\u2019emmerde et je t\u2019emmerde aussi !\u201d<\/span><\/p><\/blockquote>\n

En tout cas, pour cartonner Will Smith ne laisse rien au hasard. Il s\u2019entoure de poids lourds de la production comme L.E.S, surtout connu pour ses collaborations avec Nas et d’autres figures majeures du rap des ann\u00e9es 90 et 2000. Les autres grands artisans du succ\u00e8s de l\u2019album, ce sont \u00e9videmment les Trackmasters, duo de producteur connu sous le nom de \u00ab Poke and Tone \u00bb et que l\u2019on a d\u00e9j\u00e0 crois\u00e9 dans Radio K7 dans notre \u00e9pisode sur NOTORIOUS BIG.<\/span><\/p>\n

INSERT \u2014 Juicy<\/b><\/p>\n

Le duo fait la connaissance de Will Smith sur la BO de MEN IN BLACK, un projet qu\u2019il commence par refuser car le dernier hit du rappeur remonte \u00e0 Summertime en 1991, une \u00e9ternit\u00e9,  mais le salaire qu\u2019on leur propose finit par leur faire changer d\u2019avis, et puis sans doute aussi la sinc\u00e9rit\u00e9 de Will Smith. Dans une interview,  Poke explique que l\u2019acteur est venu vers eux en leur disant \u00ab \u00e9coutez je sais que je suis un ringard mais quoique vous me proposiez pour \u00eatre cool, je serai partant \u00bb.<\/span><\/p>\n

Dont acte. MEN IN BLACK est un carton et le duo s\u2019entend finalement super bien avec Will Smith, si bien que dans la foul\u00e9e du succ\u00e8s du film, ils d\u00e9cident de se lancer avec lui dans Big Willie Style. En studio, ils d\u00e9crivent un Will Smith tr\u00e8s d\u00e9contract\u00e9 qui adorait bien bouffer et refusait de faire des heures supp, se limitant \u00e0 des horaires de travail de 13 heures \u00e0 19 heures, pas une minute de plus.<\/span><\/p>\n

Autre petite anecdote racont\u00e9e par le duo :  Miami, l\u2019un des derniers titres enregistr\u00e9s pour l\u2019album, est n\u00e9e d\u2019une id\u00e9e bien pr\u00e9cise. Les producteurs voulaient qu\u2019une fille dise en Espagne \u00ab Bienvenido a Miami \u00bb. Pour cela, ils sont descendus dans la rue devant la Hit Factory et on demand\u00e9 \u00e0 des filles d\u2019origine hispanique de venir enregistrer la phrase digne d\u2019un spot publicitaire pour l\u2019office de tourisme de Floride. Beaucoup ont pens\u00e9 qu\u2019ils \u00e9taient dingues, en revanche, super souvenir pour celle qui s\u2019est retrouv\u00e9e en studio avec Will Smith.<\/span><\/p>\n

INSERT \u2014 Miami<\/b><\/p>\n

Manu :<\/strong> <\/span>Et il y en a un pour qui \u00e7a devait pas \u00eatre \u00e9vident de voir l\u2019arriv\u00e9e ce duo de producteurs dans la vie de Will Smith, c\u2019est Jazzy Jeff qui est un peu mis de c\u00f4t\u00e9 sur cet album\u2026<\/b><\/p>\n

Jazzy Jeff c\u2019est le pote d\u2019enfance, c\u2019est son producteur, son alter ego musical, et pour la premi\u00e8re fois il doit s\u2019effacer pour laisser son vieux pote Will prendre une nouvelle dimension.  Une p\u00e9riode un peu d\u00e9licate comme l\u2019explique Will Smith dans Broken Record Podcast dans un \u00e9pisode qui vient de sortir en f\u00e9vrier 2025<\/span><\/p>\n

