{"id":318,"date":"2022-07-05T17:31:50","date_gmt":"2022-07-05T15:31:50","guid":{"rendered":"https:\/\/radiok7.co\/podcast\/?p=318"},"modified":"2026-10-17T10:05:43","modified_gmt":"2026-10-17T08:05:43","slug":"wu-tang-clan-enter-the-wu-tang-1993","status":"publish","type":"post","link":"https:\/\/radiok7.co\/podcast\/episode\/wu-tang-clan-enter-the-wu-tang-1993\/","title":{"rendered":"Wu-Tang Clan \u00ab\u00a0Enter the Wu-Tang (36 Chambers)\u00a0\u00bb (1993)"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#000000&Prime; bg_image=\u00a0\u00bb316&Prime; bg_position=\u00a0\u00bbcenter center\u00a0\u00bb background_image_loading=\u00a0\u00bbdefault\u00a0\u00bb bg_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb full_height=\u00a0\u00bbyes\u00a0\u00bb columns_placement=\u00a0\u00bbstretch\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb left_padding_desktop=\u00a0\u00bb60px\u00a0\u00bb right_padding_desktop=\u00a0\u00bb60px\u00a0\u00bb constrain_group_3=\u00a0\u00bbyes\u00a0\u00bb constrain_group_5=\u00a0\u00bbyes\u00a0\u00bb text_color=\u00a0\u00bbcustom\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb class=\u00a0\u00bbstrate1&Prime; 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Et cette popularit\u00e9 croissante oblige NEW YORK \u00e0 redoubler d\u2019efforts pour se renouveler face \u00e0 la concurrence du rap WEST coast.<br \/>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bbright\u00a0\u00bb top_margin_tablet=\u00a0\u00bb27px\u00a0\u00bb left_margin_tablet=\u00a0\u00bb0&Prime; right_margin_tablet=\u00a0\u00bb0&Prime; left_margin_phone=\u00a0\u00bb0&Prime; right_margin_phone=\u00a0\u00bb0&Prime; column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1&Prime; background_hover_color_opacity=\u00a0\u00bb1&Prime; column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbsize18&Prime; gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3&Prime; width=\u00a0\u00bb1\/3&Prime; tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]1993 est l\u2019ann\u00e9e qu\u2019\u00e0 choisi le Wu Tang pour marquer \u00e0 jamais l\u2019histoire du rap avec un premier album qui va faire l\u2019effet d\u2019une bombe, Enter The Wu-Tang est sombre, brut avec un son granuleux imm\u00e9diatement identifiable. 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background_hover_color_opacity=\u00a0\u00bb1&Prime; column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3&Prime; width=\u00a0\u00bb1\/1&Prime; tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][toggles style=\u00a0\u00bbminimal\u00a0\u00bb][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbRetour en 1993&Prime;][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]<span style=\"font-weight: 400;\">Voil\u00e0 pour les 13 titres de Enter the Wu-Tang, alias Thirty-Six Chambers. C\u2019est donc le premier album du Wu-Tang Clan. Il sort le 9 novembre 1993, en vinyle, cassette, CD et Minidisc, sur le tout nouveau label Loud Records distribu\u00e9 par RCA.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">En 1993, c\u2019est la guerre East Coast contre West Coast, pour savoir qui de New York ou de L.A. domine v\u00e9ritablement le rap game. Deux disques majeurs sortent aussi en ce mois de novembre : sur la c\u00f4te Est, \u00ab Midnight Marauders \u00bb d\u2019A Tribe Called Quest, et sur la c\u00f4te Ouest, \u00ab Doggystyle \u00bb de Snoop Doggy Dogg.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">En France aussi, le rap commence \u00e0 s\u2019installer sur les ondes. C\u2019est cette m\u00eame ann\u00e9e que sortent \u00ab J\u2019appuie sur la g\u00e2chette \u00bb de <a href=\"https:\/\/radiok7.co\/podcast\/episode\/ntm-supreme-ntm-1998\/\">NTM<\/a> et \u00ab Ombre est lumi\u00e8re \u00bb, le deuxi\u00e8me album d\u2019<a href=\"https:\/\/radiok7.co\/podcast\/episode\/iam-lecole-du-micro-dargent-1997\/\">IAM<\/a>. Gr\u00e9goire, d\u2019ailleurs, tu nous avais racont\u00e9 dans un pr\u00e9c\u00e9dent \u00e9pisode comment le son du Wu-Tang avait influenc\u00e9 celui de \u00ab L\u2019\u00e9cole du micro d\u2019argent \u00bb\u2026<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sinon, sur nos petits \u00e9crans en 93, on d\u00e9couvrait les clips d\u2019<a href=\"https:\/\/radiok7.co\/podcast\/episode\/ace-of-base-happy-nation-1993\/\">Ace of Base<\/a>, le live \u00ab Unplugged \u00bb d\u2019Eric Clapton, la s\u00e9rie \u00ab Docteur Quinn, femme m\u00e9decin \u00bb et les Minikeums ! Putain, c\u2019\u00e9tait trop bien !<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Allez, on va commencer par faire un petit tour de table et rembobiner vos souvenirs.<\/span>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLa story du Wu-Tang Clan\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]<b>Manu : Allez, on va maintenant vous raconter comment est n\u00e9e la l\u00e9gende du Wu-Tang Clan, avec toi Olivia. Il faut dire que c\u2019est avant tout l\u2019histoire d\u2019un quartier de New York pas vraiment comme les autres : Staten Island.<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Olivia : Staten Island, c\u2019est une \u00eele immense situ\u00e9e de l\u2019autre c\u00f4t\u00e9 du fleuve Hudson et de l\u2019Upper Bay. G\u00e9ographiquement, on est plus proche du New Jersey que de la ville de New York, et son d\u00e9cor n\u2019a pas grand-chose \u00e0 voir avec les buildings de Manhattan, \u00e0 une demi-heure de ferry. Longtemps, personne n\u2019a repr\u00e9sent\u00e9 Staten Island.