\u201cPoke and Tone \u00e9tait sign\u00e9 sur Columbia. Je me souviens plus exactement de notre premi\u00e8re rencontre mais ils incarnaient vraiment le top du top, ils produisaient tout le monde comme NAS ou Mary J Blige, ils faisaient des tubes, c\u2019\u00e9tait les gars du moment. Et c\u2019\u00e9tait un peu dur car Jeff jusqu\u2019\u00e0 pr\u00e9sent avait tout produit pour moi. On n\u2019avait jamais boss\u00e9 avec d\u2019autres personnes et l\u00e0 c\u2019est moi qui suis all\u00e9 les chercher. Apr\u00e8s Jeff, c\u2019est vraiment quelqu\u2019un de facile \u00e0 vivre mais c\u2019est vrai que \u00e7a \u00e9t\u00e9 un peu difficile pour lui car de mon c\u00f4t\u00e9, j\u2019essayais de faire quelque chose de nouveau, de trouver une nouvelle direction. Cela devrait \u00eatre l\u2019un des principales qualit\u00e9 d\u2019un homme, \u00eatre capable de changer et de se transformer\u201d<\/span><\/p><\/blockquote>\n

Malgr\u00e9 tout Jazzy Jeff, qui \u00e0 l\u2019\u00e9poque, d\u00e9veloppait son propre label de nu soul, A Touch of Jazz n\u2019est pas non plus \u00e9cart\u00e9 du processus cr\u00e9atif, il donne aussi son avis et m\u00eame s\u2019il n\u2019est pas officiellement cr\u00e9dit\u00e9, il participe \u00e0 la direction artistique de l\u2019album. Et puis bien \u00e9videmment, on retrouve Jazzy Jeff au scratch, technique qu\u2019il peaufine depuis les ann\u00e9es 80.<\/span><\/p>\n

INSERT \u2014 The Magnificent Jazzy Jeff<\/b><\/p>\n

En fait, Will Smith raconte dans le podcast dont on vient d\u2019\u00e9couter un extrait que Jazzy Jeff a eu un cancer quand il \u00e9tait adolescent et quand il le rencontre il est en r\u00e9mission mais doit rester chez lui, on imagine qu\u2019il est immuno d\u00e9prim\u00e9 et doit \u00e9viter les contacts avec le monde ext\u00e9rieur. Il passe donc ces journ\u00e9es derri\u00e8re des platines entour\u00e9 de 10 000 vinyles. Il finira par battre la maladie et devenir le roi du \u00ab transform scratch \u00bb. C\u2019est donc tout naturellement que l\u2019on retrouve son coup de patte sur de nombreux titres de \u00ab Big Willie style \u00bb qui vont cr\u00e9er des virgules sonores pour dynamiser encore un peu plus l\u2019album, petit exemple avec \u00ab Its all good \u00bb qui sample sans vergogne deux m\u00e9ga tubes : Good Times de Chic et la fameuse ligne de basse de Rapper\u2019s Delight de Sugar Hill Gang <\/span><\/p>\n

INSERT \u2014 It\u2019s All good<\/b> <\/b><\/p>\n

Manu :<\/strong> <\/span>On a vu c\u00f4t\u00e9 prod, c\u2019est du lourd voire du tr\u00e8s lourd, du c\u00f4t\u00e9 de l\u2019ing\u00e9 son c\u2019est pas mal non plus\u2026<\/b><\/p>\n

L\u00e0 encore, il prend pas les moins bons, Will Smith s\u2019attache les services de Ken \u00ab\u00a0Duro\u00a0\u00bb Ifill, ma\u00eetre du mixage qui a travaill\u00e9 avec des pointures comme Nas, The Notorious B.I.G., ou encore Jay-Z. Son r\u00f4le sur <\/span>Big Willie Style<\/span><\/i> ? c\u2019est d\u2019assurer un son net et brillant, parfaitement calibr\u00e9 pour les radios et les clubs. On imagine que beaucoup de matos haut de gamme pour l\u2019\u00e9poque ont \u00e9t\u00e9 utilis\u00e9s : des Akai MPC3000 pour les beats, des samplers Emu SP-1200. On sait cependant que Duro aimait aussi jouer sur les r\u00e9verbs Lexicon pour donner plus d\u2019ampleur au son de cet album qui vient piocher un peu partout les bonnes id\u00e9es pour cr\u00e9er cet \u00e9quilibre   hip-hop classique et pop festive.<\/span><\/p>\n

Manu :<\/strong> <\/span>Piocher les bonnes id\u00e9es et les bons samples, tu as parl\u00e9 de Chic et Sugar Hill Gang, on peut aussi citer Bill Withers ou encore Stevie Wonder, l\u2019album entier s\u2019appuie sur des boucles de morceaux souls et disco des ann\u00e9es 80\u2026<\/b><\/p>\n