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Enfant, Robert Diggs \u2013 plus connu sous le nom de RZA \u2013 se passionne pour le cin\u00e9ma et plus particuli\u00e8rement les films d\u2019arts martiaux. Mais dans son quartier, il ne se passe rien. Il est donc oblig\u00e9 de traverser la ville pour esp\u00e9rer voir sur grand \u00e9cran ses films de kung-fu pr\u00e9f\u00e9r\u00e9s. En cette toute fin des ann\u00e9es 70, il faut se rendre aux alentours de la 42e rue pour trouver les <i>grindhouses<\/i>, ces salles de cin\u00e9ma qui programment des films de s\u00e9ries B. Le quartier est assez mal fr\u00e9quent\u00e9 et il faut faire abstraction des junkies qui profitent des billets pas chers pour se shooter au chaud et \u00e0 l\u2019abri. Mais \u00e7a ne d\u00e9motive pas le jeune Robert, qui rapporte r\u00e9guli\u00e8rement chez lui des VHS r\u00e9cup\u00e9r\u00e9es sur place et organise des projections pour ses potes. Le d\u00e9clic va se faire en 83 devant le film <i>Les huit diagrammes du Wu-Lang<\/i>. On \u00e9coute RZA en parler :<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Gr\u00e9goire : \u00ab Je pense que ce qui faisait que ce film r\u00e9sonnait autant chez nous \u00e9tait le fait qu\u2019il parle de fraternit\u00e9. On y voyait des fr\u00e8res se battre les uns pour les autres, une famille d\u00e9truite par la trahison, cherchant la vengeance, la r\u00e9demption, et une guerre dans laquelle m\u00eame les femmes devaient s\u2019impliquer. Mais il y avait aussi autre chose. Des films comme <i>La 36e chambre de Shaolin<\/i> mettent en avant une forme d\u2019oppression gouvernementale. Ils montrent un gouvernement \u00e9tranger qui opprime la population locale. \u00bb<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Issue de milieux sociaux d\u00e9favoris\u00e9s, la bande de potes de Staten Island trouve ici un \u00e9cho \u00e0 sa propre situation, la sensation d\u2019\u00eatre les oubli\u00e9s de la soci\u00e9t\u00e9 am\u00e9ricaine. C\u2019est ce qui va les pousser, en 1992, \u00e0 creuser cet imaginaire, entre cin\u00e9ma, mysticisme et fantasme oriental. S\u2019essayant \u00e0 leurs premiers raps, ils s\u2019amusent \u00e0 rebaptiser les lieux qu\u2019ils connaissent et se cr\u00e9ent leur propre mythologie : dans leurs paroles, Staten Island devient Shaolin, Manhattan devient La Mecque, Brooklyn, la m\u00e9dina, et le New Jersey se transforme en New Jerusalem. Tandis qu\u2019ils composent leurs premiers morceaux, ils se mettent aussi \u00e0 lire <i>L\u2019Art de la guerre<\/i> de Sun Tzu et \u00e9laborent des tactiques militaires pour investir l\u2019industrie de la musique.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Mais pour commencer, il faut un nom. Ce sera le Wu-Tang Clan, en hommage \u00e0 <i>Shaolin vs. Wu Tang<\/i>, un film produit \u00e0 Hong Kong en 1983, avec Gordon Liu, qui met en sc\u00e8ne le combat entre deux \u00e9coles de kung-fu :<\/span><\/p>\n<p><b>INSERT \u2014 <\/b><span style=\"font-weight: 400;\">Extrait vid\u00e9o<\/span><br \/><a href=\"https:\/\/www.youtube.com\/watch?v=sYC73P4Ok_c\">https:\/\/www.youtube.com\/watch?v=sYC73P4Ok_c<\/a><br \/><a href=\"https:\/\/youtu.be\/CofpOLquatY?t=19\">https:\/\/youtu.be\/CofpOLquatY?t=19<\/a><\/p>\n<p><b>Manu : \u00c0 ce moment de l\u2019histoire, il faut quand m\u00eame revenir un petit peu en arri\u00e8re, parce qu\u2019avant la naissance du Wu-Tang, il y a eu ce single bien mainstream d\u2019un certain \u00ab Prince Rakeem \u00bb !<\/b><\/p>\n<p><b>INSERT \u2014 <\/b><span style=\"font-weight: 400;\">Prince Rakeem, \u00ab Ooh I Love You Rakeem \u00bb<\/span><br \/><a href=\"https:\/\/www.youtube.com\/watch?v=O7_3tlhlm78\">https:\/\/www.youtube.com\/watch?v=O7_3tlhlm78<\/a><\/p>\n<p><span style=\"font-weight: 400;\">Et oui, parce qu\u2019avant de devenir RZA, notre copain Robert s\u2019est lanc\u00e9 dans le rap grand public sous le nom de Rakeem, mais c\u2019est un putain de flop commercial ! Du coup, Robert est vir\u00e9 de son label et rentre la queue entre les jambes \u00e0 Staten Island. Qu\u2019\u00e0 cela ne tienne, il recrute ses cousins, GZA et Ol\u2019 Dirty Bastard, et cinq autres amis d\u2019enfance. Les plus fortes t\u00eates de Staten Island\u2026 Forc\u00e9ment, au d\u00e9but, l\u2019ambiance est un peu tendue et les bagarres r\u00e9guli\u00e8res. Mais RZA a un plan et il ne va rien l\u00e2cher. Chacun met 100 $ dans le projet afin de lancer leur premier single.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">D\u00e8s l\u2019automne 1992, avec ce disque vendu au cul du camion, leur style est d\u00e9j\u00e0 bien pr\u00e9sent : un beat prenant, une production spartiate, des rimes assassines. <i>Protect Ya Neck<\/i> s\u2019\u00e9coule \u00e0 10 000 exemplaires en moins de six mois, ramenant le rap underground au premier plan.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Cet incroyable buzz autour de leur premier single va permettre au clan d\u2019envahir le rap et de s\u00e9duire l\u2019industrie. \u00c0 l\u2019\u00e9poque, les m\u00e9dias US sont focalis\u00e9s sur la guerre East Coast \/ West Coast entre 2Pac et <a href=\"https:\/\/radiok7.co\/podcast\/episode\/the-notorious-b-i-g-ready-to-die-1994\/\">Notorious Big<\/a> et ne se passionnent pas pour RZA et sa bande\u2026 Mais c\u2019est la rue qui va faire leur succ\u00e8s. Et \u00e7a, c\u2019est un vrai atout pour durer. D\u00e8s le d\u00e9but, leur obsession est d\u2019occuper le terrain : ils prennent leur voiture et partent faire des concerts dans toute la r\u00e9gion, tout le temps. Ils vont dans les magasins de disques, demandent au vendeur de passer leurs chansons, et font semblant d\u2019adorer \u00e7a pour rameuter des gens. Sur le parking, Mook vend les disques dans le coffre de sa voiture\u2026<\/span><\/p>\n<p><b>Manu : Nous sommes le 9 novembre 1993 et sort un disque qui va bouleverser l\u2019histoire du rap : <i>Enter the Wu-Tang (36 Chambers)<\/i>.<\/b><\/p>\n<p><b>INSERT \u2014 <\/b><span style=\"font-weight: 400;\">Arsenio Hall Show, Wu-Tang Clan, \u00ab C.R.E.A.M. \u00bb en direct (1994)<\/span><br \/><a href=\"https:\/\/www.facebook.com\/watch\/?v=1064400673755089\">https:\/\/www.facebook.com\/watch\/?v=1064400673755089<\/a><\/p>\n<p><span style=\"font-weight: 400;\">Olivia : Ce premier album fait figure d\u2019ovni tant il ne ressemble \u00e0 rien de connu \u00e0 l\u2019\u00e9poque. Les 9 membres du groupe y livrent une musique sombre et minimaliste dont le son brut d\u00e9tonne.