Oui effectivement, il y en a tellement qu\u2019on ne peut pas tous les faire mais on va d\u00e9cortiquer au moins les singles. On commence avec Men In Black, sa basse chaude, ses claps entra\u00eenants, totalement pomp\u00e9e sur Forget Me Nots, single de 1982 de la chanteuse Patrice Rushen<\/span><\/p>\n

INSERT \u2014 Patrice Rushen<\/b><\/p>\n

On continue avec Miami et son synth\u00e9 ensoleill\u00e9 qui s\u2019appuie sur les premi\u00e8res mesures de \u00ab and The beat Goes \u00bb on du groupe The Whispers<\/span><\/p>\n

INSERT \u2014 The Whispers<\/b><\/p>\n

Allez on finit en beaut\u00e9 avec \u00ab\u00a0Gettin\u2019 Jiggy wit It \u00bb et son sample du titre disco \u00ab\u00a0He\u2019s the Greatest Dancer\u00a0\u00bb de Sister Sledge et celui de The Bar Kays pour le ch\u0153ur du refrain.<\/span><\/p>\n

INSERT \u2014 The Bar Kays<\/b><\/p>\n

Voil\u00e0 pour les coulisses de ce Big Willie Style qui sans r\u00e9inventer la poudre \u00e0 canon se montre diablement efficace avec son m\u00e9lange de hip hop grand public et de pop ensoleill\u00e9, son son ultra produit destin\u00e9 \u00e0 faire danser dans les clubs, bref un album plein de good vibes pens\u00e9 et taill\u00e9 pour devenir un hit mondial.  <\/span><\/p>\n

Manu : C\u2019est g\u00e9nial le mec, il a trouv\u00e9 la combine. Il veut sonner comme les mecs de la street, il se r\u00eave en Notorious BIG, ils bossent avec toutes ses prods et celle de Nas aussi. C\u2019est incroyable. Et greg tu l\u2019as pas dit, mais Nas aurait lui-m\u00eame particip\u00e9 \u00e0 Big Willie Style ! Je cite : \u201cWill et moi on tra\u00eenait ensemble en studio. Je lui ai fil\u00e9 deux, trois lignes. Rien de s\u00e9rieux, c\u2019est vraiment lui qui a \u00e9crit le truc. C\u2019est un vrai MC\u201d.<\/strong><\/p>\n

Incroyable, mais vrai : Nas n’a jamais remport\u00e9 de Grammy pour son propre travail, mais il en a obtenu un pour avoir co\u00e9crit \u00ab Gettin’ Jiggy Wit It \u00bb de Will Smith.<\/strong>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbL’univers visuel de Will Smith\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]Manu : Merci Greg ! Apr\u00e8s ce tour d\u2019horizon du son de Will Smith, partons se plonger dans son univers visuel avec toi Fanny, c\u2019est tout aussi groovy mais avec une touche de bling-bling !<\/strong><\/p>\n

Fanny : Exactement Manu ! Aujourd\u2019hui, on d\u00e9gaine nos plus beaux survets flashy, on se met un petit coup de d\u00e9o Obao, et on retourne en l\u2019an de gr\u00e2ce 1997 d\u00e9crypter le sta\u00efle de ce \u00ab big willie style \u00bb. Un album qui transpire la bonne humeur, le hip-hop familial et le branding malin. On va commencer par d\u00e9crypter ensemble la pochette puis s\u2019attarder sur un clip mais je vous en dit pas plus pour le moment !<\/span><\/p>\n

Manu : Oh l\u00e0 l\u00e0, je sens d\u00e9j\u00e0 les Jiggy vibes monter en moi ! Commen\u00e7ons par la pochette alors !<\/strong><\/p>\n

Fanny : Alors la pochette, c\u2019est franchement une belle r\u00e9ussite. Le photographe am\u00e9ricain qui est derri\u00e8re s\u2019appelle Michael Lavine, et au d\u00e9part il est surtout connu pour ses clich\u00e9s de la sc\u00e8ne musicale alternative. C\u2019est le parfait exemple du mec qui \u00e9tait l\u00e0 au bon endroit au bon moment, puisqu\u2019il a \u00e9t\u00e9 un t\u00e9moin privil\u00e9gi\u00e9 de l’\u00e9mergence du mouvement grunge \u00e0 Seattle. R\u00e9sultat ? Il a sign\u00e9 la pochette d\u2019un album un petit peu connu dont on a d\u00e9j\u00e0 parl\u00e9 dans Radio K7\u2026 Vous voyez celle avec le b\u00e9b\u00e9 sous l\u2019eau nageant vers un billet de 1 dollar ? Voil\u00e0, Lavine c\u2019est ce genre de mec, qui a sign\u00e9 ce genre de pochette. Pas trop d\u00e9gueu comme palmar\u00e8s.<\/span><\/p>\n

Outre \u00ab\u00a0Nevermind\u00a0\u00bb de Nirvana, il a \u00e9galement photographi\u00e9 Soundgarden, Pearl Jam, Hole pour \u00ab\u00a0Celebrity Skin\u00a0\u00bb, etc etc. La liste est longue !<\/span><\/p>\n

Manu : Mais Michael Lavine n\u2019a pas seulement excell\u00e9 dans le rock alternatif je crois…<\/strong><\/p>\n

Non, en effet ! Son objectif a aussi captur\u00e9 l\u2019effervescence de la sc\u00e8ne rap, un autre pilier culturel des ann\u00e9es 90. Il a r\u00e9alis\u00e9 notamment la pochette de \u00ab\u00a0Life After Death\u00a0\u00bb de The Notorious B.I.G., avec l\u2019image pr\u00e9monitoire montrant Biggie devant un corbillard, pour cet album sorti 15 jours avant sa mort. Evidemment cette pochette va devenir l\u00e9gendaire\u2026 Dans une interview sur le site de Clique, Lavine d\u00e9clare la chose suivante :<\/span><\/p>\n

\u00ab J\u2019ai travaill\u00e9 avec Nirvana, Sonic Youth et les Beastie Boys \u00bb, <\/span><\/i>dit-il. <\/span>\u00ab Et les puis artistes Hip Hop ont commenc\u00e9 \u00e0 m\u2019engager \u2013 ils me voulaient parce que je les faisais ressembler \u00e0 des rock stars \u00bb<\/span><\/i>. <\/span><\/p><\/blockquote>\n

Est-ce que c\u2019est pour \u00e7a que Will Smith l\u2019a choisi ? On ne saura pas, mais toujours est-il que pour la pochette de \u00ab Big Willie Style \u00bb, Lavine nous sort ici une image diff\u00e9rente de son registre habituel. Exit les ambiances sombres de Seattle, exit le cimeti\u00e8re lugubre de Biggie, bonjour le grand ciel bleu ! On voit Will Smith debout sur un rocher, habill\u00e9 d\u00e9contract\u00e9 en t-shirt blanc et baggy bleu, la chemise ouverte flottant dans le vent. Il l\u00e8ve un bras vers le ciel, l\u2019index point\u00e9 vers le haut, dans une pose triomphante qui le fait ressembler \u00e0 une version masculine de la Statue de la Libert\u00e9. L\u2019arri\u00e8re-plan est un d\u00e9grad\u00e9 de ciel bleu, avec un halo de lumi\u00e8re qui \u00e9mane de Will, cr\u00e9ant un effet presque divin.<\/span><\/p>\n

Manu : Amen !<\/strong><\/p>\n

Le titre de l\u2019album et le nom de Will Smith sont affich\u00e9s en grosses lettres blanches avec un contour jaune, dans une typographie simple mais percutante. L\u2019ensemble d\u00e9gage une impression de grandeur, de r\u00e9ussite et d\u2019optimisme, parfaitement en phase avec l\u2019image positive et accessible de Will Smith \u00e0 cette \u00e9poque. Tout est fait pour envoyer un message de coolitude ultime. C\u2019est simple, cette pochette, c\u2019est une pub ambulante pour la confiance en soi, elle te dit : \u00ab\u00a0Regarde, c\u2019est moi le GOAT ! Je suis au top du rap game et de ma carri\u00e8re dans le cin\u00e9, personne d\u2019autre n\u2019est plus cool que moi\u00a0\u00bb<\/span><\/p>\n