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Depuis plus de 5 ans, c\u2019est la Californie qui s\u2019impose et s\u00e9duit le public avec ses sonorit\u00e9s chaudes et tr\u00e8s funk. On pense \u00e9videmment \u00e0 Snoop Dogg, <a href=\"https:\/\/radiok7.co\/podcast\/episode\/dr-dre-the-chronic-2001-1999\/\">Dr. Dre<\/a>, dont on a d\u00e9j\u00e0 parl\u00e9 dans Radio K7. <i>Enter the Wu-Tang (36 Chambers)<\/i> permet de redorer le blason du rap de la c\u00f4te Est et d\u2019imposer un son dur et sans compromis. Le Wu-Tang Clan va puiser dans son imagerie de ren\u00e9gats du rap, en mettant sans cesse en lumi\u00e8re son \u00eele de Shaolin ou en se mettant en sc\u00e8ne avec des katanas de samoura\u00efs.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On va \u00e9couter l\u2019une de leurs premi\u00e8res t\u00e9l\u00e9s US. Dans cet extrait, ODB pr\u00e9sente le Clan, puis RZA nous explique la philosophie du Wu-Tang :<\/span><\/p>\n<p><b>INSERT \u2014 <\/b><span style=\"font-weight: 400;\">Extrait vid\u00e9o<\/span><br \/><a href=\"https:\/\/www.youtube.com\/watch?v=0g8UyK8KQhw\">https:\/\/www.youtube.com\/watch?v=0g8UyK8KQhw<\/a><\/p>\n<p><span style=\"font-weight: 400;\">ODB : \u00ab C\u2019est le Wu-Tang from Shaolin. Je vous pr\u00e9sente Big Pook, RZA, GZA, Raekwon\u2026 On a Method Man, Inspectah Deck, U-God, derri\u00e8re il y a Masta Killa\u2026 Moi, je m\u2019appelle Ol\u2019 Dirty Bastard et on va maintenant vous expliquer nos \u201crules\u201d.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">RZA : \u00ab Historiquement, le Wu-Tang repr\u00e9sente une technique de maniement de l\u2019\u00e9p\u00e9e. Le Wu est la mani\u00e8re de manier le Tang qui, pour nous, est la langue. Le clan repr\u00e9sente la famille.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On fait r\u00e9f\u00e9rence \u00e0 cette technique guerri\u00e8re parce que nous sommes des assassins lyriques et qu\u2019on fait en sorte que la langue repr\u00e9sente symboliquement une arme. C\u2019est comme \u00e7a qu\u2019on travaille. On d\u00e9compose chaque lettre pour qu\u2019elle devienne un jeu spirituel et impr\u00e9visible, un jeu naturel.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ce que vous avez ici est une bande de fr\u00e8res avec beaucoup de talent, et ce jeu naturel. Je dis \u201cjeu naturel\u201d dans le sens o\u00f9 la rue l\u2019entend, c\u2019est-\u00e0-dire un moyen de survivre dans le ghetto. Le savoir que la rue t\u2019enseigne.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">En fait, le Wu-Tang, c\u2019est la technique de d\u00e9fense que nous utilisons pour survivre. La langue contre les armes. En tout cas, c\u2019est comme \u00e7a qu\u2019on voit les choses. \u00bb<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Avec son style granuleux et son penchant pour les paroles hardcore, le Wu-Tang va envahir l\u2019industrie comme aucun autre groupe de rap ne l\u2019avait fait auparavant : <i>Enter the Wu-Tang (36 Chambers)<\/i> va d\u00e9passer le million de ventes nationales en un an !<\/span><\/p>\n<p><b>Manu : C\u2019est tr\u00e8s, tr\u00e8s fort, mais le vrai coup de ma\u00eetre du Wu-Tang, c\u2019est d\u2019avoir r\u00e9ussi \u00e0 g\u00e9rer le groupe et leurs carri\u00e8res solo en m\u00eame temps !<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Olivia : En effet, RZA va r\u00e9ussir \u00e0 n\u00e9gocier un accord avec Loud Records qui comprend la signature du Wu en tant que groupe, tout en permettant \u00e0 chaque membre de signer ailleurs en solo. Pour RZA, la seule fa\u00e7on de conqu\u00e9rir le rap game est que le Wu r\u00e9partisse ses membres dans toute l\u2019industrie. Il se donne cinq ans pour lever une arm\u00e9e, l\u2019entra\u00eener et la lancer \u00e0 l\u2019assaut de l\u2019industrie, prenant pour cela le contr\u00f4le absolu de l\u2019image, du son et de la strat\u00e9gie commerciale du groupe. Il s\u2019appuie sur le succ\u00e8s de leur premier single pour signer un deal garantissant \u00e0 chacun de ses membres une totale libert\u00e9 cr\u00e9atrice et contractuelle en dehors du Clan, soit la possibilit\u00e9 \u00e0 moyen terme d\u2019engranger deux fois plus de royalties et de faire grimper les ench\u00e8res : Method Man signe chez Def Jam, GZA chez Geffen, Ol\u2019 Dirty Bastard chez Elektra, Ghostface Killah chez Epic, tandis que Raekwon restera chez Loud Records.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La tourn\u00e9e qui suit la sortie d\u2019<i>Enter the Wu-Tang (36 Chambers)<\/i> est \u00e9videmment compl\u00e8tement folle. Ils sont accueillis comme des rois par le public, aux quatre coins du pays. Ils jouent parfois 3 concerts par soir : Philadelphie en d\u00e9but de soir\u00e9e, le Bronx quelques heures plus tard, oblig\u00e9s de rallier les deux villes \u00e0 200 km sur l\u2019autoroute.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Quelques mois plus tard, ils entament leur tourn\u00e9e internationale. Ils ne sont jamais sortis du pays, certains n\u2019ont m\u00eame pas de pi\u00e8ce d\u2019identit\u00e9\u2026 rien, sauf leur matricule d\u2019ex-d\u00e9tenus. Pendant cette tourn\u00e9e, qui se solde malgr\u00e9 tout par un disque de platine, quasiment tout leur staff va jeter l\u2019\u00e9ponge, \u00e9puis\u00e9 par les bastons incessantes, les fuites d\u2019h\u00f4tel pour factures de t\u00e9l\u00e9phone impay\u00e9es et leur d\u00e9lire parano\u00efaque. Ils laissent des notes de 17 000 $ et refusent de boire dans des bouteilles non d\u00e9capsul\u00e9es, par peur que le gouvernement am\u00e9ricain ne les empoisonne.<\/span><\/p>\n<p><b>Manu : L\u2019histoire est dingue ! C\u2019est quand m\u00eame la plus improbable success story de l\u2019industrie musicale am\u00e9ricaine !<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Olivia : En rompant avec le bling-bling de la c\u00f4te Ouest, en proposant une myst\u00e9rieuse philosophie orientale, le Wu-Tang Clan avance \u00e0 la mani\u00e8re d\u2019une arm\u00e9e investie d\u2019une mission. Et \u00e7a fonctionne puisqu\u2019ils vendront au total plus de 40 millions d\u2019albums. Mais surtout, ils ont dict\u00e9 leur volont\u00e9 \u00e0 l\u2019industrie et n\u2019ont jamais rien c\u00e9d\u00e9. En cela, l\u2019apport artistique du Wu est immense. C\u2019est probablement \u00e0 RZA que l\u2019on doit le rap 100% ind\u00e9pendant aux \u00c9tats-Unis. Celui-l\u00e0 m\u00eame qui permettra plus tard l\u2019\u00e9closion de Nas ou de Jay-Z.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Souvent imit\u00e9s mais jamais \u00e9gal\u00e9s\u2026 la toute derni\u00e8re phrase de l\u2019album mettait d\u00e9j\u00e0 en garde ceux qui chercheraient \u00e0 les copier : \u00ab C\u2019est \u00e7a le secret : ne jamais enseigner le Wu-Tang. \u00bb<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Moi, j\u2019adore le Wu-Tang, c\u2019est vraiment la colonie de vacances. Les mecs sont tous excellents, mais ce sont de vrais gamins, quoi ! Heureusement qu\u2019il y en a un pour faire tourner la boutique : le pilote, c\u2019est RZA. Le mec a la vision, il va r\u00e9ussir un hold-up aupr\u00e8s des labels. Il va r\u00e9ussir \u00e0 vendre deux fois les m\u00eames artistes \u00e0 deux labels diff\u00e9rents et m\u00eame \u00e0 rester propri\u00e9taire de sa marque !!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Outre les revenus traditionnels li\u00e9s aux ventes de disques et aux concerts, le groupe a compris avant tout le monde le pouvoir de l\u2019influence et du branding dans le hip-hop. Vous vous souvenez du Wu Wear ? C\u2019est la marque qu\u2019ils vont lancer en 95 en ouvrant des magasins dans tout le pays, \u00e7a leur a rapport\u00e9 10 millions de dollars chaque ann\u00e9e ! Ce mec est un putain de g\u00e9nie.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Cette imbrication de labels et de produits d\u00e9riv\u00e9s a m\u00eame attir\u00e9 l\u2019attention du FBI, qui s\u2019est mis \u00e0 soup\u00e7onner un r\u00e9seau de blanchiment d\u2019argent. La structure Wu-Tang Productions a donc fait l\u2019objet d\u2019une enqu\u00eate de 1999 \u00e0 2005, mais sans donner lieu \u00e0 des poursuites. Dommage, \u00e7a aurait ajout\u00e9 encore un peu \u00e0 la l\u00e9gende\u2026<\/span>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbLe making-of de \u00ab\u00a0Enter the Wu-Tang (36 Chambers)\u00ab\u00a0\u00ab\u00a0][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]<b>Manu : C\u2019est parti maintenant pour la partie consacr\u00e9e \u00e0 l\u2019enregistrement de ce premier album du Wu-Tang. On imagine que \u00e7a se passe du c\u00f4t\u00e9 de New York, Gr\u00e9goire\u2026<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Gr\u00e9goire : Bien vu Manu, je vous emm\u00e8ne au Firehouse Studio \u00e0 Brooklyn, \u00e9picentre du rap East Coast \u00e0 la fin des ann\u00e9es 80 et au d\u00e9but des nineties, et fr\u00e9quent\u00e9 par RZA \u00e0 l\u2019\u00e9poque o\u00f9 il se fait encore appeler Prince Rakeem.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">C\u2019est l\u00e0-bas qu\u2019il va enregistrer le premier titre du Wu-Tang Clan, <i>Protect Ya Neck<\/i>, un morceau hors norme sur lequel figurent 7 rappeurs, 7 rappeurs l\u00e2ch\u00e9s par leur label et qu\u2019un RZA revanchard veut remettre en selle\u2026<\/span><\/p>\n<p><b>INSERT \u2014 <\/b><span style=\"font-weight: 400;\">Wu-Tang Clan, \u00ab Protect Ya Neck \u00bb<\/span><\/p>\n<p><b>Manu : Donc en fait, avant la naissance du Wu-Tang, RZA avait d\u00e9j\u00e0 des liens tr\u00e8s forts avec ce studio\u2026<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Gr\u00e9goire : Oui, apr\u00e8s le boulot, il y passait une grande partie de ses soir\u00e9es avec son cousin GZA, \u00e9galement connu sous le nom de The Genius. Et puis il y a un lien de confiance qui s\u2019\u00e9tablit avec le propri\u00e9taire de ce loft de 90 m\u00b2, l\u2019ing\u00e9nieur du son Yoram Vazan.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Et puis il y a aussi des consid\u00e9rations financi\u00e8res : on est sur un studio \u00e0 20 dollars de l\u2019heure avec du mat\u00e9riel d\u2019occasion. Sans \u00eatre cheap, ce n\u2019est pas un studio \u00e0 la pointe de la technologie, de toute fa\u00e7on le Wu-Tang ne peut pas se permettre de faire des folies. Le groupe a m\u00eame du mal \u00e0 payer les sessions d\u2019enregistrement. Yoram Vazan, le boss du lieu, raconte que le groupe r\u00e9unit parfois des pi\u00e8ces de 25 cents pour le r\u00e9gler et qu\u2019il doit r\u00e9guli\u00e8rement leur faire cr\u00e9dit, mais c\u2019est de bon c\u0153ur. Il aime leur musique, c\u2019est clairement un lieu de passionn\u00e9s. J\u2019ai parl\u00e9 de Yoram Vazan, on peut \u00e9galement citer Ethan Ryman, qui a particip\u00e9 aux sessions d\u2019enregistrement sur l\u2019album, formant un duo de choc avec RZA, qui contr\u00f4lait les samples avec son clavier Ensoniq, pendant que Ryman g\u00e9rait la console de mixage.<\/span><\/p>\n<p><b>Manu : On a d\u00e9j\u00e0 un petit aper\u00e7u, mais comment cela se passe-t-il en studio entre les neuf rappeurs ?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Gr\u00e9goire : Oui, 9 rappeurs, mais seulement 8 qui peuvent \u00eatre pr\u00e9sents en m\u00eame temps, car le studio est trop petit pour accueillir tout le monde. L\u2019ambiance est faite d\u2019une saine \u00e9mulation, RZA n\u2019h\u00e9site pas \u00e0 mettre en concurrence ses 9 samoura\u00efs pour savoir lequel posera son flow sur telle ou telle instru concoct\u00e9e par leur Shogun. Le Wu-Tang a beau \u00eatre un collectif, n\u2019imaginez pas pour autant un fonctionnement horizontal, bien au contraire, explique RZA dans cette ITV accord\u00e9e \u00e0 T\u00e9l\u00e9rama :<\/span><\/p>\n<p><b>INSERT \u2014 <\/b><span style=\"font-weight: 400;\">RZA, \u00ab L\u2019interview post-it \u00bb (T\u00e9l\u00e9rama, 2017)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">J\u2019ai parl\u00e9 de saine \u00e9mulation, mais il y a aussi des tensions en studio : logique quand vous r\u00e9unissez dans la m\u00eame pi\u00e8ce 9 fortes t\u00eates de Staten Island, qui viennent parfois de cit\u00e9s rivales, anciens cam\u00e9s ou dealers. RZA, lui, n\u2019en a que faire, il veut simplement r\u00e9unir les meilleurs soldats \u00e0 sa disposition pour r\u00e9volutionner le hip-hop.