Manu : Et l\u00e0 o\u00f9 il est fort, c\u2019est que cette image de mec cool lui a permis de vendre du rap \u00e0 des millions de foyers am\u00e9ricains comme Olivia nous le disait. C\u2019est l\u2019un des premiers rappeurs mainstream en gros\u2026<\/strong><\/p>\n

Fanny : Exactement ! C\u2019est un peu l\u2019\u00e9quivalent US du rap \u00e0 l\u2019eau qu\u2019on avait en France avec Doc Gyn\u00e9co. Un parti pris qui va lui valoir quelques clashs avec d\u2019autres rappeurs hardcore genre Eminem. Mais ce qui est ultra bien trouv\u00e9 dans son branding et sa strat\u00e9gie marketing, c\u2019est effectivement de r\u00e9ussir \u00e0 vendre du rap \u00e0 toutes les tranches d\u2019\u00e2ges, jeunes y compris. Moi \u00e0 11 ans Will Smith c\u2019est mon h\u00e9ros et le single de Men In Black c\u2019est ma chanson pr\u00e9f\u00e9r\u00e9e. En y repensant je me dis que c\u2019est peut-\u00eatre \u00e7a qui m\u2019a fait mettre un pied dans le rap\u2026 <\/span><\/p>\n

Manu : J\u2019adore ! Et est-ce que cette image positive se prolonge dans les clips aussi ?<\/strong><\/p>\n

Eh bien pour le comprendre, on va se plonger tout de suite dans le clip de \u00ab\u00a0Gettin\u2019 Jiggy wit It\u00a0\u00bb ! <\/span><\/p>\n

INSERT \u2014 Gettin\u2019 Jiggy Wit It<\/b><\/p>\n

Le r\u00e9alisateur d\u00e9j\u00e0, c\u2019est Hype Williams, alias le roi du clip rap \u00e0 l\u2019\u00e9poque. Il a sign\u00e9 des vid\u00e9os iconiques pour Tupac, The Notorious B.I.G., Jay-Z, Kanye West, Beyonc\u00e9 ou encore TLC, fa\u00e7onnant l’identit\u00e9 visuelle du hip-hop \u00e0 cette \u00e9poque o\u00f9 MTV dictait les codes de la pop culture. Le clip de Still Dre \u00e9voqu\u00e9 dans notre \u00e9pisode sur Dr Dre, par exemple, c’\u00e9tait Hype Williams !<\/span><\/p>\n

Son truc \u00e0 lui, c\u2019est le fisheye, cet objectif qui d\u00e9forme les perspectives et cr\u00e9e un effet immersif assez marrant. Cette technique, qu\u2019il a aussi utilis\u00e9e dans des clips genre de \u00ab\u00a0Gimme Some More\u00a0\u00bb de Busta Rhymes ou \u00ab\u00a0The Rain (Supa Dupa Fly)\u00a0\u00bb de Missy Elliott, amplifie l’\u00e9nergie exub\u00e9rante des artistes tout en offrant une distorsion visuelle tr\u00e8s pop et cartoon.<\/span><\/p>\n

D\u2019ailleurs Hype Williams a expliqu\u00e9 en quelques mots sa d\u00e9marche dans Interview Magazine : <\/span><\/p>\n

\u201cJe suis probablement l’un des derniers Mohicans qui se concentre d’abord sur le son, puis sur l’image en deuxi\u00e8me. Je me concentre essentiellement sur la chanson, sur ce qu’elle signifie pour les gens, et j’essaie de cr\u00e9er quelque chose qui fonctionne visuellement ou qui aide \u00e0 comprendre la musique.\u201d<\/span><\/p><\/blockquote>\n

Dans \u00ab\u00a0Gettin\u2019 Jiggy wit It\u00a0\u00bb, il utilise \u00e7a \u00e0 fond : Will Smith est au centre de l\u2019attention, toujours souriant et dansant avec aisance, au milieu de plans larges qui font exploser l\u2019\u00e9cran de couleurs. On a aussi des lumi\u00e8res \u00e9clatantes et un montage dynamique : bref un vrai concentr\u00e9 d\u2019\u00e9nergie positive et de glamour, qui correspond parfaitement au message de f\u00eate et de joie v\u00e9hicul\u00e9 par la chanson. <\/span><\/p>\n