<\/span><\/p>\n<p><b>Manu : R\u00e9volution, c\u2019est un mot qui revient beaucoup quand on lit des infos sur cet album. Pourquoi est-ce une r\u00e9volution ?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Gr\u00e9goire : C\u2019est une r\u00e9volution parce qu\u2019\u00e0 l\u2019\u00e9poque, c\u2019est le son West Coast qui domine les ondes, avec par exemple ce d\u00e9licieux son funky de Dr Dre accompagn\u00e9 du flow chaloup\u00e9 de Snoop Dogg. On est fin 1992, l\u2019ann\u00e9e du premier single du Wu-Tang.<\/span><\/p>\n<p><b>INSERT \u2014 <\/b><span style=\"font-weight: 400;\">Dr. Dre feat. Snoop Dogg, \u00ab Nuthin\u2019 but a \u201cG\u201d Thang \u00bb<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Le Wu-Tang d\u00e9barque, lui, avec une formule compl\u00e8tement diff\u00e9rente : l\u00e0 o\u00f9 le son West Coast est surproduit, les New-Yorkais arrivent avec une musique hyper brute et minimaliste, pas d\u2019effet sur les voix, des morceaux construits comme des autoroutes, avec tr\u00e8s peu de \u00ab hooks \u00bb, ce moment de gr\u00e2ce dans un morceau qui permet d\u2019accrocher l\u2019oreille de l\u2019auditeur. Bref, RZA construit ici une v\u00e9ritable alternative new-yorkaise au gangsta rap californien, gr\u00e2ce \u00e0 un art g\u00e9nial du sampling et une culture soul encyclop\u00e9dique.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">En 1992, feu Ensoniq Corp. commercialise l\u2019Advanced Sampling Recorder 10, un synth\u00e9tiseur\/sampleur qui va changer le cours du rap. En effet, apr\u00e8s avoir pass\u00e9 une dizaine d\u2019ann\u00e9es \u00e0 bricoler des beats sur des machines de fortune, Robert Diggs alias RZA, 23 ans, r\u00e9ussit \u00e0 mettre la main sur un exemplaire (la rumeur veut qu\u2019ODB le lui ait piqu\u00e9 en magasin). Mu\u00e9 en \u00ab ma\u00eetre de la production \u00bb, il produit alors \u00ab les 100 premiers morceaux du Wu-Tang Clan \u00bb, concoctant au passage ce son sec et cradingue qui a retourn\u00e9 les esprits. (<a href=\"https:\/\/www.booska-p.com\/musique\/dossiers-musique\/rap-et-kung-fu-labecedaire-du-wu-tang-clan\/\">source<\/a>)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Un son aux limites de la pauvret\u00e9, d\u2019apr\u00e8s Les Inrocks : \u00ab En studio, tout le monde (RZA en t\u00eate) tient \u00e0 garder l\u2019aspect sale et brut des enregistrements. Les sons des films de kung-fu sont capt\u00e9s directement depuis un vieux magn\u00e9toscope\u2026 \u00c0 l\u2019\u00e9poque, le traitement du son est encore limit\u00e9 \u2013 ce qui fait que ces \u00e9chantillons pris dans les films constituent la partie la plus compliqu\u00e9e du disque, d\u2019autant que RZA veut en mixer plusieurs ensemble et que les machines de l\u2019\u00e9poque le permettent difficilement. Pourtant, il arrive \u00e0 ses fins et le r\u00e9sultat flirte avec un son souvent aux limites de la pauvret\u00e9, si lo-fi qu\u2019il donne l\u2019impression que tout est recouvert d\u2019une couche \u00e9paisse de parasites. Ce que le groupe adore. <i>Enter the Wu-Tang\u2026<\/i> est ainsi un album o\u00f9 s\u2019entrechoquent les cultures, les citations tr\u00e8s recherch\u00e9es et les voix les plus rugueuses du moment. \u00c7a donne \u00e0 l\u2019ensemble sa totale ad\u00e9quation avec une \u00e9poque qui cherche sans cesse des formes neuves, pas forc\u00e9ment tr\u00e8s propres. \u00bb<\/span><\/p>\n<p><b>Manu : Bon, l\u00e0 forc\u00e9ment, il faut que l\u2019on s\u2019arr\u00eate sur l\u2019un des samples les plus c\u00e9l\u00e8bres de l\u2019histoire du hip-hop, celui du morceau C.R.E.A.M.<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Gr\u00e9goire : Oui, c\u2019est sans doute l\u2019acronyme le plus c\u00e9l\u00e8bre de l\u2019histoire du hip-hop, \u00ab Cash Rules Everything Around Me \u00bb, qui repose sur plusieurs samples du groupe soul f\u00e9minin les Charmels, sign\u00e9 sur le label Stax Records. Je vous propose de d\u00e9cortiquer le titre, avec d\u2019un c\u00f4t\u00e9 le morceau original et de l\u2019autre les boucles cr\u00e9\u00e9es par RZA :<\/span><\/p>\n<p><b>INSERT \u2014 <\/b><span style=\"font-weight: 400;\">Les samples de \u00ab C.R.E.A.M. \u00bb (dont The Charmels, \u00ab As Long as I\u2019ve Got You \u00bb)<\/span><br \/><a href=\"https:\/\/www.youtube.com\/watch?v=WjCDagmAvxk\">https:\/\/www.youtube.com\/watch?v=WjCDagmAvxk<\/a><\/p>\n<p><span style=\"font-weight: 400;\">Voil\u00e0 pour les trois samples utilis\u00e9s. On se r\u00e9\u00e9coute maintenant le d\u00e9but du morceau : je disais un peu plus t\u00f4t que l\u2019album ne regorgeait pas de \u00ab hooks \u00bb, en revanche l\u00e0 il y en a un beau, avec cette intro un peu lancinante et l\u2019entr\u00e9e de ce riff de piano devenu iconique dans l\u2019histoire du hip-hop.<\/span><\/p>\n<p><b>INSERT \u2014 <\/b><span style=\"font-weight: 400;\">Wu-Tang Clan, \u00ab C.R.E.A.M. \u00bb<\/span><\/p>\n<p><span style=\"font-weight: 400;\">J\u2019ai parl\u00e9 des Charmels, mais sur le disque on retrouve des samples de Sly and the Family Stone, James Brown \u00e9videmment, mais aussi de Lee Dorsey ou encore du pianiste de jazz Thelonious Monk, notamment sur \u00ab Shame on a Nigga \u00bb, sur lequel ODB pose son flow frappadingue. Moi, perso, je suis fan du sample de Wendy Rene, l\u00e0 encore une chanteuse de Stax, utilis\u00e9 sur le titre \u00ab Tearz \u00bb. Ne vous fiez pas au rythme entra\u00eenant du morceau : sur ce titre, RZA raconte la mort de son petit fr\u00e8re tandis que Ghostface \u00e9voque un de ses potes qui a attrap\u00e9 le sida.<\/span><\/p>\n<p><b>INSERT \u2014 <\/b><span style=\"font-weight: 400;\">Wu-Tang Clan, \u00ab Tearz \u00bb<\/span><\/p>\n<p><b>Manu : R\u00e9volution musicale, r\u00e9volution dans la mani\u00e8re de dealer avec les maisons de disques (on en a parl\u00e9 avec Olivia), mais aussi r\u00e9volution marketing, on pourrait dire.