Manu : Niveau d\u00e9cors c\u2019est un peu n\u2019importe quoi non ? On dirait qu\u2019Hype Williams a voulu faire le tour du monde en trois minutes, mais version Hollywood.<\/strong><\/p>\n

C\u2019est totalement \u00e7a ! On commence en studio sur une piste de danse couverte de miroir avec des dizaines de boules \u00e0 facettes qui se refl\u00e8tent, puis on passe dans une salle capitonn\u00e9e bleue avec un podium o\u00f9 Will et ses danseuses performent une chor\u00e9graphie bien styl\u00e9e, tous look\u00e9s en survet Adidas bleu. Et puis l\u00e0, sans crier gare, on switche en mode pharaon dans l’\u00c9gypte antique avec des dizaines de figurants d\u00e9guis\u00e9s en \u00e9gyptiens. Et quelques minutes plus tard, on part pour Hawa\u00ef avec une cohorte de vahin\u00e9s et de danseurs maoris pendant que Will danse dans son plus beau costard \u00e0 fleurs. <\/span><\/p>\n

Toutes ces s\u00e9quences en carton p\u00e2te ont \u00e9t\u00e9 tourn\u00e9es dans divers h\u00f4tels de Las Vegas : le Luxor pour l\u2019Egypte, le Mirage et son volcan pour Hawa\u00ef, plus une sc\u00e8ne devant l’h\u00f4tel New York-New York o\u00f9 on aper\u00e7oit une fausse statue de la libert\u00e9 en arri\u00e8re plan. <\/span><\/p>\n

C\u2019est l\u2019\u00e9poque o\u00f9 les clips de rap sont de vraies superproductions. La s\u00e9quence \u00e9gyptienne, pour moi, c\u2019est un hommage au clip de Remember the Time de Michael Jackson\u2026 C\u2019est gratuit, niveau histoire y\u2019a m\u00eame pas besoin de justifier ces choix sc\u00e9naristiques. Et puis on est en pleine \u00ab\u00a0Shiny Suit Era\u00a0\u00bb, o\u00f9 tout doit briller, o\u00f9 chaque clip est une petite aventure cin\u00e9matographique. Donc c\u2019est avant tout la dimension bling bling qui compte, le reste\u2026 balec. <\/span><\/p>\n

Manu : Je crois que Hype Williams c\u2019est vraiment le r\u00e9alisateur phare de cette mouvance \u201cShiny suit\u201d en plus\u2026<\/strong><\/p>\n

Fanny : Ouais en 97, le premier clip qui va lancer le mouvement c\u2019est \u201cMo Money, Mo problems\u201d de Notorious Big, avec Puff Daddy et Mase. On a des danseuses qui se tr\u00e9moussent, de la pyrotechnie et du fisheye \u00e0 gogo. La m\u00eame ann\u00e9e, il fait un autre clip \u00e0 Vegas qui reprend encore ces codes visuels : ultra color\u00e9, ultra brillant avec des n\u00e9ons partout, c\u2019est \u201cFeel so Good\u201d de Mase. Quand on le regarde apr\u00e8s le clip de Will Smith, on comprend que Williams tient l\u00e0 une recette imparable pour faire des clips bling bling. Will Smith \u00e9tait l\u2019un des artisans du Shiny Suit era, mais celui qui a le plus surf\u00e9 dessus \u00e0 mon avis, c\u2019est Puff Daddy. Mais on gardera \u00e7a pour un prochain \u00e9pisode peut-\u00eatre, je vais m’arr\u00eater l\u00e0 ! <\/span><\/p>\n

Manu : Eh bien merci Fanny pour cette analyse ! Je crois que je vais mettre ma casquette \u00e0 l\u2019envers et me refaire la chor\u00e9 ce soir !<\/strong><\/p>\n

Fanny : Comme tu veux Manu, mais fais gaffe pass\u00e9 40 ans, l\u2019abus de \u00ab wesh yo ! \u00bb peut nuire \u00e0 ta sant\u00e9 !<\/span>[\/vc_column_text][\/toggle][\/toggles][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbin_container\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbnone\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb0″ bottom_padding=\u00a0\u00bb0″ left_padding_desktop=\u00a0\u00bb0″ right_padding_desktop=\u00a0\u00bb0″ text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ 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\u00c0 PROPOS DE RADIO K7 PODCAST<\/h5>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bb20px\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb top_padding=\u00a0\u00bb0″ bottom_padding=\u00a0\u00bb0″ left_padding_desktop=\u00a0\u00bb100″ right_padding_desktop=\u00a0\u00bb100″ top_padding_tablet=\u00a0\u00bb0″ bottom_padding_tablet=\u00a0\u00bb0″ left_padding_tablet=\u00a0\u00bb0″ right_padding_tablet=\u00a0\u00bb0″ top_padding_phone=\u00a0\u00bb0″ bottom_padding_phone=\u00a0\u00bb0″ left_padding_phone=\u00a0\u00bb0″ right_padding_phone=\u00a0\u00bb0″ text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb class=\u00a0\u00bbcol-a-propos\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1664972558970{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 1px !important;border-bottom-width: 1px !important;}\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin=\u00a0\u00bb6%\u00a0\u00bb bottom_margin_tablet=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbsmall_desktop\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_color=\u00a0\u00bb#f5fbdc\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_raw_html]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[\/vc_raw_html][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 sep66″ css=\u00a0\u00bb.vc_custom_1663856470951{padding-top: 0px !important;}\u00a0\u00bb]Chaque mois dans Radio K7 on discute d\u2019un album avec mes copains autour d\u2019une table, parfois avec des invit\u00e9s comme P\u00e9n\u00e9lope Bagieu ou Nicolas Berno. Il y a des chroniques et des d\u00e9bats, on s’interroge sur l\u2019histoire du disque : comment il a \u00e9t\u00e9 produit, ce qui a fait son succ\u00e8s, et puis finalement ce qu’on a envie d’en retenir 20 ou 30 ans plus tard.<\/p>\n

Le 5 janvier 2020, Radio K7 est devenu le premier podcast ind\u00e9pendant sur la musique en France au classement Apple Podcast !<\/b>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin_tablet=\u00a0\u00bb0″ left_margin_tablet=\u00a0\u00bb0″ right_margin_tablet=\u00a0\u00bb0″ top_margin_phone=\u00a0\u00bb0″ column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbpaddbot90 img100-foot1″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbsmall_desktop\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb column_padding_type=\u00a0\u00bbdefault\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbGT size50 pod_violet txt28 margintopmob vc_custom_1662370609207″ css=\u00a0\u00bb.vc_custom_1663856419329{margin-bottom: 0px !important;}\u00a0\u00bb]\u00ab On veut red\u00e9couvrir les 90s, apprendre des trucs et se marrer. \u00bb<\/span>[\/vc_column_text][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 marginbottom1mob\u00a0\u00bb]Manu, Fanny, Olivia et Gr\u00e9goire [\/vc_column_text][image_with_animation image_url=\u00a0\u00bb131″ image_size=\u00a0\u00bbfull\u00a0\u00bb animation_type=\u00a0\u00bbentrance\u00a0\u00bb animation=\u00a0\u00bbFade In\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb animation_movement_type=\u00a0\u00bbtransform_y\u00a0\u00bb hover_animation=\u00a0\u00bbnone\u00a0\u00bb alignment=\u00a0\u00bb\u00a0\u00bb border_radius=\u00a0\u00bbnone\u00a0\u00bb box_shadow=\u00a0\u00bbnone\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bbnone\u00a0\u00bb max_width_mobile=\u00a0\u00bbdefault\u00a0\u00bb margin_left=\u00a0\u00bb10%\u00a0\u00bb margin_right=\u00a0\u00bb10%\u00a0\u00bb margin_left_phone=\u00a0\u00bb0″ margin_right_phone=\u00a0\u00bb0″][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 sep66″ css=\u00a0\u00bb.vc_custom_1663856492497{padding-top: 0px !important;}\u00a0\u00bb]\u201c Le but de ce podcast c’est de red\u00e9couvrir la bande-son des nineties. Parce que c’\u00e9tait celle de notre adolescence, qui a marqu\u00e9 toutes nos premi\u00e8res fois. 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