<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Gr\u00e9goire : Oui, \u00e7a ne vous a pas \u00e9chapp\u00e9, cet album est truff\u00e9 de r\u00e9f\u00e9rences aux arts martiaux, avec de nombreux extraits de films de kung-fu des seventies qui font le lien entre les diff\u00e9rents morceaux.<\/span><\/p>\n<p><b>INSERT \u2014 <\/b><span style=\"font-weight: 400;\">Extrait<\/span><\/p>\n<p><span style=\"font-weight: 400;\">M\u00e9langer kung-fu et hip-hop, \u00e7a nous semble \u00e9vident aujourd\u2019hui, et \u00e7a, on le doit l\u00e0 encore au producteur charismatique du Wu-Tang. RZA cr\u00e9e avec cet album une mythologie orientale et guerri\u00e8re en plein NYC : contrairement \u00e0 NWA, qui s\u2019inscrit dans une r\u00e9alit\u00e9 urbaine, le Wu-Tang propose un imaginaire totalement d\u00e9cal\u00e9 et fait na\u00eetre dans l\u2019esprit de l\u2019auditeur l\u2019image d\u2019un clan myst\u00e9rieux et indestructible. Quand on conna\u00eet l\u2019importance de cr\u00e9er sa propre l\u00e9gende dans le monde du hip-hop, c\u2019est juste du g\u00e9nie. Finalement, c\u2019est aussi pour \u00e7a, en dehors de ses qualit\u00e9s musicales incontestables, que ce disque marque un jalon dans l\u2019histoire du hip-hop.<\/span>[\/vc_column_text][\/toggle][toggle color=\u00a0\u00bbDefault\u00a0\u00bb heading_tag=\u00a0\u00bbdefault\u00a0\u00bb heading_tag_functionality=\u00a0\u00bbdefault\u00a0\u00bb title=\u00a0\u00bbL\u2019univers visuel du Wu-Tang Clan\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbw1 18px\u00a0\u00bb]<b>Manu : On va maintenant se pencher sur l\u2019univers visuel du Wu-Tang. Alors, pour nos amis qui connaissent bien celui du Wu-Tang, est-ce que tu pourrais nous le d\u00e9crire ? Est-ce que c\u2019est rempli de meufs en bikini et de weed comme sur la West Coast ?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Fanny : Alors non, pas tout \u00e0 fait. Chaque sous-courant du hip-hop US a ses propres codes, sa propre grammaire. Avec le Wu-Tang, on est dans un univers de banlieue d\u00e9favoris\u00e9e, soit, mais pas la m\u00eame banlieue que chez Dr Dre. Pour replanter le d\u00e9cor, Olivia l\u2019a dit, nous sommes au nord-est de Staten Island et plus pr\u00e9cis\u00e9ment dans un quartier qui s\u2019appelle Park Hill. Dans les ann\u00e9es 80 et 90, on entend parfois parler de ce quartier sous le nom de Crack Hill ou Killah Hill. GZA a d\u2019ailleurs sorti un morceau qui s\u2019appelle \u00ab Killah Hills 10304 \u00bb sur son album solo <i>Liquid Swords<\/i>. Bref, c\u2019est le ghetto et c\u2019est maxi chaud, comme on l\u2019a vu en d\u00e9but d\u2019\u00e9mission.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La culture hip-hop, qui est apparue dans le Bronx \u00e0 quelques encablures de l\u00e0, n\u2019en finit pas d\u2019\u00e9voluer et d\u2019\u00e9tendre son influence. Musicalement, avec le rap, les DJ mix et le beatboxing, physiquement avec le breakdance et visuellement avec le graffiti.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">C\u2019est l\u00e0 qu\u2019il y a un lien \u00e0 faire avec le logo du Wu-Tang ! Un visuel devenu culte, qui a \u00e9t\u00e9 dessin\u00e9 par l\u2019un des membres du groupe, Ronald Maurice, alias Mathematics, qui faisait justement un peu de graffiti \u00e0 c\u00f4t\u00e9. Le groupe a alors d\u00e9j\u00e0 sorti son premier single <i>Protect Ya Neck<\/i> et pr\u00e9pare un peu de promo, des impressions de stickers, ce genre de chose. RZA demande alors \u00e0 Mathematics de s\u2019inspirer du message de <i>Protect Ya Neck<\/i> pour dessiner ce logo, comme il l\u2019explique dans l\u2019\u00e9mission The Cruz Show, sur la radio am\u00e9ricaine Power 106, en 2017 :<\/span><\/p>\n<p><b>INSERT \u2014 <\/b><span style=\"font-weight: 400;\">RZA, The Cruz Show (Power 106, 2017)<\/span><br \/><a href=\"https:\/\/www.youtube.com\/watch?v=9qapiWrTnGE\">https:\/\/www.youtube.com\/watch?v=9qapiWrTnGE<\/a><\/p>\n<p><span style=\"font-weight: 400;\">Gr\u00e9goire, dans le r\u00f4le de RZA : \u00ab Pour commencer, notre premi\u00e8re id\u00e9e, c\u2019\u00e9tait la t\u00eate d\u00e9capit\u00e9e. Notre premi\u00e8re id\u00e9e pour le Wu-Tang, c\u2019\u00e9tait : \u201cJe veux que mon logo, \u00e7a soit un mec qui tient une t\u00eate avec des dreadlocks ; la t\u00eate est d\u00e9capit\u00e9e et le sang est en train de couler : Protect Ya Neck !\u201d Et il a dessin\u00e9 \u00e7a ! (rires) \u00bb<\/span><\/p>\n<p><b>Manu, dans le r\u00f4le de l\u2019animateur radio : \u00ab Et il se pointe chez moi avec la t\u00eate du mec entre les mains ! (rires) \u00bb<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Gr\u00e9goire, dans le r\u00f4le de RZA : \u00ab On s\u2019est tous regard\u00e9s et on s\u2019est dit : \u201cOuais, peut-\u00eatre que la t\u00eate d\u00e9capit\u00e9e, \u00e7a ne va pas le faire.\u201d On a continu\u00e9 \u00e0 chercher quelque temps et on s\u2019est finalement mis d\u2019accord sur le W. \u00bb<\/span><\/p>\n<p><span style=\"font-weight: 400;\">J\u2019ai retrouv\u00e9 le visuel d\u2019origine dont RZA parle, je vous le mettrai sur les r\u00e9seaux sociaux, c\u2019est assez gore en effet. Donc, comme on l\u2019a entendu, le groupe d\u00e9cide de simplifier et de miser sur la lettre W. Le logo d\u00e9finitif est un dessin stylis\u00e9 dans un esprit graffiti, avec la lettre W en grand qui ressemble \u00e0 un oiseau. \u00c7a me fait un peu penser aux repr\u00e9sentations animales des Am\u00e9rindiens, l\u2019oiseau-tonnerre notamment, m\u00eame si je pense qu\u2019il n\u2019y a ici aucun lien.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bref, ce W est coup\u00e9 en deux dans la largeur. Il y a une bande au centre de laquelle est \u00e9crit le mot Wu-Tang en majuscules, dans une calligraphie qui rappelle l\u2019Asie et l\u2019univers du kung-fu qui a donn\u00e9 son nom au groupe.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dans le documentaire de Showtime <i>Of Mics and Men<\/i>, on apprend que Mathematics a \u00e9t\u00e9 pay\u00e9 400 dollars pour la cr\u00e9ation de ce logo. Au fil des ans, il va en cr\u00e9er des d\u00e9clinaisons selon les besoins des autres membres. Il va par exemple dessiner un G pour l\u2019album solo de GZA ou encore un M pour celui de Method Man.<\/span><\/p>\n<p><b>Manu : Pour moi, ce logo du Wu-Tang, il est au rap ce que le Bat-Signal est aux comic books, c\u2019est-\u00e0-dire que c\u2019est l\u2019un des logos les plus iconiques du rap game ; et on le retrouve justement sur la pochette de l\u2019album <i>36 Chambers<\/i>\u2026<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Fanny : Oui, autre histoire cette fois. La pochette de cet album a \u00e9t\u00e9 shoot\u00e9e par Daniel Hastings, un photographe incontournable dans le milieu \u00e0 cette \u00e9poque. Avec deux comparses, Christian Cortez et Miguel Rivera, il fonde l\u2019agence cr\u00e9ative Cartel, qui va signer pas mal de pochettes pour d\u2019autres groupes de rap. L\u2019autre nom \u00e0 retenir pour la cr\u00e9ation de cette pochette, c\u2019est celui de Jacqueline \u00ab Jackie \u00bb Murphy, la directrice artistique de RCA Records.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Murphy et Hastings \u00e9taient d\u00e9j\u00e0 en contact pour d\u2019autres contrats lorsqu\u2019elle appelle le photographe pour lui proposer de bosser avec le Wu-Tang. Hasard du calendrier, quand il re\u00e7oit ce coup de fil, Hastings est \u00e0 Atlanta pour couvrir la convention Jack the Rapper, o\u00f9 le Wu-Tang joue justement ce jour-l\u00e0. Il d\u00e9cide donc d\u2019aller les voir. Sur le blog du site 36chambers.com, il raconte qu\u2019il \u00e9tait en train d\u2019assister au set d\u2019un groupe de rap old school, la g\u00e9n\u00e9ration d\u2019avant, ann\u00e9es 70\/80, quand soudain un mec avec un collant sur la t\u00eate se pointe sur sc\u00e8ne. Le groupe qui joue fait genre : \u00ab What the fuck, son ? On est en plein concert l\u00e0. \u00bb Mais le mec ne s\u2019en va pas, il s\u2019en balec. L\u00e0, tout un gang d\u2019autres gars avec des collants sur la t\u00eate d\u00e9boulent, ils poussent et d\u00e9gagent tout le monde de la sc\u00e8ne, les MC, l\u2019ing\u00e9 son, litt\u00e9ralement : ils leur volent leur set et se mettent \u00e0 hurler \u00ab WU-TANG CLAN AIN\u2019T NUTHIN\u2019 TO FUCK WIT\u2019 ! WU-TANG CLAN AIN\u2019T NUTHIN\u2019 TO FUCK WIT\u2019 ! \u00bb. Le public devient ouf, la salle s\u2019embrase.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Si je vous raconte cette anecdote, c\u2019est qu\u2019elle aura une incidence quelques semaines plus tard lors de la prise de vue pour la pochette d\u2019<i>Enter the Wu-Tang<\/i>.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Apr\u00e8s ce concert, Hastings rend visite au Wu-Tang en studio pendant qu\u2019ils enregistrent l\u2019album pour discuter du concept de la pochette. RZA lui parle de Bruce Lee et de karat\u00e9, il lui dit qu\u2019il veut un d\u00e9cor qui ressemble \u00e0 un monast\u00e8re, parce que le Wu-Tang, c\u2019est un clan, un crew. Jackie trouve l\u2019endroit sur Norfolk Street, dans le Lower East Side : une synagogue \u00e0 l\u2019\u00e9poque abandonn\u00e9e, qui s\u2019appelle Angel Orensanz Foundation.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Comme Hastings trouve le logo du groupe super cool, il demande \u00e0 un artiste d\u2019en fabriquer une r\u00e9plique g\u00e9ante taill\u00e9e dans de la mousse et de la peindre en dor\u00e9, c\u2019est ce qu\u2019on voit dans le fond sur la photo de l\u2019artwork.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Le jour de la prise de vue, seulement 6 des 9 membres du groupe se pointent. Vu qu\u2019ils ne sont pas au complet, le shooting est \u00e0 deux doigts de tomber \u00e0 l\u2019eau, la maison de disques, qui a d\u00e9j\u00e0 d\u00e9pens\u00e9 quelques milliers de dollars sur le projet, ne pouvant pas se permettre de perdre trop de thunes en d\u00e9calant le planning.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">C\u2019est l\u00e0 qu\u2019Hastings leur propose de refaire ce qu\u2019il avait vu \u00e0 Atlanta. Il leur dit : \u00ab Allez tous choper un sweat \u00e0 capuche, vous mettez un autocollant du Wu-Tang dessus, vous vous foutez un collant sur la t\u00eate et \u00e7a fera l\u2019affaire. \u00bb RZA a trouv\u00e9 l\u2019id\u00e9e cool. Ils sont partis l\u00e0-dessus.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">C\u2019est un pari os\u00e9, vu les egos de chacun, de ne pas montrer les visages des membres du Wu-Tang, et en m\u00eame temps c\u2019est hyper bien trouv\u00e9 : \u00e7a renforce l\u2019id\u00e9e qu\u2019ils sont tous membres d\u2019un clan avant d\u2019\u00eatre des individus.<\/span><\/p>\n<p><b>Manu : Oui, c\u2019est fort, elle est hyper myst\u00e9rieuse cette pochette, on ne sait pas qui sont ces mecs. Mais peut-\u00eatre que \u00e7a, on va le d\u00e9couvrir \u00e0 travers leurs vid\u00e9os\u2026<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Fanny : Oui, exact. \u00c0 travers ses vid\u00e9os, le Wu-Tang ne cherche pas \u00e0 se cr\u00e9er une mythologie particuli\u00e8re, comme \u00e7a peut \u00eatre le cas dans le gangsta rap de Snoop et Dre dont on parlait tout \u00e0 l\u2019heure. Au contraire, on est dans le t\u00e9moignage presque documentaire, de la m\u00eame mani\u00e8re que les paroles des morceaux sont brutes, sinc\u00e8res et sans compromis. Rapper, pour eux, c\u2019est avant tout t\u00e9moigner de ce qu\u2019on vit, de ce qu\u2019on est, de l\u00e0 d\u2019o\u00f9 on vient.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Et c\u2019est ce qu\u2019on va voir dans le clip de C.R.E.A.M. :<\/span><\/p>\n<p><b>INSERT \u2014 <\/b><span style=\"font-weight: 400;\">Wu-Tang Clan, \u00ab C.R.E.A.M. \u00bb (clip)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ce clip a \u00e9t\u00e9 tourn\u00e9 en 1994 \u00e0 Park Hill, le fameux quartier de Staten Island que j\u2019ai mentionn\u00e9 un peu plus t\u00f4t. On est litt\u00e9ralement au pied des cit\u00e9s, dans le tier-quar o\u00f9 ont grandi la majorit\u00e9 des membres du Wu-Tang. La vid\u00e9o d\u00e9crit de mani\u00e8re lin\u00e9aire ce que Raekwon et Inspectah Deck racontent dans leurs couplets : toute la difficult\u00e9 qu\u2019il y a \u00e0 se faire une place en tant que jeune Noir dans une soci\u00e9t\u00e9 am\u00e9ricaine raciste et pleine d\u2019injustices, l\u2019enfance un peu gal\u00e8re sans figure paternelle, les premi\u00e8res conneries li\u00e9es \u00e0 la drogue, les arrestations.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On voit \u00e0 la fois des plans de rue sur les musiciens en train de chanter, et d\u2019autres plans plus sc\u00e9naris\u00e9s qui op\u00e8rent comme des flashbacks sur leur enfance, leur adolescence. Le sc\u00e9nario progresse jusqu\u2019\u00e0 la r\u00e9union, dans le pr\u00e9sent, de tous les membres du Wu-Tang autour d\u2019une table o\u00f9 le champagne coule \u00e0 flot, avec des gros sacs blancs remplis \u00e0 ras bord de grosses thunes. \u00ab Cash Rules Everything Around Me. C.R.E.A.M. Get the money. Dollar, dollar bill, y\u2019all. \u00bb<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La moralit\u00e9 de l\u2019histoire, c\u2019est que le cash, le C.R.E.A.M., c\u2019est bien, mais c\u2019est encore mieux quand on le gagne en se donnant les moyens de d\u00e9velopper son talent, et pas en tombant dans la d\u00e9linquance. Plus facile \u00e0 dire qu\u2019\u00e0 faire, je vous laisse sur ces bonnes paroles.<\/span>[\/vc_column_text][\/toggle][\/toggles][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbin_container\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbnone\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb top_padding=\u00a0\u00bb0&Prime; bottom_padding=\u00a0\u00bb0&Prime; left_padding_desktop=\u00a0\u00bb0&Prime; right_padding_desktop=\u00a0\u00bb0&Prime; text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3&Prime; gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1&Prime; 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css=\u00a0\u00bb.vc_custom_1663856470951{padding-top: 0px !important;}\u00a0\u00bb]Chaque mois dans Radio K7 on discute d\u2019un album avec mes copains autour d\u2019une table, parfois avec des invit\u00e9s comme P\u00e9n\u00e9lope Bagieu ou Nicolas Berno. Il y a des chroniques et des d\u00e9bats, on s&rsquo;interroge sur l\u2019histoire du disque : comment il a \u00e9t\u00e9 produit, ce qui a fait son succ\u00e8s, et puis finalement ce qu&rsquo;on a envie d&rsquo;en retenir 20 ou 30 ans plus tard.<\/p>\n<p><b>Le 5 janvier 2020, Radio K7 est devenu le premier podcast ind\u00e9pendant sur la musique en France au classement Apple Podcast !<\/b>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbpadding-2-percent\u00a0\u00bb column_padding_phone=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb top_margin_tablet=\u00a0\u00bb0&Prime; left_margin_tablet=\u00a0\u00bb0&Prime; right_margin_tablet=\u00a0\u00bb0&Prime; top_margin_phone=\u00a0\u00bb0&Prime; column_element_direction_desktop=\u00a0\u00bbdefault\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb desktop_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1&Prime; background_hover_color_opacity=\u00a0\u00bb1&Prime; column_backdrop_filter=\u00a0\u00bbnone\u00a0\u00bb column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb el_class=\u00a0\u00bbpaddbot90 img100-foot1&Prime; gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3&Prime; width=\u00a0\u00bb1\/2&Prime; tablet_width_inherit=\u00a0\u00bbsmall_desktop\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb enable_animation=\u00a0\u00bbtrue\u00a0\u00bb animation=\u00a0\u00bbfade-in-from-bottom\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb column_padding_type=\u00a0\u00bbdefault\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbGT size50 pod_violet txt28 margintopmob vc_custom_1662370609207&Prime; css=\u00a0\u00bb.vc_custom_1663856419329{margin-bottom: 0px !important;}\u00a0\u00bb]<span style=\"font-weight: 400;\">\u00ab On veut red\u00e9couvrir les 90s, apprendre des trucs et se marrer. \u00bb<\/span>[\/vc_column_text][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 marginbottom1mob\u00a0\u00bb]Manu, Fanny, Olivia et Gr\u00e9goire [\/vc_column_text][image_with_animation image_url=\u00a0\u00bb131&Prime; image_size=\u00a0\u00bbfull\u00a0\u00bb animation_type=\u00a0\u00bbentrance\u00a0\u00bb animation=\u00a0\u00bbFade In\u00a0\u00bb animation_easing=\u00a0\u00bbdefault\u00a0\u00bb animation_movement_type=\u00a0\u00bbtransform_y\u00a0\u00bb hover_animation=\u00a0\u00bbnone\u00a0\u00bb alignment=\u00a0\u00bb\u00a0\u00bb border_radius=\u00a0\u00bbnone\u00a0\u00bb box_shadow=\u00a0\u00bbnone\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bbnone\u00a0\u00bb max_width_mobile=\u00a0\u00bbdefault\u00a0\u00bb margin_left=\u00a0\u00bb10%\u00a0\u00bb margin_right=\u00a0\u00bb10%\u00a0\u00bb margin_left_phone=\u00a0\u00bb0&Prime; margin_right_phone=\u00a0\u00bb0&Prime;][vc_column_text el_class=\u00a0\u00bbsize18 pod_violet txt28 sep66&Prime; css=\u00a0\u00bb.vc_custom_1663856492497{padding-top: 0px !important;}\u00a0\u00bb]\u201c Le but de ce podcast c&rsquo;est de red\u00e9couvrir la bande-son des nineties. 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Et ouais il sont 9 ! Ce sont les guerriers du Wu-Tang Clan. Au d\u00e9but des 90s tout s&rsquo;acc\u00e9l\u00e8re&#8230;<\/p>\n","protected":false},"author":2,"featured_media":314,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-318","post","type-post","status-publish","format-standard","has-post-thumbnail","category-hip-hop"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Wu-Tang Clan &quot;Enter The Wu-Tang&quot; (1993) : une attaque foudroyante au sabre chinois<\/title>\n<meta name=\"description\" content=\"Radio K7 raconte Dans cet \u00e9pisode, on va vous parler de RZA, GZA, Ol&#039; Dirty Bastard, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God,\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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